# Daily Records > A music blog serving up a (not so) daily record recommendation, by Pulin Kothari Public Ghost content for AI and LLM tooling. This file includes a bounded export of public pages first, then recent public posts. Append `.md` to any post or page URL to get the content in Markdown (for example, `/example-post.md`). ## Pages ### Welcome to Daily Records and Other Auditory Musings URL: https://www.auditorymusings.net/about/ Last updated: 2024-04-10T01:16:10.000Z Daily Records is a music blog serving up a (not so) daily record recommendation. My hope is to introduce you to a lot of new music as well as re-introduce you to some older, great classics that you may not have listened to in awhile. I’m not a musician but I love listening to music and sharing new finds (and gems from the past) with others. So, while you contemplate whether to subscribe to my newsletter (hint: just do it!), please enjoy this Who song, after which my blog is named. Links to my playlists containing all mentioned songs can be found on every page. Thank you, Pulin Kothari, MD ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/01/IMG_0888-4.jpg) ### Search URL: https://www.auditorymusings.net/search/ Last updated: 2026-06-21T22:08:11.000Z _No content available._ ### Community Guidelines for Commenting URL: https://www.auditorymusings.net/community-guidelines-for-commenting/ Last updated: 2022-08-15T19:27:53.000Z One of the best things about sharing work online is being able to engage with the community that forms around it. That's you! The comments section on this site is a space for you to chat with other members,share knowledge and experiences, and share what content you enjoyed the most. To help keep the community safe, constructive and fun, here are a few best practices to keep in mind. Thanks for your help & support. ❤️ ### **Respect each other.** This should be a safe and inviting community for everyone, so it's expected that all members be civil and respectful in their interactions. Like any online community, we're a group of people with a range of experiences and beliefs, many of which may differ from your own. Consider this a gift — interesting and challenging perspectives can open doors you didn't even know existed. ### **Share your real name and expertise.** When you publish your first comment on this site, you'll be prompted to complete a member profile, with your name and expertise. You can also update this any time. Using your real name and sharing your expertise or lived experience helps give context to valuable discussions. Sharing these extra details alongside your comments shows the perspective from which you are joining the conversation. ### **Stay on topic, and share your sources.** A new post might prompt a dozen different types of responses, from a reader sharing a personal story to a newcomer asking for clarification. In every instance, do your best to stay on topic, support your replies with additional context or sources where appropriate, and focus on discussing the ideas presented. - Link to trustworthy articles, reports, and sources to support your arguments. - Only share links to your own content when it directly adds to the conversation. Please don't spam. Nobody likes spam. Nobody. If you've contributed to the conversation and someone else replies to your thread, you'll be notified by email. You can choose to switch these emails off in your member account settings, under email preferences. ### **Keep it constructive and kind.** Constructive contributions are the best kind. If you have knowledge that places the topic of the post in a new light, or if you have feedback about the subject matter — it's best shared in a way that helps everyone feel like this is a space where new ideas are respected and valued. With every comment you make, you add to the dialogue. Many people may read your words and use them to shape their ideas and feelings about a topic, event, or person. Employ that influence wisely. Move the collective conversation forward, and invite others to follow your lead. ### **Flag inappropriate interactions.** As a member, you can help maintain a safe and inviting space by reporting any behaviour that goes against these guidelines. If you see someone being rude, negative, hateful, divisive, or combative in the comments section, flag it. All you need to do is click the three dots next to the inappropriate comment, and then click **Report comment**. These reports are taken seriously, and there's a zero tolerance policy for abusive behaviour. ### **Be the you online that you are in-person.** Most people are kind and well-intentioned humans. Although it may seem like the opposite is true on the internet at times, the reality is that people tend to follow the majority. You can help keep the tone of this space friendly and fun if you lead the way with insightful, humane language. Let's keep this a space that you want to spend time in. That’s it! If you’ve scrolled this far, thank you for being a valued member, and see you in the comments! ### Privacy Notice URL: https://www.auditorymusings.net/privacy-notice/ Last updated: 2022-08-17T17:38:05.000Z **PRIVACY NOTICE** **Last updated August 16, 2022** This privacy notice for Auditory Musings ("**Company**," "**we**," "**us**," or "**our**"), describes how and why we might collect, store, use, and/or share ("**process**") your information when you use our services ("**Services**"), such as when you: - Visit our website at [http://www.auditorymusings.net](https://www.auditorymusings.net/), or any website of ours that links to this privacy notice - Engage with us in other related ways, including any sales, marketing, or events **Questions or concerns?** Reading this privacy notice will help you understand your privacy rights and choices. If you do not agree with our policies and practices, please do not use our Services. If you still have any questions or concerns, please contact us at info@auditorymusings.com. **SUMMARY OF KEY POINTS** ***This summary provides key points from our privacy notice, but you can find out more details about any of these topics by clicking the link following each key point or by using our table of contents below to find the section you are looking for. You can also click*** [***here***](#toc) ***to go directly to our table of contents.*** **What personal information do we process?** When you visit, use, or navigate our Services, we may process personal information depending on how you interact with Auditory Musings and the Services, the choices you make, and the products and features you use. Click [here](#personalinfo) to learn more. **Do we process any sensitive personal information?** We do not process sensitive personal information. **Do we receive any information from third parties?** We do not receive any information from third parties. **How do we process your information?** We process your information to provide, improve, and administer our Services, communicate with you, for security and fraud prevention, and to comply with law. We may also process your information for other purposes with your consent. We process your information only when we have a valid legal reason to do so. Click [here](#infouse) to learn more. **In what situations and with which types of parties do we share personal information?** We may share information in specific situations and with specific categories of third parties. Click [here](#whoshare) to learn more. **What are your rights?** Depending on where you are located geographically, the applicable privacy law may mean you have certain rights regarding your personal information. Click [here](#privacyrights) to learn more. **How do you exercise your rights?** The easiest way to exercise your rights is by filling out our data subject request form available [here](https://app.termly.io/notify/27a06fb2-a13a-4926-a8c6-d6e931994fd4?ref=auditorymusings.net), or by contacting us. We will consider and act upon any request in accordance with applicable data protection laws. Want to learn more about what Auditory Musings does with any information we collect? Click [here](#toc) to review the notice in full. **TABLE OF CONTENTS** [1\. WHAT INFORMATION DO WE COLLECT?](#infocollect) [2\. HOW DO WE PROCESS YOUR INFORMATION?](#infouse) [3\. WHAT LEGAL BASES DO WE RELY ON TO PROCESS YOUR PERSONAL INFORMATION?](#legalbases) [4\. WHEN AND WITH WHOM DO WE SHARE YOUR PERSONAL INFORMATION?](#whoshare) [5\. DO WE USE COOKIES AND OTHER TRACKING TECHNOLOGIES?](#cookies) [6\. HOW LONG DO WE KEEP YOUR INFORMATION?](#inforetain) [7\. DO WE COLLECT INFORMATION FROM MINORS?](#infominors) [8\. WHAT ARE YOUR PRIVACY RIGHTS?](#privacyrights) [9\. CONTROLS FOR DO-NOT-TRACK FEATURES](#DNT) [10\. DO CALIFORNIA RESIDENTS HAVE SPECIFIC PRIVACY RIGHTS?](#caresidents) [11\. DO WE MAKE UPDATES TO THIS NOTICE?](#policyupdates) [12\. HOW CAN YOU CONTACT US ABOUT THIS NOTICE?](#contact) [13\. HOW CAN YOU REVIEW, UPDATE, OR DELETE THE DATA WE COLLECT FROM YOU?](#request) **1\. WHAT INFORMATION DO WE COLLECT?** **Personal information you disclose to us** ***In Short:*** *We collect personal information that you provide to us.* We collect personal information that you voluntarily provide to us when you register on the Services, express an interest in obtaining information about us or our products and Services, when you participate in activities on the Services, or otherwise when you contact us. **Personal Information Provided by You.** The personal information that we collect depends on the context of your interactions with us and the Services, the choices you make, and the products and features you use. The personal information we collect may include the following: - names - email addresses **Sensitive Information.** We do not process sensitive information. All personal information that you provide to us must be true, complete, and accurate, and you must notify us of any changes to such personal information. **Information automatically collected** ***In Short:*** *Some information — such as your Internet Protocol (IP) address and/or browser and device characteristics — is collected automatically when you visit our Services.* We automatically collect certain information when you visit, use, or navigate the Services. This information does not reveal your specific identity (like your name or contact information) but may include device and usage information, such as your IP address, browser and device characteristics, operating system, language preferences, referring URLs, device name, country, location, information about how and when you use our Services, and other technical information. This information is primarily needed to maintain the security and operation of our Services, and for our internal analytics and reporting purposes. Like many businesses, we also collect information through cookies and similar technologies. The information we collect includes: - *Log and Usage Data.* Log and usage data is service-related, diagnostic, usage, and performance information our servers automatically collect when you access or use our Services and which we record in log files. Depending on how you interact with us, this log data may include your IP address, device information, browser type, and settings and information about your activity in the Services (such as the date/time stamps associated with your usage, pages and files viewed, searches, and other actions you take such as which features you use), device event information (such as system activity, error reports (sometimes called "crash dumps"), and hardware settings). - *Device Data.* We collect device data such as information about your computer, phone, tablet, or other device you use to access the Services. Depending on the device used, this device data may include information such as your IP address (or proxy server), device and application identification numbers, location, browser type, hardware model, Internet service provider and/or mobile carrier, operating system, and system configuration information. - *Location Data.* We collect location data such as information about your device's location, which can be either precise or imprecise. How much information we collect depends on the type and settings of the device you use to access the Services. For example, we may use GPS and other technologies to collect geolocation data that tells us your current location (based on your IP address). You can opt out of allowing us to collect this information either by refusing access to the information or by disabling your Location setting on your device. However, if you choose to opt out, you may not be able to use certain aspects of the Services. **2\. HOW DO WE PROCESS YOUR INFORMATION?** ***In Short:*** *We process your information to provide, improve, and administer our Services, communicate with you, for security and fraud prevention, and to comply with law. We may also process your information for other purposes with your consent.* **We process your personal information for a variety of reasons, depending on how you interact with our Services, including:** - **To facilitate account creation and authentication and otherwise manage user accounts.** We may process your information so you can create and log in to your account, as well as keep your account in working order. - **To save or protect an individual's vital interest.** We may process your information when necessary to save or protect an individual’s vital interest, such as to prevent harm. **3\. WHAT LEGAL BASES DO WE RELY ON TO PROCESS YOUR INFORMATION?** **In Short:* We only process your personal information when we believe it is necessary and we have a valid legal reason (i.e., legal basis) to do so under applicable law, like with your consent, to comply with laws, to provide you with services to enter into or fulfill our contractual obligations, to protect your rights, or to fulfill our legitimate business interests.* **If you are located in the EU or UK, this section applies to you.** The General Data Protection Regulation (GDPR) and UK GDPR require us to explain the valid legal bases we rely on in order to process your personal information. As such, we may rely on the following legal bases to process your personal information: - **Consent.** We may process your information if you have given us permission (i.e., consent) to use your personal information for a specific purpose. You can withdraw your consent at any time. Click [here](#withdrawconsent) to learn more. - **Legal Obligations.** We may process your information where we believe it is necessary for compliance with our legal obligations, such as to cooperate with a law enforcement body or regulatory agency, exercise or defend our legal rights, or disclose your information as evidence in litigation in which we are involved. - **Vital Interests.** We may process your information where we believe it is necessary to protect your vital interests or the vital interests of a third party, such as situations involving potential threats to the safety of any person. ***If you are located in Canada, this section applies to you.*** We may process your information if you have given us specific permission (i.e., express consent) to use your personal information for a specific purpose, or in situations where your permission can be inferred (i.e., implied consent). You can withdraw your consent at any time. Click [here](#withdrawconsent) to learn more. In some exceptional cases, we may be legally permitted under applicable law to process your information without your consent, including, for example: - If collection is clearly in the interests of an individual and consent cannot be obtained in a timely way - For investigations and fraud detection and prevention - For business transactions provided certain conditions are met - If it is contained in a witness statement and the collection is necessary to assess, process, or settle an insurance claim - For identifying injured, ill, or deceased persons and communicating with next of kin - If we have reasonable grounds to believe an individual has been, is, or may be victim of financial abuse - If it is reasonable to expect collection and use with consent would compromise the availability or the accuracy of the information and the collection is reasonable for purposes related to investigating a breach of an agreement or a contravention of the laws of Canada or a province - If disclosure is required to comply with a subpoena, warrant, court order, or rules of the court relating to the production of records - If it was produced by an individual in the course of their employment, business, or profession and the collection is consistent with the purposes for which the information was produced - If the collection is solely for journalistic, artistic, or literary purposes - If the information is publicly available and is specified by the regulations **4\. WHEN AND WITH WHOM DO WE SHARE YOUR PERSONAL INFORMATION?** ***In Short:*** *We may share information in specific situations described in this section and/or with the following categories of third parties.* **Vendors, Consultants, and Other Third-Party Service Providers.** We may share your data with third-party vendors, service providers, contractors, or agents ("**third parties**") who perform services for us or on our behalf and require access to such information to do that work. We have contracts in place with our third parties, which are designed to help safeguard your personal information. This means that they cannot do anything with your personal information unless we have instructed them to do it. They will also not share your personal information with any organization apart from us. They also commit to protect the data they hold on our behalf and to retain it for the period we instruct. The categories of third parties we may share personal information with are as follows: We also may need to share your personal information in the following situations: - **Business Transfers.** We may share or transfer your information in connection with, or during negotiations of, any merger, sale of company assets, financing, or acquisition of all or a portion of our business to another company. **5\. DO WE USE COOKIES AND OTHER TRACKING TECHNOLOGIES?** ***In Short:*** *We may use cookies and other tracking technologies to collect and store your information.* We may use cookies and similar tracking technologies (like web beacons and pixels) to access or store information. Specific information about how we use such technologies and how you can refuse certain cookies is set out in our Cookie Notice. **6\. HOW LONG DO WE KEEP YOUR INFORMATION?** ***In Short:*** *We keep your information for as long as necessary to fulfill the purposes outlined in this privacy notice unless otherwise required by law.* We will only keep your personal information for as long as it is necessary for the purposes set out in this privacy notice, unless a longer retention period is required or permitted by law (such as tax, accounting, or other legal requirements). No purpose in this notice will require us keeping your personal information for longer than the period of time in which users have an account with us. When we have no ongoing legitimate business need to process your personal information, we will either delete or anonymize such information, or, if this is not possible (for example, because your personal information has been stored in backup archives), then we will securely store your personal information and isolate it from any further processing until deletion is possible. **7\. DO WE COLLECT INFORMATION FROM MINORS?** ***In Short:*** *We do not knowingly collect data from or market to children under 18 years of age.* We do not knowingly solicit data from or market to children under 18 years of age. By using the Services, you represent that you are at least 18 or that you are the parent or guardian of such a minor and consent to such minor dependent’s use of the Services. If we learn that personal information from users less than 18 years of age has been collected, we will deactivate the account and take reasonable measures to promptly delete such data from our records. If you become aware of any data we may have collected from children under age 18, please contact us at info@auditorymusings.com. **8\. WHAT ARE YOUR PRIVACY RIGHTS?** ***In Short:*** *In some regions, such as the European Economic Area (EEA), United Kingdom (UK), and Canada, you have rights that allow you greater access to and control over your personal information. You may review, change, or terminate your account at any time.* In some regions (like the EEA, UK, and Canada), you have certain rights under applicable data protection laws. These may include the right (i) to request access and obtain a copy of your personal information, (ii) to request rectification or erasure; (iii) to restrict the processing of your personal information; and (iv) if applicable, to data portability. In certain circumstances, you may also have the right to object to the processing of your personal information. You can make such a request by contacting us by using the contact details provided in the section "[HOW CAN YOU CONTACT US ABOUT THIS NOTICE?](#contact)" below. We will consider and act upon any request in accordance with applicable data protection laws. If you are located in the EEA or UK and you believe we are unlawfully processing your personal information, you also have the right to complain to your local data protection supervisory authority. You can find their contact details here: [https://ec.europa.eu/justice/data-protection/bodies/authorities/index\_en.htm](https://ec.europa.eu/justice/data-protection/bodies/authorities/index%5Fen.htm?ref=auditorymusings.net). If you are located in Switzerland, the contact details for the data protection authorities are available here: [https://www.edoeb.admin.ch/edoeb/en/home.html](https://www.edoeb.admin.ch/edoeb/en/home.html?ref=auditorymusings.net). **Withdrawing your consent:** If we are relying on your consent to process your personal information, which may be express and/or implied consent depending on the applicable law, you have the right to withdraw your consent at any time. You can withdraw your consent at any time by contacting us by using the contact details provided in the section "[HOW CAN YOU CONTACT US ABOUT THIS NOTICE?](#contact)" below. However, please note that this will not affect the lawfulness of the processing before its withdrawal nor, when applicable law allows, will it affect the processing of your personal information conducted in reliance on lawful processing grounds other than consent. **Account Information** If you would at any time like to review or change the information in your account or terminate your account, you can: - Log in to your account settings and update your user account. Upon your request to terminate your account, we will deactivate or delete your account and information from our active databases. However, we may retain some information in our files to prevent fraud, troubleshoot problems, assist with any investigations, enforce our legal terms and/or comply with applicable legal requirements. **Cookies and similar technologies:** Most Web browsers are set to accept cookies by default. If you prefer, you can usually choose to set your browser to remove cookies and to reject cookies. If you choose to remove cookies or reject cookies, this could affect certain features or services of our Services. To opt out of interest-based advertising by advertisers on our Services visit [http://www.aboutads.info/choices/](http://www.aboutads.info/choices/?ref=auditorymusings.net). If you have questions or comments about your privacy rights, you may email us at info@auditorymusings.com. **9\. CONTROLS FOR DO-NOT-TRACK FEATURES** Most web browsers and some mobile operating systems and mobile applications include a Do-Not-Track ("DNT") feature or setting you can activate to signal your privacy preference not to have data about your online browsing activities monitored and collected. At this stage no uniform technology standard for recognizing and implementing DNT signals has been finalized. As such, we do not currently respond to DNT browser signals or any other mechanism that automatically communicates your choice not to be tracked online. If a standard for online tracking is adopted that we must follow in the future, we will inform you about that practice in a revised version of this privacy notice. **10\. DO CALIFORNIA RESIDENTS HAVE SPECIFIC PRIVACY RIGHTS?** ***In Short:*** *Yes, if you are a resident of California, you are granted specific rights regarding access to your personal information.* California Civil Code Section 1798.83, also known as the "Shine The Light" law, permits our users who are California residents to request and obtain from us, once a year and free of charge, information about categories of personal information (if any) we disclosed to third parties for direct marketing purposes and the names and addresses of all third parties with which we shared personal information in the immediately preceding calendar year. If you are a California resident and would like to make such a request, please submit your request in writing to us using the contact information provided below. If you are under 18 years of age, reside in California, and have a registered account with Services, you have the right to request removal of unwanted data that you publicly post on the Services. To request removal of such data, please contact us using the contact information provided below and include the email address associated with your account and a statement that you reside in California. We will make sure the data is not publicly displayed on the Services, but please be aware that the data may not be completely or comprehensively removed from all our systems (e.g., backups, etc.). **11\. DO WE MAKE UPDATES TO THIS NOTICE?** **In Short:* Yes, we will update this notice as necessary to stay compliant with relevant laws.* We may update this privacy notice from time to time. The updated version will be indicated by an updated "Revised" date and the updated version will be effective as soon as it is accessible. If we make material changes to this privacy notice, we may notify you either by prominently posting a notice of such changes or by directly sending you a notification. We encourage you to review this privacy notice frequently to be informed of how we are protecting your information. **12\. HOW CAN YOU CONTACT US ABOUT THIS NOTICE?** If you have questions or comments about this notice, you may email us at info@auditorymusings.com or by post to: Auditory Musings \_\_\_\_\_\_\_\_\_\_ \_\_\_\_\_\_\_\_\_\_ **13\. HOW CAN YOU REVIEW, UPDATE, OR DELETE THE DATA WE COLLECT FROM YOU?** Based on the applicable laws of your country, you may have the right to request access to the personal information we collect from you, change that information, or delete it. To request to review, update, or delete your personal information, please submit a request form by clicking [here](https://app.termly.io/notify/27a06fb2-a13a-4926-a8c6-d6e931994fd4?ref=auditorymusings.net). This privacy policy was created using Termly's [Privacy Policy Generator](https://termly.io/products/privacy-policy-generator/?ref=auditorymusings.net). ### Cookie Policy URL: https://www.auditorymusings.net/cookie-policy/ Last updated: 2022-08-17T17:36:03.000Z **COOKIE POLICY** **Last updated August 16, 2022** This Cookie Policy explains how Auditory Musings ("**Company**", "**we**", "**us**", and "**our**") uses cookies and similar technologies to recognize you when you visit our websites at [http://www.auditorymusings.net](https://www.auditorymusings.net/), ("**Websites**"). It explains what these technologies are and why we use them, as well as your rights to control our use of them. In some cases we may use cookies to collect personal information, or that becomes personal information if we combine it with other information. **What are cookies?** Cookies are small data files that are placed on your computer or mobile device when you visit a website. Cookies are widely used by website owners in order to make their websites work, or to work more efficiently, as well as to provide reporting information. Cookies set by the website owner (in this case, Auditory Musings) are called "first party cookies". Cookies set by parties other than the website owner are called "third party cookies". Third party cookies enable third party features or functionality to be provided on or through the website (e.g. like advertising, interactive content and analytics). The parties that set these third party cookies can recognize your computer both when it visits the website in question and also when it visits certain other websites. **Why do we use cookies?** We use first and third party cookies for several reasons. Some cookies are required for technical reasons in order for our Websites to operate, and we refer to these as "essential" or "strictly necessary" cookies. Other cookies also enable us to track and target the interests of our users to enhance the experience on our Online Properties. Third parties serve cookies through our Websites for advertising, analytics and other purposes. This is described in more detail below. The specific types of first and third party cookies served through our Websites and the purposes they perform are described below (please note that the specific cookies served may vary depending on the specific Online Properties you visit): **How can I control cookies?** You have the right to decide whether to accept or reject cookies. You can exercise your cookie rights by setting your preferences in the Cookie Consent Manager. The Cookie Consent Manager allows you to select which categories of cookies you accept or reject. Essential cookies cannot be rejected as they are strictly necessary to provide you with services. The Cookie Consent Manager can be found in the notification banner and on our website. If you choose to reject cookies, you may still use our website though your access to some functionality and areas of our website may be restricted. You may also set or amend your web browser controls to accept or refuse cookies. As the means by which you can refuse cookies through your web browser controls vary from browser-to-browser, you should visit your browser's help menu for more information. In addition, most advertising networks offer you a way to opt out of targeted advertising. If you would like to find out more information, please visit [http://www.aboutads.info/choices/](http://www.aboutads.info/choices/?ref=auditorymusings.net) or [http://www.youronlinechoices.com](http://www.youronlinechoices.com/?ref=auditorymusings.net). The specific types of first and third party cookies served through our Websites and the purposes they perform are described in the table below (please note that the specific cookies served may vary depending on the specific Online Properties you visit): **Essential website cookies:** These cookies are strictly necessary to provide you with services available through our Websites and to use some of its features, such as access to secure areas. | Name: | \_\_tlbcpv | | ----------- | --------------------------------------------------------------------------------------------------- | | Purpose: | Used to record unique visitor views of the consent banner. | | Provider: | .termly.io | | Service: | Termly [View Service Privacy Policy](https://termly.io/our-privacy-policy/?ref=auditorymusings.net) | | Country: | United States | | Type: | http\_cookie | | Expires in: | 1 year | **Performance and functionality cookies:** These cookies are used to enhance the performance and functionality of our Websites but are non-essential to their use. However, without these cookies, certain functionality (like videos) may become unavailable. | Name: | PHPSESSID | | ----------- | -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- | | Purpose: | Cookie generated by applications based on the PHP language. This is a general purpose identifier used to maintain user session variables. It is normally a random generated number, how it is used can be specific to the site, but a good example is maintaining a logged-in status for a user between pages. | | Provider: | log.hitsteps.net | | Service: | PHP.net [View Service Privacy Policy](https://www.php.net/privacy.php?ref=auditorymusings.net) | | Country: | United States | | Type: | server\_cookie | | Expires in: | session | **Analytics and customization cookies:** These cookies collect information that is used either in aggregate form to help us understand how our Websites are being used or how effective our marketing campaigns are, or to help us customize our Websites for you. | Name: | \_ga | | ----------- | ------------------------------------------------------------------------------------------------------------------------------------- | | Purpose: | It records a particular ID used to come up with data about website usage by the user. It is a HTTP cookie that expires after 2 years. | | Provider: | .auditorymusings.net | | Service: | Google Analytics [View Service Privacy Policy](https://policies.google.com/technologies/ads?ref=auditorymusings.net) | | Country: | Netherlands | | Type: | http\_cookie | | Expires in: | 1 year 11 months 29 days | | Name: | \_ga\_# | | ----------- | ----------------------------------------------------------------------------------------------------------------------------------------------------------------- | | Purpose: | Used to distinguish individual users by means of designation of a randomly generated number as client identifier, which allows calculation of visits and sessions | | Provider: | .auditorymusings.net | | Service: | Google analytics [View Service Privacy Policy](https://policies.google.com/technologies/ads?ref=auditorymusings.net) | | Country: | Netherlands | | Type: | http\_cookie | | Expires in: | 1 year 11 months 29 days | **Advertising cookies:** These cookies are used to make advertising messages more relevant to you. They perform functions like preventing the same ad from continuously reappearing, ensuring that ads are properly displayed for advertisers, and in some cases selecting advertisements that are based on your interests. | Name: | VISITOR\_INFO1\_LIVE | | ----------- | ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- | | Purpose: | YouTube is a Google-owned platform for hosting and sharing videos. YouTube collects user data through videos embedded in websites, which is aggregated with profile data from other Google services in order to display targeted advertising to web visitors across a broad range of their own and other websites. Used by Google in combination with SID to verify Google user account and most recent login time. | | Provider: | .youtube.com | | Service: | YouTube [View Service Privacy Policy](https://www.youtube.com/static?template=privacy%5Fguidelines&gl=GB&ref=auditorymusings.net) | | Country: | United States | | Type: | server\_cookie | | Expires in: | 5 months 27 days | | Name: | YSC | | ----------- | ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- | | Purpose: | YouTube is a Google-owned platform for hosting and sharing videos. YouTube collects user data through videos embedded in websites, which is aggregated with profile data from other Google services in order to display targeted advertising to web visitors across a broad range of their own and other websites. Used by Google in combination with SID to verify Google user account and most recent login time. | | Provider: | .youtube.com | | Service: | YouTube [View Service Privacy Policy](https://www.youtube.com/static?template=privacy%5Fguidelines&gl=GB&ref=auditorymusings.net) | | Country: | United States | | Type: | http\_cookie | | Expires in: | session | **Unclassified cookies:** These are cookies that have not yet been categorized. 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The date at the top of this Cookie Policy indicates when it was last updated. **Where can I get further information?** If you have any questions about our use of cookies or other technologies, please email us at info@auditorymusings.com or by post to: Auditory Musings \_\_\_\_\_\_\_\_\_\_ \_\_\_\_\_\_\_\_\_\_ Phone: \_\_\_\_\_\_\_\_\_\_ This cookie policy was created using Termly's [Cookie Consent Manager](https://termly.io/products/cookie-consent-manager/?ref=auditorymusings.net). ### NAMRATA KOTHARI MEMORIAL SCHOLARSHIP URL: https://www.auditorymusings.net/namrata/ Last updated: 2026-06-21T22:38:12.000Z My wife, Namrata, died on April 20, 2025\. This scholarship was created in loving memory of her. Namrata devoted countless hours to the Memorial High School (Houston, Texas, USA) tennis team during the years our sons were on the team. She was Varsity Team Mom at the time of her passing and this scholarship is given to honor two outstanding MHS Varsity Tennis players. Each year, one varsity tennis girl and one varsity tennis boy will be awarded money from this fund to help with their college expenses. If you would like to donate to the students / players / team Namrata felt so passionately about, please click the button below. Thank you, Pulin [DONATE](https://www.paypal.com/donate/?hosted%5Fbutton%5Fid=REMC6RCCTFBA2&ref=auditorymusings.net) ## Posts ### 298. IT GOES ON by Westside Cowboy URL: https://www.auditorymusings.net/it-goes-on-by-westside-cowboy/ Last updated: 2026-08-30T05:09:48.000Z I haven't written about a record in a while. It hasn't been for a lack of listening but more likely a lack of enthusiasm for the albums I've heard so far (here's looking at you Wolf Alice; the new Phoebe Bridgers is slowly growing on me, though...stay tuned). Anyway, I'm *finally* motivated - this 2026 full length debut (they have a couple of EPs under their belts) by Manchester, UK foursome Westside Cowboy did the trick. If you've ever wondered what the genre indie rock truly sounds like and how it's different from alt-rock, then this is the record for you. A lot of guitars, driving drum beats and some quirkiness leaves me (and perhaps you) with one of the best debuts I've heard in some time. 'Kick Stones (The Boys),' 'Pin Up Boys,' 'Worried Age' and 'Drobo' will give you a proper taste. Check out the tracks via the link above or on my Daily Records playlists on Apple Music, Tidal and Spotify. The look on bassist Aoife Anson O'Connell's face around 3:05 onwards is me for the past year and a half ### 297. ROOTS AND WINGS by Amani Burnham URL: https://www.auditorymusings.net/roots-and-wings-by-amani-burnham/ Last updated: 2026-06-01T10:00:19.000Z The blues is back baby. Or is it the blues *are* back? Whichever it is, it's back. This just released 2026 debut record comes to us from Ethiopian-born, Connecticut-raised Amani Burnham. Once you listen to this album you'll find it hard to believe that he's only 21 years old. It feels like he's had the blues flowing through his veins for a lifetime. You'll hear Jimi, you'll hear Stevie Ray, you'll hear Muddy - you'll hear all the blues greats being channeled through Burnham's fingers (and thumb - his unique picking style). I think the track to start off with is 'The Last Thing I Remember' which really showcases his playing and soloing. 'Bleeding Heart' takes a 2 minute and change Elmore James original and stretches it out into an almost 8 minute long slow burn. The last two tracks I'd want you to give a listen to are 'Midnight Waterfall' and title track 'Roots & Wings,' both of which pay homage to Jimi Hendrix not only in playing and singing style but also a "kiss the sky" reference in the latter song. I haven't been this excited about a new artist in a while and I can't wait to see him live. ### 296. DEDICATION by Mirah URL: https://www.auditorymusings.net/dedication-by-mirah/ Last updated: 2026-02-26T11:00:00.000Z This 2026 record is the seventh by American indie artist Mirah whose musical career has spanned more than a quarter century though this is the first time I had heard of her. This album took many years to make having been thrown off course by the pandemic, the death of a parent, the birth of a child and, generally, life. I came across this record only a few days ago and have been listening to it on and off since. What resonates with me is the slide guitar on 'After the Rain' (I'm a sucker for slide), the playfulness of 'Stumbling' and the somberness of 'New Jersey Turnpike' which is about the death of her father which I can, understandably, find a connection to. Once you listen to that track, try and get that piano motif out of your head (not that you would want to, it's beautiful...). ### 295. PERMANENT WAVES by Rush URL: https://www.auditorymusings.net/permanent-waves-by-rush/ Last updated: 2026-02-25T11:00:46.000Z I've been listening to a lot of Rush over the past few weeks. When I say a lot I basically mean I've been going back and forth between *Permanent Waves* and *Moving Pictures* (two of my three favorite Rush records, the third being *Signals*). You see I'm one of those "mainstream" Rush fans. I love the songs that get played on the radio but almost never listen to the other tracks on their records. So, I'm being somewhat of a hypocrite in covering this 1980 record as I probably listened all the way through maybe 5 times in the last 45 years. I've got musician friends who are the hardcore Rush fans - they know all the obscure (to me) songs and spend hours learning to play them in their [band](https://www.facebook.com/profile.php?id=61584596743398). When trying to decide which of these two albums to cover I had to choose between the record that has my favorite Rush song vs the record that catapulted them into the stratosphere. The former won out. 'The Spirit of Radio' has some kind of hold on me. I don't know if it's Alex Lifeson's riff that opens the song and percolates throughout, the funky reggae closeout or the lyrics that were inspired by a certain Canadian radio station - whatever it is, I listen to this song over and over again at times. In fact, I often go down a YouTube rabbit hole trying to consume every cover of this song that I can find, especially ones by young students, either in their high school bands / talent shows or School of Rock bands. The only other track I listen to is the radio friendly 'Freewill.' So, I've added that one to my Daily Records playlist as well. Since I didn't cover Moving Pictures I thought I'd at least throw in this classic scene from I Love You, Man ### 294. RUDE by Spiritual Cramp URL: https://www.auditorymusings.net/rude-by-spiritual-cramp/ Last updated: 2026-02-25T02:51:06.000Z So when my friend Allen texted me and another mutual friend a couple weeks ago to see if we were interested in seeing the band Spiritual Cramp at a small venue here in Houston, my first thought was, "Who?" I proceeded to look them up online, pull up a recent setlist and then started playing this 2025 record from the San Francisco, California based band. Suffice it to say that I texted Allen back fairly quickly and told him, "I'm in." I think this punk record and the concert I just attended a couple nights ago was just what I needed at this point in my grieving process - loud and fast. Lead singer Michael Bingham is a charismatic frontman who's been grinding away with this band since 2017\. I really hope they make it big - it feels like they're right on the cusp of it. My favorite track off the album is 'Young Offenders.' It's just so fast and fun with an earworm of a guitar riff - start out with that one. Keep the punk ethic going with 'Go Back Home.' 'Violence in the Supermarket' has dub/ska/reggae Clash (previously covered [here](https://www.auditorymusings.net/london-calling-by-the-clash/)) written all over it. End with 'You've Got My Number' - a duet with Sharon Van Etten (previously covered [here](https://www.auditorymusings.net/remind-me-tomorrow-by-sharon-van-etten/)). ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2026/02/IMG_6814.jpeg) Spiritual Cramp, February 2026, White Oak Music Hall, Houston, Texas, USA ### 293. SINGIN' TO AN EMPTY CHAIR by Ratboys URL: https://www.auditorymusings.net/singin-to-an-empty-chair-by-ratboys/ Last updated: 2026-02-11T11:00:22.000Z Before I begin I want to give a shout out to my music industry friend, Keith Jopling, who just released a book (which I took delivery of as I'm writing this) all about how the record album has endured over the years and seems to be making a comeback. Check the book (aptly titled Body of Work) out [here](https://www.songsommelier.com/body-of-work?ref=auditorymusings.net). I also want to voice my appreciation to Keith for giving *me* a shout out in said book - he had told me maybe 5 months ago that he was going to do this as he wanted to bring some little bit of cheer to my life. Thank you Keith ❤️ ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2026/02/IMG_6761.jpeg) From Body of Work by Keith Jopling Ok, now on to this 2026 record by Ratboys, who I previously covered [here](https://www.auditorymusings.net/the-window-by-ratboys/). The Chicago-based band is out with another great album, this time dealing with themes surrounding therapy (hence the empty chair in the title). Although lead singer and songwriter Julia Steiner had been going through therapy for a different reason than me, the pre-released tracks, and now the full album, really struck a chord. And, it doesn't hurt that the songs are great as is the playing. Some songs are straight up indie rock whereas others have a bit of that twang to give them that alt country feel. Start out with 'Penny in the Lake' and then continue with the following: 'Light Night Mountains All That,' 'Open Up,' 'At Peace in the Hundred Acre Wood' and, if you're up to it, close out your session with the eight and a half minute 'Just Want You to Know the Truth' which has parts that remind me of the Head and the Heart's 'Let's Be Still.' ### 292. ELVIS IS BACK! by Elvis Presley URL: https://www.auditorymusings.net/elvis-is-back-by-elvis-presley/ Last updated: 2026-01-31T04:34:45.000Z When I [previously](https://www.auditorymusings.net/elvis-golden-records-vol-3-by-elvis-presley/) covered Elvis Presley it was with a compilation record. However, this 1960 album is a record in the truest sense of the word, at least as much as it can be when you're talking about Elvis - he never actually wrote any of the songs he performed. Actually, he's listed as a *co-writer* on two tracks (out of like 600) but otherwise all his songs, all his hits were written by others. But that doesn't take away from what he accomplished during his career. In fact, maybe if he had composed his own songs we wouldn't be referring to him as the King of Rock and Roll today. There are a couple reasons why I picked this album to cover. When he came back from his two years of service in the United States Army this is the record he recorded and released. Hence the title. More importantly, though, I really love the last two tracks. They are a couple of very bluesy numbers that I find myself playing over and over again. He also plays his guitar on both these songs. I don't know about you but when I have a mental image of Elvis performing, it's never with guitar in hand, rather it's with hips gyrating (Elvis the Pelvis of course). The fact that he would be censored and only shown from the waist up when performing on TV back in the 1950's seems unimaginable today, considering where our collective world culture is now. Getting back to the music, absolutely start out with the last two tracks - 'Like a Baby' and 'Reconsider Baby.' 'Like a Baby' has a sax line that I can only describe as sleazy - just listen to it and you'll know what I mean and, hopefully, love it as much as I do. 'Reconsider Baby' also has great sax and piano parts and this odd drum fill at around 2:30 that somehow feels out of place and just right at the same time. Continue on with 'The Girl of my Best Friend.' Every time I see that song title I can't help but think of The Cars' 'My Best Friend's Girl' (covered [here](https://www.auditorymusings.net/the-cars-self-titled/)). I guess Elvis played hooky on the day they were teaching when and how to use certain types of possession in grammar class. End with 'Thrill of Your Love' - I really like the plaintive sound of his vocals in this song. ### 291. BIG DISGRACE by Haute and Freddy URL: https://www.auditorymusings.net/big-disgrace-by-haute-and-freddy/ Last updated: 2026-01-27T11:00:54.000Z So this record hasn't actually come out yet - it's due to be released mid-March 2026 but I just wanted to quickly throw this out there based on the tracks that have been pre-released. Haute and Freddy are a synth-pop / avant-garde duo composed of singer Michelle Buzz (who is actually from the Houston, Texas area) and instrumentalist Lance Shipp from Detroit, Michigan. They both cut their teeth separately writing songs for various artists including Katy Perry and Britney Spears among many others. Having grown tired of writing for others they both decided to have a go at performing themselves. And that's how Haute and Freddy were born. Listening to the tracks noted below you'll feel like you've been shot back to the 80's - in fact the duo lists Pet Shop Boys and New Order as just some of their influences. Personally, I hear a bit of Erasure and Kate Bush when I listen to their songs. Since the full album has yet to be released my recommended tracks are of course based on what I've heard so far. Try these out and let me know what you think: 'Anti-Superstar,' 'Shy Girl,' Dance the Pain Away' and 'Scantily Clad.' ### 290. LITTLE MRS. by Pennywhistle URL: https://www.auditorymusings.net/little-mrs-by-pennywhistle/ Last updated: 2026-01-19T11:00:16.000Z So I guarantee that whoever happens to be reading this has never heard of this circa 1989 / 1990 record or the band that put it out. That is because this music only ever existed on a limited number of cassette tapes that were released back then and this band, comprised of singer Andrew Curry and instrumentalist Eric Garland, only got airplay (and live gigs) in the Texas cities of Houston and San Antonio. So here's the story...Curry was my suitemate when we were freshmen at Trinity University in San Antonio back in 1988 / 1989\. Aside from pursuing his normal studies at college, he had a passion for music - a passion that lead him to not only form this band but also run a Columbia House / BMG "business" out of his dorm room (Andrew, if you're reading this, that was brilliant). In fact, he never lost that passion for music as he is currently the head of a small Portland, Oregon-based indie record label, Curry Cuts. Last week, I received an email from his record label notifying me of the digital release of this album. Although I had owned the cassette from our Trinity days I lost it many many years ago. Anyway, this email could not have arrived at a more opportune time - I've been ruminating about my past lately (probably because thinking about the future without my wife is too painful). The past when our kids were young, the past when we were newlyweds, the past when I was a child and the past when I was in college and then med school. When I jumped over to Pennywhistle's bandcamp page and started streaming this record I was overcome with emotion - I literally hadn't heard these songs in 35 years. So many memories came flooding into my mind. Nostalgia is a powerful beast. So that's the story and here's the music: pure power pop gems. If you search through my site for the #power pop tag you'll see that I'm somewhat a fan of the genre. I don't think I'm exaggerating when I say that pretty much every track on *little mrs.* is an earworm. My favorites are: 'Tongue Tied,' 'The Wrong Time,' 'For Awhile,' 'Looking the Other Way' (who writes such an upbeat song about having an affair?) and 'Untold Story.' A few notes to end on - (1) these songs were written and performed by like 18 or 19 year olds - think about that; (2) at least for now this album is only available on bandcamp so I won't be able to add the above tracks to my Apple Music or Spotify playlists; and, (3) I believe you can stream the album for free on bandcamp but I suggest that, if you like what you hear, throw these guys a bone and pay the $5 so you can get the digital downloads in the format of your choice. ### 289. IN THE CHRISTMAS SPIRIT by Booker T. & the MG's URL: https://www.auditorymusings.net/in-the-christmas-spirit-by-booker-t-the-mgs/ Last updated: 2025-12-25T11:00:01.000Z Some of you may have heard that Steve Cropper, the great guitarist for Memphis soul studio / backing band Booker T. & the MG's, recently died. So what better time to feature this 1966 instrumental record of standard Christmas tunes than on Christmas Day 2025\. Although I didn't specifically mention him, Cropper played on this [Otis Redding](https://www.auditorymusings.net/complete-and-unbelievable-the-otis-redding-dictionary-of-soul-by-otis-redding/) album covered previously. If you're in the mood for something a bit different, a bit funky and a bit groovy, put this record on Christmas morning while your family congregates around the tree. With just one listen you'll be able to tell that the band really put a lot of thought into these covers, making them their own. These tracks have a swing and an almost Bossa Nova rhythm that will keep you moving throughout the day. Being the blues fan that I am, I would suggest you start out with 'Merry Christmas Baby' which also happens to showcase Cropper's guitar work. Next is 'Winter Wonderland' where Booker T. Jones seems to be channeling Ray Manzarek of The Doors on the organ (or is it the other way around?). Wrap it up with 'Silent Night' and then 'White Christmas' which is a great, upbeat track to hopefully get stuck in your head. I love how Booker T.'s organ comes in around midpoint and takes over the song. ### 288. SEVEN SEASONS by Kitt Wakeley URL: https://www.auditorymusings.net/seven-seasons-by-kitt-wakeley/ Last updated: 2025-12-19T11:00:47.000Z I don't foresee many of you checking this record out for a couple of reasons. First, it's classical music and contemporary classical at that. Even I don't really listen to much contemporary classical - I stick to the tried and true composers of centuries past. Also, the overriding theme of this album is grief. So unless one is trying to progress through their own grief (🙋) you may not find any connection to the music - at least not now. But I'm hoping you just keep this in your back pocket if or when the time comes, maybe it will help you work through whatever you may be dealing with at that time. It was pure coincidence that I came across an [article](https://www.spin.com/2025/12/kitt-wakeley-is-turning-grief-into-sound-and-redefining-what-classical-music-can-be/?ref=auditorymusings.net) talking about this album a couple days ago. So, I've only been listening to it for a few days. The TL;DR version of the article is that composer / producer Kitt Wakeley interviewed many people who had dealt with tragedy in their lives - whether they lost loved ones or lived through horrible events themselves - and found a commonality in their "emotional progression." Seven stages or, as in the title of this record, seven seasons. In a way, I'm guessing, this is the Kubler-Ross stages of grief set to music. Going through my own journey, I can definitely relate to the first five movements up to and including 'Day of Why.' However, I'm not at the point of going beyond that - it's not even close. 'Day of Reflection' and 'Day of Hope?' I don't think so. But one day I'll get there, if not for my sake, at least for our kids. I'm not including this in the Daily Records playlists on Apple Music and Spotify as I'm presenting this record to you as a whole, not 3 to 5 selected tracks. However, if you do decide to listen to this, skip the very last track / movement ('Reprise Message of Hope') - it's spoken word set to music and unlistenable (at least for me). If you find yourself in the unfortunate situation as my family and I are in right now, I hope that you will remember this record and, perhaps, it will help you. I will be listening to it today - our 26th wedding anniversary. ### 287. GETTING KILLED by Geese URL: https://www.auditorymusings.net/getting-killed-by-geese/ Last updated: 2025-12-18T19:16:38.000Z When I first wrote about Geese back in [2021](https://www.auditorymusings.net/projector-by-geese/) they were an up and coming, scrappy indie band with an interesting debut record. Now, with this 2025 album, they are on the verge of indie rock stardom. If you've had even one ear on the indie music heartbeat this year you know what I'm talking about. In fact, this record is starting to show up on many critics' end of year best of lists, even taking the coveted best album of 2025 award on some of these lists. While I like this record, I don't love it. However, there are definitely stand out tracks worth checking out. I think the most popular song or at least the most viral song (thanks to live videos) is 'Taxes' so I would start out with that. Look up any live version online and you'll see, around midway through the song, the crowd go crazy when the "melodic" part of the song kicks in. After that I'd move on to 'Cobra' where you will hear lead singer Cameron Winter do his best impersonation of Michael Stipe (on R.E.M.'s 'Man on the Moon') doing *his* best impersonation of comedian Andy Kaufman doing *his* best impersonation of Elvis Presley. All of this is accomplished just by Winter uttering "baby" at the beginning of the song. After those tracks, I like '100 Horses' and 'Au Pays du Cocaine.' Of course the main reason I drew the Elvis comparison is so I could include this video, enjoy. 10 million views can't be wrong ### 286. I BELIEVE IN YOU, MY HONEYDEW by Josh Ritter URL: https://www.auditorymusings.net/i-believe-in-you-my-honeydew-by-josh-ritter/ Last updated: 2025-12-04T11:00:32.000Z I've covered Josh Ritter several times already so you may wonder why I'm, yet again, spilling ink about him. Well he consistently puts out really good records to the point that he, along with Katie Crutchfield of Waxahatchee, are hands down my favorite contemporary Americana singer-songwriters of the past decade or more. I've been lucky enough to see Ritter in concert three times and already have tickets for his show when he stops in Houston in 2026\. More on that later. Ritter's backstory on this 2025 album, as he has told in interviews, is that he recently felt like he lost his 'muse' that would help him make the music he makes. So he decided to turn the tables and write *for* his muse. And, he refers to this muse as his Honeydew, hence the album title. I'm not sure I quite follow but it doesn't really matter as long as I like the music - and that I do. I freakin' love the track 'Thunderbird' so start out with that one. It's got the sweetest sounding slide guitar percolating throughout. It's the love song I wish I could've written for my wife and, although she never got to hear it, it makes me think of her so much. Follow with 'Truth is a Dimension (Both Invisible and Blinding)' - a very Dylan-esque song with a guitar riff that will remind you of Bob Marley's 'Redemption Song.' 'You Won't Dig My Grave' comes next and then end with 'The Wreckage of One Vision of You' - a raunchy, New Orleans-style romp. Let me end with a little story about my wife and Josh Ritter. I, as you already know, am a huge fan. I would even go as far as calling myself a fanboy. Namrata, however, liked him in the way a spouse likes something the other spouse likes, mostly to show love and support. There were a few songs here and there that she really liked, probably because she heard me playing them all the time. Or maybe she really liked them inherently, I'll never know. So with that in mind, remember how I mentioned I've seen him in concert three times. Well, Namrata accompanied me two of those three times. One time happened to be on my birthday so that makes sense - a nice thing to do for me on my special day. Do you know when the other time was? Yes, it was on *her* birthday. I know for a fact there were probably a million other places she would've rather gone to celebrate *her* special day but instead she went to the Josh Ritter show with me and *for* me. It's a little gesture which, in retrospect, is not so little after all. In fact, it's huge. ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2025/12/IMG_4184-1.jpeg) ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2025/12/IMG_9589.jpeg) (Left) At the Josh Ritter concert on my wife's birthday 2018 (Right) At the Josh Ritter concert on my birthday 2023 ### 285. BOYS THESE DAYS by Sports Team URL: https://www.auditorymusings.net/boys-these-days-by-sports-team/ Last updated: 2025-12-03T11:00:35.000Z So about a month ago I speculated that [this record](https://www.auditorymusings.net/the-past-is-still-alive-by-hurray-for-the-riff-raff/) may have been my most played of 2025\. Well, as I'm writing this Apple Music just unleashed their "Replay" feature for subscribers (think "Spotify Wrapped" but for Apple Music). Turns out that Hurray for the Riff Raff album came in second, a mere 3 minutes of total play time behind *Boys These Days*, the 2025 record by English alt / indie rock band Sports Team (previously covered [here](https://www.auditorymusings.net/gulp-by-sports-team/)). I had a feeling that these two records were going to come in neck and neck as I somehow was drawn to this album again and again while my wife was in the hospital and after she died as I craved a more upbeat and less subdued listening experience to counteract the intense sadness that I had been and have been feeling for months and months. If you happened to listen to 2022's *Gulp!*, throw out whatever you think you knew about this band because this record is completely different. Set your controls, not for the heart of the sun, but for the period of the late 70's and maybe early 80's - this is rock music you can dance to or dance music you can rock to. Start out with the groovy (literally and figuratively) 'Condensation' followed by 'Moving Together.' Continue with 'Sensible,' 'Head to Space' (which evokes feelings of a hyped up and whacked out Irish ditty) and finally take a breather with album closer 'Maybe When We're 30.' If the White Stripes' 'We're Going to be Friends' is a look back at the innocence of childhood then 'Maybe When We're 30' is a look forward to the "innocence" of middle age (I know, 30 is not middle age, just humor me). ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2025/12/IMG_6542.jpeg) My Apple Music Replay for 2025 ### 284. GLUTTON FOR PUNISHMENT by Heartworms URL: https://www.auditorymusings.net/glutton-for-punishment-by-heartworms/ Last updated: 2025-11-13T11:00:43.000Z Although I [covered](https://www.auditorymusings.net/a-comforting-notion-ep-by-heartworms/) Jojo Orme in her guise as Heartworms before, this current 2025 record is actually her full length debut. This record clocks in at only about 37 minutes but Orme makes every second count. As I mentioned previously she really reminds me of a less noisy and more techno version of Nine Inch Nails and that holds true for this album too. Nowhere is this comparison more evident than in the track 'Jacked.' This song is a pure sonic attack that will leave all your senses reeling and has a memorable guitar riff that I can't help but think came about from watching one too many episodes of The Munsters while tripping on \_\_\_ (you fill in the blank). Follow that barrage of sound with the more mellow and subdued 'Extraordinary Wings.' And, just like The Killers produced an extraordinary [earworm](https://www.auditorymusings.net/hot-fuss-by-the-killers/), 'Extraordinary Wings' does the same with "I don't wish murder 'cause I got no right" - just listen to the song all the way through and you'll know exactly what I'm talking about. Continue your audio journey with 'Mad Catch' which you could probably dance to as it's got such a bouncy beat and then finally end with 'Smugglers Adventure' which is only fitting that it's guitar riff seems to pay homage to fellow goth rockers The Cult's '83rd Dream' off the previously discussed record [*Dreamtime*](https://www.auditorymusings.net/dreamtime-by-the-cult/). Lastly here's my periodic reminder that all the tracks I mention can be found in the Daily Records playlists both on [Apple Music](https://music.apple.com/us/playlist/daily-records/pl.u-qaEKDu3LZL8?ref=auditorymusings.net) and [Spotify](https://open.spotify.com/playlist/5oOxFEv37B5ZvlxWeMpAvA?ref=auditorymusings.net). ### 283. THE PAST IS STILL ALIVE by Hurray for the Riff Raff URL: https://www.auditorymusings.net/the-past-is-still-alive-by-hurray-for-the-riff-raff/ Last updated: 2025-11-08T11:00:11.000Z When my friend Tom first sent this 2024 record my way back in April of that year, I gave it a listen or two but then quickly forgot about it. It just didn't stick for whatever reason. Maybe it was because the name of the band didn't match with what I was hearing or maybe it was some other reason, I don't really know. Fast forward to the nightmare 2025 has been and continues to be and the album somehow ended up back on my radar sometime in July. However, this time around something clicked - I personally think my wife's death had a hand in making this one of my most played records this year (I'd have to dig through my listening stats to see if this is, in fact, my most played record of 2025). Anyway, I love this album and I love singer Alynda Segarra's voice and lyrics. If you find yourself in the mood for some alt-countryish-Americana-indie sounds please give this record a spin. And if it doesn't resonate with you the first time around, give it another chance or two. Please. I know I'm starting to sound like a broken record (pun intended) when I say that it's really getting to be a chore to only recommend 3 to 5 tracks off a particular album but this one is truly all killer and no filler. I *never* skip any tracks when I listen to it. Start out with 'Hawkmoon' and then move on to 'Buffalo,' 'Hourglass,' 'Alibi' and then end with 'Ogallala' which has a great cacophonous but melodious ending that just works. Or, play the record from start to finish the way it was intended to be heard. ### 282. SNOCAPS (self-titled) URL: https://www.auditorymusings.net/snocaps-self-titled/ Last updated: 2025-11-03T11:00:54.000Z So let me start out by saying that the family issue I [alluded](https://www.auditorymusings.net/a-quick-but-somber-note/) to earlier is that my wife died a little over 6 months ago. Without getting into all the details let me just say that her death has turned our life upside down in more ways than one can even begin to imagine. I wasn't sure that getting back to writing for Daily Records was ever going to happen (and I'm still not certain if I'll keep it up or how frequently I'll post something new) but at the encouragement of my therapist and with the blessings of our two sons I'm going to give it a go. Listening to music, especially the bands and songs that my wife and I both loved, has had a cathartic effect on me the last many months and helped me to realize that music has been, continues to be and will *always* be an integral part of my healing process. So when this 2025 record surprise-dropped this past Friday I saw it as an opportunity to slowly get back to my passion and love for it, the significance of picking this particular album to be detailed below. Snocaps is the newly formed group of twin sisters, Katie and Allison Crutchfield, along with guitarist MJ Lenderman and producer Brad Cook. If the name Katie Crutchfield sounds familiar to you it's because I've covered several of her records - in her capacity as the band Waxahatchee - [here](https://www.auditorymusings.net/tigers-blood-by-waxahatchee/), [here](https://www.auditorymusings.net/out-in-the-storm-by-waxahatchee/) and [here](https://www.auditorymusings.net/saint-cloud-by-waxahatchee/). I'm a huge fan of Waxahatchee and will pretty much listen to anything Katie Crutchfield has to say (or sing). While less familiar with sister Allison's music I think, after listening to and loving this record, I'll start to explore her catalog for sure. What I find interesting and unique about *Snocaps* is the contrast between Allison's more rock / guitar-driven tracks and Katie's acoustic / folk-sounding songs. Unsurprisingly, this is in keeping with their previous output in their respective bands. I'll leave you to look up the credits for the tracks I recommend below but no doubt you'll quickly be able to tell who wrote (and also sings) each song as there's an ever so subtle difference between the twins' voices. This record is so good in my opinion that it's really difficult to limit my suggestions to just a few songs, but here goes: 'Heathcliff,' 'Cherry Hard Candy,' 'Wasteland,' 'You in Rehab' and 'Hide.' So why did I pick this album to mark my return to writing? Well, it turns out that Waxahatchee was the last concert my wife and I went to together. That's Katie Crutchfield in the black skirt in the background and my beautiful wife, Namrata, up front.... ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2025/11/IMG_4324.jpeg) Waxahatchee, May 2024, Heights Theater, Houston, Texas, USA ### A QUICK BUT SOMBER NOTE URL: https://www.auditorymusings.net/a-quick-but-somber-note/ Last updated: 2025-07-25T19:31:19.000Z Hi you may have noticed that there hasn't been a new Daily Records since towards the end of 2024\. The reason for this is I've been struggling to come to terms with a family tragedy that has consumed almost all of 2025. While I've been listening to music all year long, both old and new (but especially old), the enthusiasm to write about it just isn't there any longer. That's not to say that my desire to share what I've been listening to won't return at some point, but I just don't know when (or if) that time will come again. I'm thankful for the music, though, as it was and is instrumental in helping me get through what I'm going through. The website will of course remain up and I hope you find the time to revisit and relisten to records I've featured in the past. Thank you, Pulin ### 281. MY FAVORITE RECORDS OF 2024 URL: https://www.auditorymusings.net/my-favorite-records-of-2024/ Last updated: 2024-12-20T04:42:10.000Z Coming up with my top five records of the year was not a difficult task this year as I already had somewhat of an idea that such and such album would land there pretty much as soon as I heard it. But deciding what was my #1 *favorite* record of the year was a much harder thing to do. Do I pick a band that has been around for almost 50 years that just happened to release one of their best records of their career? Or someone who *finally* got back to his bluesy rock and roll roots after wandering off the beaten path? Or a band that literally came out of left field, took me by surprise, dug its hooks in me and wouldn't let go for weeks? Or what about the two women from Spain who just happened to put out one of the funnest records of the year? Or the Americana singer-songwriter who somehow topped her previous outstanding record with an even better one? As I came up with this list, I looked back at what I listened to the most over the past 12 months (or over the time since the record was released) and then drilled down even further - did I listen to the whole album over and over again, or was it just the tracks I recommended in Daily Records or was it just a single song I obsessed over again and again? I guess what I'm saying is ignore everything I said at the beginning of this post - this was not an easy task after all. [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/12/600x600bb-1-2-1-1.jpg)](https://www.auditorymusings.net/tigers-blood-by-waxahatchee/) #1 Tigers Blood by Waxahatchee [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/12/600x600bb-2-1-1-1.jpg)](https://www.auditorymusings.net/no-name-by-jack-white/) #2 No Name by Jack White [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/12/600x600bb-1-4-1-1-1.jpg)](https://www.auditorymusings.net/songs-of-a-lost-world-by-the-cure/) #3 Songs of a Lost World by The Cure [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/12/600x600bb-3-1-1-1.jpg)](https://www.auditorymusings.net/beach-day-by-another-sky/) #4 Beach Day by Another Sky [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/12/600x600bb-1-3-1-1-1.jpg)](https://www.auditorymusings.net/viva-hinds-by-hinds/) #5 Viva Hinds by Hinds [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/12/600x600bb-1-2-2-1-1.jpg)](https://www.auditorymusings.net/forever-by-charly-bliss/) Honorable mention - Forever by Charly Bliss [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/12/600x600bb-4-1-1.jpg)](https://www.auditorymusings.net/madra-by-newdad/) Honorable mention - Madra by NewDad ### 280. SONGS OF A LOST WORLD by The Cure URL: https://www.auditorymusings.net/songs-of-a-lost-world-by-the-cure/ Last updated: 2024-12-06T19:57:47.000Z This 2024 record came 16 years after the band's last and, boy, was it worth the wait. Perhaps their best since at least 2000's *Bloodflowers* or even 1989's [*Disintegration*](https://www.auditorymusings.net/disintegration-by-the-cure/)*,* this album finds the band (and particularly sole song writer and lead singer Robert Smith) in the throes of dark and moody melodicism. So, basically, par for the course for The Cure. What you'll find when you listen to the tracks are long (but not drawn out) introductions - something The Cure has become known for - followed by Smith's pleading voice singing about death, aging, mortality and other fun topics. A great addition to the studio recordings is the presence of long time touring guitarist Reeves Gabrels. If you've seen The Cure in concert any time since 2012 or so, you've seen Gabrels up on stage. He gives the songs a nice, sometimes snarling and sometimes ominous, rock and roll touch. Essential tracks include 'And Nothing Is Forever' (my favorite off the record), 'I Can Never Say Goodbye,' 'A Fragile Thing' and 10 minute album closer 'Endsong.' ### 279. BORN TO RUN by Bruce Springsteen URL: https://www.auditorymusings.net/born-to-run-by-bruce-springsteen/ Last updated: 2024-12-01T03:06:58.000Z I was about a month shy of turning *5* years old when this 1975 record by Bruce Springsteen and his E Street Band came out. From that iconic record sleeve with the Boss and the Big Man (late saxophonist Clarence Clemons) to the songs that epitomized 1970s rock (not yet "classic" but well on the way) this is the one album by Springsteen everyone should listen to at some point in their life. Essential tracks for me include 'Tenth Avenue Freeze-Out' with its percussive piano riff, 'Thunder Road,' of course the classic title track, 'Born To Run' and 'She's The One' which, if you listen closely and use a bit of imagination, foreshadows 'On The Dark Side' by John Cafferty and the Beaver Brown Band - to be released 8 years later. Reminder: all the tracks I mention are included in my Daily Records playlist on both Apple Music and Spotify - links at the top of my blog Bonus: On 'Thunder Road' does Mary's dress *sway* or *wave*? Find me on social media for the definitive answer given by the Boss himself ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/12/1-sO0GhdHfr_5tI5eP0xqkbA-1.webp) ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/12/Sesame-Street.jpg) ### 278. DREAMTIME by The Cult URL: https://www.auditorymusings.net/dreamtime-by-the-cult/ Last updated: 2024-11-16T22:22:07.000Z This 1984 debut record by The Cult (after they changed their name from Death Cult) addressed lead singer Ian Astbury's interest with Native American cultures and themes that would continue throughout most of the The Cult's career. Guitarist Billy Duffy hadn't quite found his signature guitar sound yet (that would happen on subsequent album *Love* covered [here](https://www.auditorymusings.net/love-by-the-cult/)), but you can get a sense of where he was heading with it. *Dreamtime* and *Love* are fascinating listens in that you would have no idea what direction The Cult was taking with their sound based on these first two records when compared to their next two records (*Electric* and *Sonic Temple*). Essential tracks: 'Go West,' 'Spiritwalker,' 'Horse Nation' and 'Dreamtime.' Fun fact: Bassist Jamie Stewart left the band in the 90's to start a family and settle down and has worked in the [software industry](https://uk.linkedin.com/in/jamie-stewart-8014b126?ref=auditorymusings.net) ever since. ### 277. COMPLETE AND UNBELIEVABLE: THE OTIS REDDING DICTIONARY OF SOUL by Otis Redding URL: https://www.auditorymusings.net/complete-and-unbelievable-the-otis-redding-dictionary-of-soul-by-otis-redding/ Last updated: 2024-10-22T10:00:28.000Z It's been [awhile](https://www.auditorymusings.net/you-got-my-mind-messed-up-by-james-carr/) since I've covered a great soul record. A couple months ago I went down a Stax Records rabbit hole after having watched the great documentary series [Stax: Soulsville, U.S.A](https://staxrecords.com/news/stax-soulsville-usa-hbo-original-series/?ref=auditorymusings.net). Seeing what an influence Otis Redding had on Stax and vice versa, I knew I had to write about one of his albums. Although this particular record isn't the first to come to mind when thinking of Otis Redding, I picked it because of the lead off single, 'Fa-Fa-Fa-Fa-Fa (Sad Song).' You'll understand why when you watch the video down below (even if he's lip syncing the vocals). Not only is it a great Otis original, but the joy that emanates from his face and voice puts a smile on my face every time I watch / listen to this. This 1966 record was his last before he died in a small plane crash in 1967\. If only picking Otis originals to recommend you listen to, I would continue on with 'She Put The Hurt On Me' then 'Ton Of Joy' and finally 'I'm Sick Y'All.' Otis with the Memphis Horns y'all ### 276. BEACH DAY by Another Sky URL: https://www.auditorymusings.net/beach-day-by-another-sky/ Last updated: 2024-09-23T07:00:46.000Z Hat tip to my friend Keith (aka [The Song Sommelier](https://www.songsommelier.com/?ref=auditorymusings.net)) for turning me onto this 2024 record a week or so ago. Between this album and the latest from [Hinds](https://www.auditorymusings.net/viva-hinds-by-hinds/) I haven't been listening to much else these days.\* *Beach Day* has captivated me like no other record has in recent memory. For me, it's the type of record that has required multiple listenings just to be able to wrap my head around it. I would listen and think to myself, 'Do I like this album, do I like this song?' And then I would listen again and have the same questions, but about different songs. Then, another listen finally yielded a 'whoa' - what *is* this. That's when it hit me that this is a different type of band with a different type of record. A bit of prog rock but not quite. A bit of indie rock but, again, not quite. If it seems like I'm not making any sense at all, you're right. The only way to make sense of it all is to give this album a spin. And, get ready to fall under the spell of lead singer Catrin Vincent's otherworldly voice. Start out with 'The Pain' to get a taste of those vocals right off the bat. Then 'I Never Had Control' followed by 'I Caught On Fire' and end with a couple of rockers, 'A Feeling' and 'Psychopath.' ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/09/Screenshot-2024-09-22-at-9.11.48-PM.png) \*I wasn't lying ### 275. THE JOSHUA TREE by U2 URL: https://www.auditorymusings.net/the-joshua-tree-by-u2/ Last updated: 2024-09-20T06:35:53.000Z Time for a classic album dissection. Ok, not really - there's no way I could live up to the standards of the [Sound Opinions](http://www.soundopinions.org/section/classic-album-dissection?ref=auditorymusings.net) guys but since it's been awhile since I [covered](https://www.auditorymusings.net/pop-by-u2/) what is my favorite U2 record I wanted to go ahead and feature my second favorite - *The Joshua Tree*. Aside from the fact that there's been oodles and oodles of ink spilled about this landmark 1987 album it holds a special place in my heart since it came out during my impressionable teen years (I was 16 at the time). I can still visualize laying down the vinyl on my Sears double cassette record player and playing side A over and over again. ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2024/09/bandicam-2021-12-11-20-03-21-718.jpg) Who else used to own one of these back in the 80's? When discussing a [different record](https://www.auditorymusings.net/the-world-we-built-by-the-wild-reeds/) I mentioned the 1-2-3-4 punch of *The Joshua Tree's* first four tracks. So instead of recommending the obvious, I'd rather pick a few of the "lesser known" songs (it's all relative as *all* the tracks on the record are very well known, in fact). So, start out with 'Trip Through Your Wires' - a pure romp before moving on to more serious matters, including 'One Tree Hill' (named after an area in Auckland, New Zealand and written in the memory of the band's friend / roadie who was killed in a motorcycle accident), 'Mothers Of The Disappeared' (about the missing children in Chile and Argentina) and then end with 'Running To Stand Still' (which deals with heroin addiction in the band's hometown of Dublin, Ireland). After you listen to 'Running...' watch / listen to this live take which, in my opinion, is the definitive version of the song. Hallelujah for this version of 'Running To Stand Still' ### 274. VIVA HINDS by Hinds URL: https://www.auditorymusings.net/viva-hinds-by-hinds/ Last updated: 2024-09-17T10:00:36.000Z I thought I had covered this indie rock band out of Madrid, Spain previously, but searching through my blog didn't turn up any hits. So I thought I'd go ahead and feature their recently released 2024 record. The band has actually been around for a while, originally starting as a duo, then foursome and now back as a duo (with extra touring members). A few of the songs are sung in Spanish, but the majority are in English accompanied by endearing flourishes of their Spanish accent. Also if you think this is some obscure band that no one has heard of, think again - they have guest vocals on a couple tracks from Beck and Grian Chatten (of Fontaines D.C.). This is a fun record. Start off with 'Coffee' and then 'Superstar.' 'The Bed, The Room, The Rain and You' is a great love song you'll want to listen to with your special someone and lastly 'On My Own' will leave you with a NSFW ear worm - be careful singing that chorus in front of your boss! Coffee by Hinds ### 273. ILLUMINATOR by GIFT URL: https://www.auditorymusings.net/illuminator-by-gift/ Last updated: 2024-09-03T02:33:00.000Z Shoegazers of the world unite (H/T to The Smiths) as 2024 has brought us a great new record from Brooklyn-based band GIFT. It seems we just can't get enough of the synthy-reverby-fuzzy sound and I'm here for it all. With influences ranging from Madonna's *Ray of Light* album to Oasis (previously covered [here](https://www.auditorymusings.net/the-masterplan-by-oasis/)), there's bound to be something satisfactory to your ears. Kick things off with album opener 'Wish Me Away' followed by closer 'Milestones.' Then 'Going In Circles' (which has a chorus very reminiscent of the Smashing Pumpkins 'Muzzle') and end with 'It's All Too Fast.' This should give you a taste sufficient enough to make you want to come back for more. To end today's edition of Daily Records I have a small favor to ask: if you like what you're reading and hearing please share our mutual love of music by forwarding this email (if you're reading this in email format) to your friends, family and anyone else you think may enjoy it as well. Similarly, if you're reading this on my site, please forward the link to my blog to those same people. And, if you're someone who follows me on Mastodon, Threads, Bluesky or Instagram please share my posts with your followers. I don't get involved with SEO and so the only way we can spread the word is by the methods mentioned above. Many thanks in advance. ### 272. FOREVER by Charly Bliss URL: https://www.auditorymusings.net/forever-by-charly-bliss/ Last updated: 2024-09-02T04:23:36.000Z Previously covered [back in 2020](https://www.auditorymusings.net/young-enough-by-charly-bliss/) American indie pop / power pop band Charly Bliss are back with an all new record for 2024\. Between their previous and current albums, lead singer Eva Hendricks moved to Australia, her bandmate brother had kids and the band embraced an almost full throated pop direction with their music - *almost*. There are still some hints of their past alt-rock leanings but the majority of this record is 'shiny happy *pop-le*'. I'm a fan of a properly sequenced album in terms of starting out strong - as I've probably mentioned before the first track on an album is most people's introduction to that album and placing a really good song first goes a long way in getting the listener to continue listening. That's why I'm really glad 'Tragic' is the album opener. Hearing this made me want to listen to the rest of the album and it's a good thing (for you and me both) that I did. Tracks 3 and 2, 'Back There Now' and 'Calling You Out,' respectively, are must listens as are 'I Don't Know Anything' and 'In Your Bed.' This is a fun listen and a fun video ### 271. GHOST MOVES by Ghost Party URL: https://www.auditorymusings.net/ghost-moves-by-ghost-party/ Last updated: 2024-07-27T10:00:39.000Z I was excited to learn about this band because they hail from Houston, Texas - my hometown and where I still currently live. They just came out with their debut record in June 2024\. Variably described as psychedelic, cosmic country and even countrygaze (think shoegaze, but country) the album is an easy and short 38 minute listen. Aside from it being a nice record, I'm just glad to feature another band from the Houston or surrounding area (previous entries include [ZZ Top](https://www.auditorymusings.net/tres-hombres-by-zz-top/), [The Judys](https://www.auditorymusings.net/washarama-by-the-judys/) and [Khruangbin](https://www.auditorymusings.net/mordechai-by-khruangbin/)). To my ears, the only true psychedelic-sounding track is album opener 'Teenage Shaman.' Then for a tinge of country 'Lonesome Breath' will fit the bill. After that comes 'After Hours' with its catchy bass line and falsetto vocals. End with title track 'Ghost Moves.' ### 270. CHARM by Clairo URL: https://www.auditorymusings.net/charm-by-clairo/ Last updated: 2024-07-26T10:00:41.000Z This 2024 record by [previously covered](https://www.auditorymusings.net/immunity-by-clairo/) American singer-songwriter Clairo continues her style of mostly subdued and hushed vocals, but this time over a 70's infused backing band giving the songs a soft rock quality that is a change from her previous albums. You wouldn't be faulted for playing this either late Saturday night or early Sunday morning - it fits in equally well in either situation. I would start listening with the first single released off the record, 'Sexy to Someone.' Then give 'Slow Dance' a spin followed by second single 'Nomad' (my favorite). Finish off with 'Add Up My Love.' ### 269. NO NAME by Jack White URL: https://www.auditorymusings.net/no-name-by-jack-white/ Last updated: 2024-08-02T17:47:57.000Z Jack White, ever the Raconteur, is full of surprises - the latest of which is the surprise 2024 release of a vinyl only record, given away for free at his Third Man Record locations, lacking a formal album title (*No Name* is printed on the vinyl label) and lacking track names. But he didn't stop there. He has encouraged those lucky enough to get a copy of the record to rip it and share it. And so you won't find this on any streaming services or available for digital purchase. But, you will find it on YouTube and other bootleg-type sites, all with White's blessing. However, because of this, I won't be able to add my recommended tracks to my Apple Music and Spotify playlists (at least not until there is an "official" release). But you will be able to stream those tracks via the link above. Those of us who humored White with some of his recent solo output but were secretly (or openly) hoping for him to get back to his White Stripes roots of stripped down rock and roll, this is *the* record we've been waiting for. So stop whatever you're doing and hit the YouTube link above to check out the songs. Quick note - the YouTube link has an album title and track names - those are unconfirmed and most likely the best guess of a diehard fan based on the lyrics of the songs. The tracks I suggest you give a quick listen to include tracks 3, 5, 1, 6 and 13. UPDATE #1: We now have track names so the songs corresponding to the track numbers above are 'That's How I'm Feeling,' 'Archbishop Harold Holmes,' 'Old Scratch Blues,' 'Bombing Out' and 'Terminal Archenemy Endling.' UPDATE #2: And now the record is officially official - *No Name* is available on all major streaming services and, so, I've added the tracks mentioned above to my Apple Music and Spotify playlists and updated the link below the record sleeve to a universal streaming link ### 268. BIG SWIMMER by King Hannah URL: https://www.auditorymusings.net/big-swimmer-by-king-hannah/ Last updated: 2024-06-17T03:31:53.000Z This recently released 2024 record by Liverpool duo King Hannah has been my latest obsession. What do you get when you mash up Portishead, Mazzy Star (previously covered [here](https://www.auditorymusings.net/so-tonight-that-i-might-see-by-mazzy-star/) and [here](https://www.auditorymusings.net/among-my-swan-by-mazzy-star/)), 90's grunge guitar and even some Doors (previously covered [here](https://www.auditorymusings.net/the-doors-self-titled/))? Since you're reading this you must already know the answer. Vocalist Hannah Merrick and guitarist Craig Whittle have found the perfect balance of half sing / half talk vocals blended with a very low key, laid back guitar - until it's not. Several of the tracks outro with grungey guitar solos that I find myself looking forward to with each and every listen (and there have been *a lot* of listens over the past few days). So, with that in mind, I would begin listening with 'New York, Let's Do Nothing' and then move on to, 'The Mattress,' title track 'Big Swimmer,' 'This Wasn't Intentional' and finish with 'Somewhere Near El Paso.' Incidentally, Sharon Van Etten (previously covered [here](https://www.auditorymusings.net/remind-me-tomorrow-by-sharon-van-etten/)) provides background vocals on 'Big Swimmer' and 'This Wasn't Intentional.' ### 267. JOHN LENNON/PLASTIC ONO BAND by John Lennon URL: https://www.auditorymusings.net/john-lennon-plastic-ono-band-by-john-lennon/ Last updated: 2024-05-27T10:00:48.000Z It's hard to believe that I was only around a couple months old when John Lennon's 1970 solo debut record came out. Considered by most as his best record, it represented quite a departure from his Beatles output, even his late Beatles material which tended to be more off the beaten path. If anyone thought that the recently broken up Beatles may have had a chance of getting back together, this album put a nail in the coffin to that idea (even though Beatles drummer Ringo Starr plays on this record). In fact, Lennon would make it a habit to include some sort of 'kiss off' track or tracks in several of his subsequent records. Lennon's piano weighs heavily here with many of the tracts very sparsely arranged by producer Phil Spector. Start out with bluesy 'Isolation' which I think is the standout track here, possibly second only to the last song I will recommend down below. Move on to 'Working Class Hero' which only Lennon can somehow infuse an almost deadpan performance with such emotion. 'Mother' comes next, again with a very minimal arrangement that suits Ringo's drumming to the T. Round out your Lennon sampler with 'God' in which the bright and sprightly opening piano riff belies the deeper, darker themes of the song. Starting around the 2:30 mark and running through to the last notes of the song wrecks me every time I listen - this is probably true of anyone who grew up listening to the Beatles. But don't just jump to that timestamp - you really have to listen to the whole song and let the tension build up to that point to really understand what I'm talking about. Have the lyrics (and a box of Kleenex) in front of you. ### 266. COME DANCING WITH THE KINKS: THE BEST OF 1977-1986 by The Kinks URL: https://www.auditorymusings.net/come-dancing-with-the-kinks-the-best-of-1977-1986-by-the-kinks/ Last updated: 2024-04-19T10:00:27.000Z I've made it a rule not to cover compilations, best of's, greatest hits, etc. as I'd rather introduce you to records released as discrete snapshots of a band or musician at a particular point in time. However, I'm making an exception to that rule today. But, as you can imagine, since this is a collection of tracks that are already considered great, it's gonna to be difficult to pick just a few to recommend. When Baby Boomers and Gen Xers think of The Kinks, the songs that are most likely to come to mind are those from their 1960's albums...songs like 'Lola' (technically a 1970 release), 'You Really Got Me,' 'All Day And All Of The Night' and, of course, 'Waterloo Sunset.' However, if that's all you know of The Kinks, you're missing out on their second coming - that's what this 1986 double album compilation covers, specifically the seven records they put out during the nine years spanning 1977 to 1986. One difficulty in making this today's Daily Record is that the version I know and love and grew up to is not the version currently available on streaming services. I'll just refer you to the [Wikipedia](https://en.wikipedia.org/wiki/Come%5FDancing%5Fwith%5FThe%5FKinks?ref=auditorymusings.net) entry if you feel inclined to dig into the nitty gritty details. So, a few of the tracks below are not on the streaming version of this record that is linked to above, but if you'd like to listen to them they're added to my Apple Music and Spotify playlists - culled directly from the records they were originally on. So, here goes: 'Destroyer' (in which the lyrics pay homage to 'Lola' and the riff to 'All Day And All Of The Night'), 'Don't Forget To Dance,' 'Long Distance,' 'A Rock 'n' Roll Fantasy' and the live version of 'Celluloid Heroes' (though the original studio version came out in 1972). Turns out that 'Long Distance' is not on either AM or Spotify, so I'm including it below 'Long Distance' by The Kinks ### 265. OFF THE WALL by Michael Jackson URL: https://www.auditorymusings.net/off-the-wall-by-michael-jackson/ Last updated: 2024-04-10T10:00:36.000Z Michael Jackson's fifth solo record, 1979's *Off The Wall*, has always been my favorite Jackson album. *Off The Wall* signaled a turning point for Jackson, essentially leaving behind his Motown roots and fully embracing the late 70's and early 80's disco craze. A lot of the credit for not only the musicality of the record but also its immense success goes to producer Quincy Jones who was able to tease a more mature Michael out of the child star Motown had created. The best track is the album opener, 'Don't Stop 'Til You Get Enough.' I'm sure many of you reading this can remember hearing this on the radio back in the day. What makes this song even sweeter is the fact that it was written solely by Michael. Move on to 'Girlfriend' next. This track was actually written by Paul McCartney for Jackson to eventually use, but before that happened McCartney ended up recording it himself and including it on his 1978 Wings album *London Town*. If you listen to McCartney's original and A/B it with Jackson's version you will get an idea of the kind of magic Quincy Jones conjured up for Jackson's take. Next up is 'Rock With You' - another radio staple rivaled only by the aforementioned 'Don't Stop....' Lastly, give 'Workin' Day and Night,' another Jackson-penned track, a listen. ### 264. ELECTRIC LADYLAND by The Jimi Hendrix Experience URL: https://www.auditorymusings.net/electric-ladyland-by-the-jimi-hendrix-experience/ Last updated: 2024-04-04T10:00:26.000Z It's taken me until now to feature a record by Jimi Hendrix, one of my favorite guitarists, probably because he only released three true studio albums and they're all great - how does one choose? Well, I finally bit the bullet and decided on 1968's *Electric Ladyland*, Jimi's last record. This double album (listed as being produced solely by Jimi, but that's debatable) spans multiple genres including slow blues, psychedelic rock, rock and others. Most of the tracks are Jimi originals, though there are a couple covers, one of which I'll be recommending below. Jimi's production is all over the place and I think that's one of the reasons that drew me to covering this record over his other two. First off, I'd suggest listening to Jimi's cover of Bob Dylan's 'All Along The Watchtower.' Is there any other song where the cover is so much better than the original? Next I'd move on to the also familiar to millions track 'Voodoo Child (Slight Return).' This and the Dylan cover have probably received the most radio play (and streams) off this album over the years. For my final two suggestions, I'm sorry not sorry for putting '1983...(A Merman I Should Turn To Be)' and 'Voodoo Chile' on this list, the reason being that this just bought you an additional 29 minutes of listening spread over just these two tracks. But, they are a must listen so that you can get a sense of Jimi's range of styles, from the psychedelia of the former to the absolute blues masterpiece of the latter. Fun fact - 'Voodoo Chile' features Steve Winwood (at the time part of the band Traffic) on organ and Jack Casady (from Jefferson Airplane) on bass. ### 263. TIGERS BLOOD by Waxahatchee URL: https://www.auditorymusings.net/tigers-blood-by-waxahatchee/ Last updated: 2024-03-22T10:00:48.000Z I've been following Waxahatchee (aka Katie Crutchfield) ever since her 2015 record *Ivy Tripp* and covered her recent output [here](https://www.auditorymusings.net/out-in-the-storm-by-waxahatchee/) and [here](https://www.auditorymusings.net/saint-cloud-by-waxahatchee/). With each subsequent album she impresses me more and more. Her previous record, *Saint Cloud*, was released during the pandemic and caught everyone, including Crutchfield herself, by surprise with its popularity and overwhelming critical success. With 2024's *Tigers Blood*, she pretty much picks up where she left off, so if you loved *Saint Cloud* (it was one of my favorite records of 2020) you are going to have a very good day listening to *Tigers Blood*. Start out with one of the breakout singles, 'Right Back To It' and then move on to the following: 'Crowbar' (which echoes R.E.M.'s 'Near Wild Heaven'), 'Lone Star Lake,' 'Burns Out At Midnight' and end with my favorite off the record, '365.' But, really, just listen to the whole record - it's so good. Can't wait to see her in May when she comes through Houston. Official video for '365' ### 262. SONGS ABOUT JANE by Maroon 5 URL: https://www.auditorymusings.net/songs-about-jane-by-maroon-5/ Last updated: 2024-03-04T11:00:48.000Z I don't listen to Los Angeles-origin band Maroon 5 anymore. Well, I don't really listen to anything of theirs beyond this record, their 2002 debut. They started heading in a different direction after this album that didn't really inspire me to continue to follow them. But *Songs About Jane* is definitely worth your time to check out especially if you're unfamiliar with how they started as compared to where they are these days. The tracks I recommend below blend the perfect mixture of lead singer Adam Levine's soulful vocals with a little bit of funk and a little bit of pop to leave you wanting more. The opening notes of 'Sunday Morning' evoke, well, a Sunday morning. And what's better than Sunday morning? So I would start there. The next stand out song that you may not be as familiar with as some of the others is 'Must Get Out.' After that, the singles that you either already know well or will know well after reading this are 'She Will Be Loved,' 'This Love' and 'Harder To Breathe.' ### 261. CRACKED REAR VIEW by Hootie and the Blowfish URL: https://www.auditorymusings.net/cracked-rear-view-by-hootie-and-the-blowfish/ Last updated: 2024-02-18T11:00:14.000Z A funny thing happened on the way to Austin this past weekend. My younger son and I were driving to the University of Texas for a campus visit. We have a rule when driving - whoever is behind the wheel gets to pick the music. So, since my son was driving, he put on a country music playlist from Apple Music because that's the genre of music he's currently heavily into. At some point a song by Darius Rucker came on and so I asked him if he knows who that is. Of course, all he knew was that it was Darius Rucker, a country music artist. So, I used the opportunity to educate him about Hootie and the Blowfish and how Rucker used to be part of a roots or heartland rock band that had one of the best selling albums of not just the 1990s, but of all time. Full disclosure - I hadn't listened to this 1994 record for many many years but, on the drive back to Houston (and since I was the one driving and got to choose the tunes), I had him run through a Hootie Essentials playlist during which I pointed out how many of the tracks came from this - their debut record. And that's why I'm covering *Cracked Rear View* today. In hindsight, it makes perfect sense how Rucker made the jump from roots rock to country - the clues were right there in front of our ears back then. Stream the following tracks from the link above or from either my Apple Music or Spotify playlists and get transported *back to the future*: 'Only Wanna Be With You,' 'Time,' 'Hold My Hand' and 'Let Her Cry.' ### 260. UNDERACHIEVERS PLEASE TRY HARDER by Camera Obscura URL: https://www.auditorymusings.net/underachievers-please-try-harder-by-camera-obscura/ Last updated: 2024-02-09T11:00:31.000Z I've been meaning to write about this Scottish indie pop band's 2003 record but just hadn't gotten around to it. However, I recently learned that they will be releasing a new album this coming May, so I thought now is as good a time as any to finally recommend you give this 20 year old disc a spin. Trying to remember what first caught my ear, I think it was the track, 'A Sisters Social Agony.' When you first hear this song, if you didn't know any better, you would think it was a standard slow song played at 1950's era sock hops in the US. Quickly put it on while you're reading this and you'll know exactly what I mean. This band has both female and male vocalists but I, as usual, seem to gravitate towards the former. With that in mind, continue on with 'Suspended From Class' and 'Number One Son.' Finish off with 'Lunar Sea' and its mellow and relaxing guitar vibes. ### 259. MADRA by NewDad URL: https://www.auditorymusings.net/madra-by-newdad/ Last updated: 2024-01-29T11:00:25.000Z "Next great guitar band" - that line from a recent review of this Irish band's 2024 full length debut is what caught my eye, as did the mention of shoegaze. Those of you who have kept up with my posts know that those two things - guitars and shoegaze - will immediately get my attention, more so when they are used to describe the same band. As such, this record has been my jam for the past few days. The thing about shoegaze and, specifically this album, is that the lyrics can be pretty melancholy but the often shimmering and, dare I say, jangly guitars provides a contrast that reels me right in. Maybe it will do the same for you. The band has been compared to everyone from The Cure (previously covered [here](https://www.auditorymusings.net/disintegration-by-the-cure/) and [here](https://www.auditorymusings.net/wish-by-the-cure/)) to Wolf Alice (covered [here](https://www.auditorymusings.net/blue-weekend-by-wolf-alice/) and [here](https://www.auditorymusings.net/visions-of-a-life-by-wolf-alice/)) to Garbage and others. I even hear some Concrete Blonde in the first track I'd like you to check out, 'Sickly Sweet.' I would then continue with the following three songs that appear in sequence, 'Change My Mind,' 'In My Head' and 'Nosebleed.' End with 'White Ribbons' - it's so pretty. NB "Madra" is Irish for "dog" ### 258. THE BLUES SESSIONS by Mick Jagger and the Red Devils URL: https://www.auditorymusings.net/the-blues-sessions-by-mick-jagger-and-the-red-devils/ Last updated: 2024-01-04T11:00:06.000Z I only learned about this 1992 blues 'record' last week when listening to episode #271 of the [Next Track](https://www.thenexttrack.com/276?ref=auditorymusings.net) podcast. You're probably wondering why the quotation marks - turns out that the tracks recorded at this marathon 13 hour session were never officially released on any album (save for one on a Jagger 'Best Of' compilation). If you like what Jagger can do with the blues with The Rolling Stones as his backing band, you're going to love what he does with the Red Devils, an LA-based blues bar band. This is no-holes-barred Mick at his bluesiest. There's no need to get into the back story of this record here - there is a lot of information online to which I would refer you. Suffice it to say that producer Rick Rubin had asked Mick to go listen to this band one night at the King King club and he was so impressed that he arranged for a day long recording session of some of his favorite blues tracks. Since these songs were never released on record, they're not available on any streaming platforms. However, YouTube saves the day as the 'click/tap' link up above takes you to the session posted there, timestamps for each track included. Also, instead of my usual 3 to 5 song recommendations, I'd suggest you listen to this one all the way through - it's worth it, especially for the blues fanatics out there. ### 257. MY FAVORITE RECORDS OF 2023 URL: https://www.auditorymusings.net/my-favorite-records-of-2023/ Last updated: 2023-12-15T11:00:09.000Z Just like I did in [2021](https://www.auditorymusings.net/my-favorite-records-of-2021/) and then again in [2022](https://www.auditorymusings.net/my-favorite-records-of-2022/), I present you with my favorite records from 2023\. However, in a change from the past, I'm presenting these in ranked order starting with my absolute favorite and also limiting myself to just six albums - which was actually quite difficult to do. If you didn't get a chance to check any of these out when I first wrote about them or just want to revisit any now that you know how much I liked them, there's no better time than while you're reading this. The artist's / band's names are clickable / tappable down below and will take you directly to the respective Daily Record. Thanks for reading and listening this past year - here's to 2024 and hoping it's as music-filled for you as 2023 was for me. ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2023/12/600x600bb.jpg) ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2023/12/600x600bb-2.jpg) ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2023/12/600x600bb-4.jpg) ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2023/12/600x600bb-3.jpg) ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2023/12/600x600bb-6.jpg) ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2023/12/600x600bb-5-1.jpg) 1\. [Nation of Language](https://www.auditorymusings.net/strange-disciple-by-nation-of-language/) 2\. [Fenne Lily](https://www.auditorymusings.net/big-picture-by-fenne-lily/) 3\. [The Lathums](https://www.auditorymusings.net/from-nothing-to-a-little-bit-more-by-the-lathums/) 4\. [Bonny Doon](https://www.auditorymusings.net/let-there-be-music-by-bonny-doon/) 5\. [IAN SWEET](https://www.auditorymusings.net/sucker-by-ian-sweet/) 6\. [Girl Ray](https://www.auditorymusings.net/prestige-by-girl-ray/) ### 256. AHORA by Melenas URL: https://www.auditorymusings.net/ahora-by-melenas/ Last updated: 2023-11-26T11:01:00.000Z Does one need to dust off their Spanish to English dictionary to enjoy this 2023 record from Pamplona, Spain's Melenas? While it couldn't hurt, I don't think it's really necessary. Heck, I took 6 years of Spanish through junior high and high school but all I really remember is that the album name means 'now.' You know what they say...if you don't use it you lose it. Regardless, I can still get into the music here because of the heavy synth pop leanings, reminiscent of Kraftwerk, Stereolab and others, as many reviewers have noted. As for tracks to recommend, I'm wary to suggest 'Bang' as the first one as it is so freakin' catchy you'll just want to put it on repeat and may not even get to the others. But, when you finally do get past 'Bang' continue with these: 'K2' (the bass line of which immediately reminded me of [The Judy's](https://www.auditorymusings.net/washarama-by-the-judys/) '[You Never Call Me](https://www.youtube.com/watch?v=fXzaT%5FZ0FDY&t=941s&ref=auditorymusings.net)'), 'Promesas' and '1986.' Melenas performing 'Bang' ### 255. ABACAB by Genesis URL: https://www.auditorymusings.net/abacab-by-genesis/ Last updated: 2023-11-14T11:00:07.000Z This 1981 record was really my first introduction to Genesis which, by this time, was three albums in with the core trio of Phil Collins (previously covered [here](https://www.auditorymusings.net/face-value-by-phil-collins/)), Tony Banks and Mike Rutherford - Peter Gabriel was long gone at this point. So, I never really got into the more prog rock oriented, Peter Gabriel-lead band - rather I got my feet wet with the pop oriented, Phil Collins as the frontman behind the drum kit, Genesis. In featuring this particular Genesis record, I'm cheating a bit. This is because a couple of the songs I will recommend down below never made it onto the final recording, though they were recorded during the *Abacab* sessions. These tracks eventually saw the light of day by being included on an EP, a live album and an anthology box set. But, you won't find them by clicking the stream link up above, which takes you to the official *Abacab* studio release. They will, however, be in my Apple Music and Spotify playlists and, of course, easily found on YouTube. So, without further ado, here are the songs I have a particular fondness for from the *Abacab* album and recording sessions: my favorite is 'You Might Recall' followed closely by 'Like It Or Not.' Then 'Paperlate' and its Earth, Wind and Fire horn section will have you grooving in your seat. Next 'Man On The Corner' and finally title track and album opener 'Abacab.' ### 254. SUCKER by IAN SWEET URL: https://www.auditorymusings.net/sucker-by-ian-sweet/ Last updated: 2023-11-08T11:00:54.000Z So I'm covering this just released 2023 record after just one day of listening because there's something about it that has captivated me. IAN SWEET (yes, what's up with these stylized band names?) is what Jillian Medford (essentially the only member of this 'band') goes by. So, yeah, it's kind of confusing - your band essentially consists of only you, the name of your band sounds like the name of a guy and you're a girl. Did I mention the all caps? But don't let that detract from the music which, as I mentioned, has gotten its hooks in me. If you go into your listening of this record with the mindset that it's a mix of indie / bedroom pop and shoegaze, you'll know exactly what to expect - and you'll like it. Add IAN SWEET to the list of acts I can't wait to see live in a small venue. With less than 24 hours of listening it's difficult for me to parse my recommended tracks to just a few, but here goes: I'm a big proponent of an album opener being a great track as that's where most listeners start and so it is the artist's best chance to convince you to continue with the rest of the record. So, it should go without saying that 'Bloody Knees' is where you should dive in to this record. Next I love the opening guitar in 'Comeback' - I think it's an arpeggio, but I'm no musician - I just like the way it sounds. Also, Radiohead fans will almost immediately draw comparisons to the opening notes of 'Let Down' off *OK Computer*. Then continue with 'Emergency Contact.' Speaking of similarities, the second 'Clean' started I was transported back to 1999 with the great track 'Hello' by James swirling in my head. This type of "deja-vu" tends to be very personal so you may or may not hear it, but I definitely do (or maybe I just needed an excuse to be able to add 'Hello' to my playlists). Finally, end with the sparse album closer 'Hard.' Friendly reminder to check out my playlists on both Apple Music and Spotify where all the tracks I mention are included - you'll find links in the email newsletter and on my site. ### 253. SOLITUDE STANDING by Suzanne Vega URL: https://www.auditorymusings.net/solitude-standing-by-suzanne-vega/ Last updated: 2023-11-04T10:00:36.000Z 1987 brought us American singer songwriter Suzanne Vega's second (and most popular) record, owing to the inclusion of the upbeat sounding but downright depressing track, 'Luka,' which deals with the topic of child abuse. However, the song that made more of an impression on me when the album first came out and continues to affect me to this day is 'Gypsy.' Vega reportedly wrote it 10 years prior to releasing it, at the young age of 18 or so. I can't quite remember what I was doing at that age but it definitely would not have been writing such an exquisite song (unless somehow a beer...or two was involved). Two other tracks I would recommend you listen to are 'Ironbound/Fancy Poultry' and title track 'Solitude Standing.' Before I sign off on today's edition of Daily Records, I wanted to plug an excellent interview with Vega that my friend and music industry insider from across the pond, Keith Jopling, did a few years ago. Not only is this interview worth a listen but you should check out the rest of [The Song Sommelier](https://www.songsommelier.com/?ref=auditorymusings.net) website - you can definitely go down a rabbit hole over there! [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2023/11/Screenshot-2023-11-04-at-12.15.16-AM.png)](https://open.spotify.com/episode/7jIyaqhsf53SKGF9GnOejP?ref=auditorymusings.net) ### 252. BRAVE AND CRAZY by Melissa Etheridge URL: https://www.auditorymusings.net/brave-and-crazy-by-melissa-etheridge/ Last updated: 2023-10-13T10:00:51.000Z I recently listened to a [podcast interview](https://youtu.be/WrbeF0DX%5F50?si=D7gW4LzHmIJQaI62&ref=auditorymusings.net) with Melissa Etheridge and was reminded how much I used to listen to her first two records in college, especially *Brave and Crazy*, her second album, released in 1989\. Having the perfect combination of rootsy, American(a) rock and ballads, to say that I had this CD on repeat during my sophomore year would be an understatement. Fast forward to today and knowing about her life story, including how she started out as an openly gay woman playing in dive bars, her battle with breast cancer and the death of her son to opioid addiction makes me appreciate her even more. Though I didn't really follow her career that closely afterwards, I made up for it by the number of times I spun those first two CDs. The tracks I've added to my playlists include, 'The Angels,' 'No Souvenirs,' 'Let Me Go' and, finally the album closer, 'Royal Station 4/16,' in which Bono of U2 plays harmonica. Etheridge with Joss Stone paying tribute to Janis Joplin at the 2005 Grammy Awards. She underwent radiation therapy for her breast cancer that same morning. ### 251. SO TONIGHT THAT I MIGHT SEE by Mazzy Star URL: https://www.auditorymusings.net/so-tonight-that-i-might-see-by-mazzy-star/ Last updated: 2023-10-05T10:00:19.000Z I previously covered Mazzy Star's third album [here](https://www.auditorymusings.net/among-my-swan-by-mazzy-star/) and now it's time to circle back and highlight this 1993 record, their sophomore effort. It's this album that people will most likely be familiar with as it contains their most famous song, 'Fade Into You.' But, there's so much more to this record than that single track and I'd like to highlight a few of those songs for you. As I noted previously, this band and this particular record would be a great starting off point for those interested in learning more about (and hearing more) dream pop / shoegaze music. With that in mind, I would suggest you start out with the last track, which is also the title track and which is also the longest song on the record, 'So Tonight That I Might See.' Imagine a mashup between the vocals of Jim Morrison of The Doors and the music of The Velvet Underground with a bit of The Beatles' 'Tomorrow Never Knows' thrown in for good measure and you'll get a pretty good idea of what to expect from this track. Then, work your way backwards on the album, continuing with 'Into Dust' followed by 'Blue Light,' 'Bells Ring' and finally end with the song you've already heard, 'Fade Into You.' Mazzy Star performing 'Fade Into You' at Neil Young's Bridge School Benefit, 1994 ### 250. STRANGE DISCIPLE by Nation of Language URL: https://www.auditorymusings.net/strange-disciple-by-nation-of-language/ Last updated: 2023-09-22T10:00:23.000Z Everything [I said](https://www.auditorymusings.net/introduction-presence-by-nation-of-language/) about this American band's debut record back in 2020 still holds true for their recently released third outing. If you long for the days of 80's synth pop you need to be following this band. This trio has a knack for combining the synth beats of years past with a modern sound that reminds you that you're in the year 2023, not 1983. My favorites off this record and that I've added to my Apple Music and Spotify playlists include, 'Sole Obsession,' the mesmerizing album opener 'Weak In Your Light,' 'Stumbling Still' and 'Surely I Can't Wait.' 'Weak In Your Light' live from the SiriusXM studio ### 249. SOMETIMES I SIT AND THINK, AND SOMETIMES I JUST SIT by Courtney Barnett URL: https://www.auditorymusings.net/sometimes-i-sit-and-think-and-sometimes-i-just-sit-by-courtney-barnett/ Last updated: 2023-09-14T10:00:58.000Z Courtney Barnett is an Australian singer and guitarist known for her witty, deadpan lyrics, playing left-handed and singing with her native accent. When I first heard of her and heard her, I was immediately captured by her quirky (yet tuneful) guitar playing and, again, her smart lyrics and how she delivered them. In fact I'm surprised that I haven't covered this 2015 record earlier as I used to listen to this over and over again back then, I liked it that much. In preparation for this post, I re-listened to the album which only reinforced my original thoughts on how good it is. But don't take my word for it, it was #6 on Rolling Stone Magazine's Best Albums of 2015. Start out with the rocker 'Nobody Really Cares If You Don't Go To The Party' and then follow with 'An Illustration of Loneliness (Sleepless in New York),' the lovely 'Depreston' and then end with 'Small Poppies,' a great live version of which is below. Courtney Barnett playing some mean guitar in Chicago, 2018 ### 248. THE WINDOW by Ratboys URL: https://www.auditorymusings.net/the-window-by-ratboys/ Last updated: 2023-09-03T10:00:41.000Z Following in a long line (okay, probably not so long) of questionable band names (see also [Mediocre](https://www.auditorymusings.net/emotion-sickness-by-mediocre/)), this 2023 record by the Chicago-based indie rockers is worth your time, and multiple listens. Mixing up the aforementioned indie rock with touches of folk, country, grunge and even good old classic rock you'll be surprised how many outstanding riffs and licks fly under the radar beneath singer Julia Steiner's vocals. For the guitarists out there, start and end your sampling of this album with the almost 9 minute 'Black Earth, WI' where homage is paid to the long lost days when guitar solos were welcomed parts of songs. A nice live version of this track is down below. Continue with the almost jangly pop of 'Morning Zoo' and then take things down to the grungy level of 'Empty' before finishing off with 'It's Alive!' 'Black Earth, WI' from the live music capital of the world ### 247. GREEN by R.E.M. URL: https://www.auditorymusings.net/green-by-r-e-m/ Last updated: 2023-08-24T10:00:07.000Z Having just dropped off my older son to college, I've been thinking a lot about the bands and records that meant a lot to me during *my* freshman year at university. And, of course, one of the first albums to come to mind was 1988's *Green*. I can still picture that orange CD booklet inserted in the jewel case like it was yesterday. *Green* was a bit of a departure for R.E.M. as it was their major label debut. And, with the new record label came somewhat of a new sound. In fact, lead singer Michael Stipe famously told his bandmates to shy away from writing songs that sound like R.E.M. And, that they did - you'll be hard pressed to hear any of the good ole jangle pop R.E.M. was known for up to this point. My favorites and the tracks I've added to my playlists include, in no particular order, 'Untitled,' 'Turn You Inside-Out,' 'You Are The Everything,' 'Stand' and, of course, 'Pop Song 89.' ### 246. LET THERE BE MUSIC by Bonny Doon URL: https://www.auditorymusings.net/let-there-be-music-by-bonny-doon/ Last updated: 2023-08-21T10:00:37.000Z I recently came across this Detroit, Michigan band when it was mentioned in one of the '[Buried Treasures](http://www.soundopinions.org/show/925?ref=auditorymusings.net)' episodes of the great Sound Opinions podcast. Turns out I had actually heard them before and didn't realize it - they served as the backing band on Waxahatchee's most excellent record from 2020, *Saint Cloud* (previously covered [here](https://www.auditorymusings.net/saint-cloud-by-waxahatchee/)). Anyway, I mention all of this to simply point out that, if you've listened to *Saint Cloud*, you'll know that the band is into some very mellow tunes. The same can be said of this 2023 record by Bonny Doon. *Let There Be Music* is a great Sunday morning record (sorry, I would've loved to have this post come out on Sunday morning, but...life). The songs on this album are like sweet packets of sugar being sprinkled over the most banal of topics, but serving their purpose, that is to make said topics a bit more delectable. I'd start out with 'Crooked Creek' and then follow on with 'Roxanne,' 'Maybe Today,' title track 'Let There Be Music' and finally end with 'San Francisco' (incidentally, not the only song about the city by the Bay [I've recommended](https://www.auditorymusings.net/bonnie-rose-by-danielle-durack/)). ### 245. LAYLA AND OTHER ASSORTED LOVE SONGS by Derek and the Dominos URL: https://www.auditorymusings.net/layla-and-other-assorted-love-songs-by-derek-and-the-dominos/ Last updated: 2023-08-16T18:50:24.000Z This 1970 record by Eric Clapton, Duane Allman (of the Allman Brothers Band) and others, together comprising Derek and the Dominos, is another that had a profound effect on me during my formative years, especially two tracks - 'Bell Bottom Blues' and 'Layla' (more the former rather than the latter). These songs are probably the most well known off this album. Clapton formed this band using the pseudonym of 'Derek' in an attempt to fade away from the intense limelight he was receiving as a solo artist and as part of other bands. I particularly like this record because it feels like Clapton's playing is unleashed. He feeds off Allman's guitar (including slide) as Allman does his. This makes for a guitar lover's dream. In addition to the originals mentioned above I, of course, have to recommend (and include in my playlists) the blues covers - 'Have You Ever Loved A Woman,' 'Key To The Highway' and 'Nobody Knows You When You're Down and Out.' Coda: Sadly, Allman died in a motorcycle accident about a year after this record's release, age 24. ### 244. PRESTIGE by Girl Ray URL: https://www.auditorymusings.net/prestige-by-girl-ray/ Last updated: 2023-08-04T19:04:24.000Z This just released 2023 record by UK trio Girl Ray is the feel good album to get you ready for the weekend. If you don't have plans to hit the disco tonight (I know, I'm aging myself), don't worry - just whip out the old mirrorball, hang it from a light and put this album (especially my recommended tracks) on. Granted many (all?) of the songs have that Nile Rodgers / Chic chuc-a-chuc thing going on, but that's not necessarily a bad thing in my book. Spin the following tracks and you'll hear what I'm talking about: 'Hold Tight,' 'Easy,' 'Everybody's Saying That' and 'True Love.' ### 243. YOU GOT MY MIND MESSED UP by James Carr URL: https://www.auditorymusings.net/you-got-my-mind-messed-up-by-james-carr/ Last updated: 2023-08-03T10:00:19.000Z So a couple of nights ago we were watching the final episode of the TV show *Hijack.* During the final scene and while the end credits were rolling I was introduced to one of the finest soul singers of our time. James? No. Aretha? No. Otis? No. It was James Carr, someone I had never heard of before and the song was 'The Dark End of the Street.' I was so captivated by this track and Carr's voice that I've spent the last few days reading about him and, more importantly, listening to the record that song is from, *You Got My Mind Messed Up*. Turns out that this 1967 album is considered one of the finest soul records out there and for good reason. Carr's raw emotion comes pouring out, track after sweat-soaked track. The original pressing was 12 songs and 29 minutes, so you can easily get through the whole album in one short sitting. However, for your sampler (and included in the Daily Records playlists) I suggest the aforementioned 'The Dark End of the Street' followed by 'Pouring Water on a Drowning Man,' 'These Ain't Raindrops,' 'Coming Back to Me Baby' and title track, 'You've Got My Mind Messed Up.' And, after that go ahead and listen to the 2002 re-release which adds another 12 songs. ### 242. TEXAS FLOOD by Stevie Ray Vaughan and Double Trouble URL: https://www.auditorymusings.net/texas-flood-by-stevie-ray-vaughan-and-double-trouble/ Last updated: 2023-07-25T10:00:32.000Z I previously covered Stevie Ray Vaughan when I discussed a record he made with his brother Jimmie [here](https://www.auditorymusings.net/family-style-by-the-vaughan-brothers/) as well as the live album he recorded with Albert King [here](https://www.auditorymusings.net/in-session-live-by-albert-king-with-stevie-ray-vaughan/). However, up to this point I neglected to pay homage to SRV and his band Double Trouble. That ends today. This seminal 1983 debut album is said to have revitalized blues as a viable musical genre and to put Texas blues back on the map. While there was no comparison to seeing Vaughan play live (I was lucky enough to see him and Double Trouble open up for The Who way back in 1989) the *Texas Flood* album is the next best thing - it was recorded live in the studio (in fact in Jackson Browne's studio in Los Angeles) over the course of just 2 to 3 days. What I'd like to recommend you listen to includes two SRV originals and two covers - start out with the Buddy Guy classic 'Mary Had A Little Lamb' followed by 'Love Struck Baby' and 'Pride and Joy.' Round things out with the absolutely phenomenal cover of Larry Davis' 'Texas Flood' (side note - Davis' original was recorded in 1958 in my hometown of Houston, Texas) which can only be topped by the live version from Toronto's El Mocambo: ### 241. RECKLESS by Bryan Adams URL: https://www.auditorymusings.net/reckless-by-bryan-adams/ Last updated: 2023-07-18T10:00:50.000Z It's hard to believe that this landmark record by Canadian rocker Bryan Adams was released way back in 1984\. Every time I hear 'Heaven' I get brought back to junior high and think about that crush I wanted to slow dance with ('Heaven' actually came out a year earlier as part of a movie soundtrack before its inclusion on *Reckless*). No less than 6 singles were released from this guitar-oriented album though I think Adams could have gotten away with at least a couple more tracks, the songs are that good. You can probably tell that it's going to be hard for me to limit my recommendations to just 3 or 4 or 5 songs, but here goes: of course start out with 'Heaven' and then move on to 'One Night Love Affair,' 'Summer of '69' and end with the big hit 'Run To You.' ### 240. PART 3 by KC and the Sunshine Band URL: https://www.auditorymusings.net/part-3-by-kc-and-the-sunshine-band/ Last updated: 2023-07-07T10:00:58.000Z For any child of the 70's and early 80's that iconic logo with the buzz saw-looking sun meant only one thing - time to put on your boogie shoes so that you can shake your booty to 'I'm Your Boogie Man.' You see where I'm going with this, right? There was a time back then when the only band that could out disco KC was the Bee Gees. I guess having your band name consist of letters from the alphabet was a recipe for success. 1976's *Part 3* which, incidentally, was the band's *fourth* record turned out to be their breakout album (though their self-titled second effort wasn't too shabby either). So, in the hopes of not sounding too redundant, get those shoes on (you know which ones) and spin 'I'm Your Boogie Man,' 'Keep It Comin' Love' and '(Shake, Shake, Shake) Shake Your Booty.' ### 239. THE BLUE MOODS OF SPAIN by Spain URL: https://www.auditorymusings.net/the-blue-moods-of-spain-by-spain/ Last updated: 2023-06-22T10:00:22.000Z This 1995 record is by a band called Spain that hails from, well, not Spain but Los Angeles, California. Band leader Josh Haden's name may ring a bell, as he is the son of jazz great Charlie Haden and the brother of the three sisters who make up the band The Haden Triplets (to be covered in a future post). What first attracted me to this album back in the mid-90's was the atmospheric, moody nature of not only the music but the vocals as well. This is the perfect record to put on, pour yourself a small peg of whisky, turn the lights way down low and just...listen. Several of the songs have a drone-like raga feel to them. With that in mind, my suggestion is to start with 'It's So True,' and then follow through with 'Untitled #1,' 'Ten Nights,' 'Spiritual' and end with the 14 minute (!) epic 'World of Blue' - if you dare. Remember, I've added all these tracks to my Apple Music and Spotify playlists, so pick your poison and check them out. ### 238. FLOWING RIVERS by Andy Gibb URL: https://www.auditorymusings.net/flowing-rivers-by-andy-gibb/ Last updated: 2023-06-19T10:00:40.000Z Continuing my trip down nostalgia lane I present this 1977 debut record by one of the Brothers Gibb - Andy. You may recognize that last name as belonging to his three other siblings - The Bee Gees. Andy was never part of his older brothers' band but had a successful, albeit brief, career on his own. I say brief because he died at the age of 30 after suffering through years of depression, alcohol and substance abuse that took a toll on his body, particularly his heart. The opening track on this record is one of his absolute biggest hits and the one that I most associate with Andy - 'I Just Want To Be Your Everything.' Every time I hear this song it brings me way back to the late 70's and some of my earliest memories. His vocals are distinctive and easily establish the connection between him and his brothers. The album as a whole has pop, disco and even some country elements so to continue your exploration, I would recommend these additional tracks: 'Flowing Rivers,' 'Dance to the Light of the Morning' and '(Love Is) Thicker Than Water.' ### 237. A RUSH OF BLOOD TO THE HEAD by Coldplay URL: https://www.auditorymusings.net/a-rush-of-blood-to-the-head-by-coldplay/ Last updated: 2023-06-15T10:00:04.000Z I hadn't realized until recently that I haven't discussed a Coldplay record here. Thinking about why I came to the conclusion that I just don't listen to them much anymore - at least not much after their *Viva La Vida* album. I guess they went in one direction and I in another. Deciding on which of those early records to discuss, I landed on this 2002 release because it contains one of my favorite Coldplay songs, 'The Scientist.' On a record with lots of guitars and thunderous piano I, of course, focus on the more mellow tracks. So, start out with that one and then continue the muted theme with 'Warning Sign' and end with the album closer, 'Amsterdam,' which contains some of singer Chris Martin's most bluesy refrains and, actually, some pretty nice guitar towards the end. ### 236. SPORTS by Huey Lewis and the News URL: https://www.auditorymusings.net/sports-by-huey-lewis-and-the-news/ Last updated: 2023-06-14T10:00:36.000Z This 1983 record reached second in sales at the end of 1984, only beat out by Michael Jackson's *Thriller*. So that should give you an idea of just how big this album was, spawning hit single after hit single. In fact that was Huey Lewis's plan all along - according to him this was the only way to stay alive in the record industry back in the early to mid '80's. Those of you familiar with *Sports* may be surprised to see me recommend tracks 5 through 7 rather than the more popular and familiar 1 through 4\. For me, those songs got so much airtime on the radio and MTV that I wanted to suggest less popular but still familiar ones to listen to instead. So, get that feel good feeling ready for 'Walking On A Thin Line,' 'Finally Found A Home' and 'If This Is It.' ### 235. BIG PICTURE by Fenne Lily URL: https://www.auditorymusings.net/big-picture-by-fenne-lily/ Last updated: 2023-05-08T10:00:39.000Z Sometimes you just need or want to mellow out and put on some music that's soothing for the soul. That's what this recently released 2023 record by Brit Fenne Lily is all about. Lily's vocals and arrangements have an airy feel to them with some nice guitar picking thrown in, especially in a couple of the tracks recommended below. Start out with the two guitar-driven tunes, 'Lights Light Up' and 'In My Own Time' and then follow-up with album opener 'Map of Japan' and closer 'Half Finished.' ### 234. SPECTRAL LINES by Josh Ritter URL: https://www.auditorymusings.net/spectral-lines-by-josh-ritter/ Last updated: 2023-04-28T19:23:50.000Z One of my favorite contemporary singer songwriters (previously covered [here](https://www.auditorymusings.net/sermon-on-the-rocks-by-josh-ritter/) and [here](https://www.auditorymusings.net/so-runs-the-world-away-by-josh-ritter/)) is out with a new record for 2023, though I hesitate to call it a record - it's more of a meditation. The pandemic changed him (as, I'm sure, it did all of us) as did the death of his mom from ovarian cancer. This lead to a much more subdued and introspective album with very sparse arrangements. That's not to say that there's not a banger track on the album, but go into this one with a slightly different mindset than you normally would for a Josh Ritter record. My recommendations are bookended by album opener and closer, 'Sawgrass' and 'Someday' (which pays homage to Tommy James and the Shondells' 'Crimson and Clover'), respectively, with the upbeat 'For Your Soul' serving as the PB & J in the middle. By the way, as noted in my previous post / newsletter, keep an eye out for the occasional single song post - I won't be sending out emails for these one offs so be sure to check out my social media presence every now and then - that's where I'll be posting those nuggets. You can find links on my website. ### 233. ENEMA OF THE STATE by blink-182 URL: https://www.auditorymusings.net/enema-of-the-state-by-blink-182/ Last updated: 2023-04-20T10:00:12.000Z In honor of pop / skate-punk band blink-182 reuniting their classic lineup for the first time since 2014 at Coachella this past weekend (and this upcoming weekend, thanks Frank Ocean...) I thought I'd revisit this classic 1999 record. It's with this album that co-vocalists Tom DeLonge (guitar) and Mark Hoppus (bass) along with newly acquired drummer Travis Barker found the perfect formula of adolescent bathroom humor, breakneck speed (12 songs in 35 minutes), melody and introspection. If some of the tracks below remind you of Green Day (previously covered [here](https://www.auditorymusings.net/american-idiot-by-green-day/)) that's no coincidence...the same producer was in the studio for Green Day's smash album *Dookie.* The hits are all here and will give you a good taste of what the band is all about: 'All the Small Things,' 'Adam's Song,' 'Dumpweed' and 'What's My Age Again?' Just a quick note to close out this post - I'm going to try and mix things up going forward in terms of continuing to feature old and new records of course, but also throwing in single tracks every now and then. With my current time constraints (ie, my real job!), I don't get to post as often as I'd like to, but am always full of music to share; and, a lot of the times, it just happens to be a single classic track that brings back memories or a brand new song that will, hopefully, forge new ones. So, stay tuned.... ### 232. A COMFORTING NOTION - EP by Heartworms URL: https://www.auditorymusings.net/a-comforting-notion-ep-by-heartworms/ Last updated: 2025-11-13T03:21:42.000Z So I'm going to recommend you stop what you're doing (including reading this post!) and queue up this just released 2023 EP by UK musician Jojo Orme, who plays under the moniker Heartworms. This is one of those 'stumble upon' posts - that is I just stumbled upon this record this morning and am so infatuated with it that I've been listening all day and wanted to get it out to you, dear reader / listener, as soon as possible. Why the urgency? Well, imagine throwing in *Pornography*\-era Cure, the noise of Nine Inch Nails and the vocals of Ellie Rowsell (of Wolf Alice) into a blender (or chatGPT these days) - Heartworms is what you'll get out. Just listen. Since this is a 4 track EP, I suggest you listen to the whole thing in the order presented. I've added the songs to my playlists as well - 'Consistent Dedication,' 'Retributions of an Awful Life,' 'A Comforting Notion' and '24 Hours.' ### 231. RAMONES (self-titled) URL: https://www.auditorymusings.net/ramones-self-titled/ Last updated: 2023-04-07T22:44:02.000Z I've been meaning to feature this 1976 debut record by the punk rock pioneers but just hadn't gotten around to it. However, with the recent death of music executive Seymour Stein (who signed The Ramones among many other seminal acts to his Sire Records label) I figured now is as good a time as any. Although this album was a commercial failure at the time, it was a critical darling and has since garnered so much acclaim that many rock records are measured as having been released "pre-*Ramones*" or "post-*Ramones*." The record (and the band) became *that* influential not just to the punk rock movement but to many others as well. It's interesting to note that the recording process aped what The Beatles had done on their early albums with bass and rhythm guitars separated on the left and right channels, respectively, with drums / vocals taking up the middle. Another thing you'll notice is that this is 14 songs in 29 minutes, pretty much summing up the definition of punk rock - play loud, hard and *fast*. For your listening pleasure, the songs I've added to the Daily Records playlist on [Apple Music](https://music.apple.com/us/playlist/daily-records/pl.u-qaEKDu3LZL8?ref=auditorymusings.net) and [Spotify](https://open.spotify.com/playlist/5oOxFEv37B5ZvlxWeMpAvA?si=865f9b21544f460b&ref=auditorymusings.net) are the first 4 tracks: 'Blitzkrieg Bop,' 'Beat on the Brat,' 'Judy is a Punk' and 'I Wanna Be Your Boyfriend' and then track 11, '53rd & 3rd.' ### 230. THE TOWN THAT CURSED YOUR NAME by The Reds, Pinks and Purples URL: https://www.auditorymusings.net/the-town-that-cursed-your-name-by/ Last updated: 2023-03-31T10:00:50.000Z The Reds, Pinks and Purples is basically a vessel through which San Francisco singer-songwriter Glenn Donaldson gets his music out these days. He's been part of several past and present bands, continuously evolving his music and his art. This 2023 record is a short spin, clocking in at around 33 minutes, but is well worth a listen if you're into wistful, melodic, guitar-oriented indie music. For those of you who've kept up with my tastes through my previous posts, it will come as no surprise to see me recommend some of the slower numbers on this album. So, start out with 'Here Comes the Lunar Hand' - if you listen to this track with headphones you'll especially appreciate the subtle guitar in the background throughout the entire length of the song. If you're into something a bit more fast-paced I'll throw you a couple of bones with 'Burning Sunflowers' and 'Leave It All Behind.' Finally, bring it back down with album closer, 'Break Up the Band.' ### 229. FROM NOTHING TO A LITTLE BIT MORE by The Lathums URL: https://www.auditorymusings.net/from-nothing-to-a-little-bit-more-by-the-lathums/ Last updated: 2023-03-30T10:00:24.000Z This 2023 sophomore release from Manchester, UK band The Lathums epitomizes what one would consider indie rock with some jingle jangle guitars thrown in for good measure. I haven't yet had a chance to listen to their debut record, though after listening to this one on and off over the past couple of weeks, I definitely have that one queued up on my virtual turntable. Start out with the upbeat vibe on 'Sad Face Baby' - it has an infectious bass line that will get you humming along in no time. Follow that with the Peter Buck-esque guitars of 'Rise and Fall.' 'I Know Pt 1' will bring you back to 1950's doo-wop and high school proms. Finally end with 'Lucky Bean' which will probably remind you of famed 1980's Hull, UK band The Housemartins. ### 228. CUTS AND BRUISES by Inhaler URL: https://www.auditorymusings.net/cuts-and-bruises-by-inhaler/ Last updated: 2023-02-18T11:00:03.000Z This foursome out of Dublin are just out with this 2023 record, their sophomore effort. Their trajectory has been exponential even with just two albums under their belts. Maybe this has to do with heartthrob lead singer / rhythm guitarist Elijah Hewson's lineage (his dad is Paul Hewson, aka Bono) or maybe they just came out with their debut during the pandemic and was just what the doctor ordered - right place right time. Regardless, this is gonna be a band to keep an eye on. As it happens, this record is top heavy with the hits, so I'd focus my listening on the first half, especially the following tracks: 'These Are The Days,' 'Just To Keep You Satisfied' and 'If You're Gonna Break My Heart' (the song that reminds me the most of Bono's vocals and that has this opening guitar twang thing that fools you into thinking that it's going to be a country number). ### 227. DON'T SAY NO by Billy Squier URL: https://www.auditorymusings.net/dont-say-no-by-billy-squier/ Last updated: 2023-01-16T11:00:37.000Z Rocker Billy Squier had the good fortune of releasing his 2nd record in 1981, a few months prior to MTV debuting on the airwaves. His radio-friendly, guitar-oriented tracks along with accompanying videos getting heavy airplay on MTV turned out to be a combination made in heaven. This album generated no less than four hits and catapulted Squier to superstar status, albeit only for a couple of years. (The reason for his eventual "downfall" is supposedly tied to a music video included down below - I'll leave it to the reader to look up the details.) The songs I'm recommending you check out won't be a surprise to anyone familiar with this record - they are the four standouts and all have in common catchy guitar riffs that stand the test of time. So, without further ado either go to my playlist on Apple Music or Spotify or click the link below the record sleeve and have a listen to these songs...LOUD: 'My Kinda Lover,' 'Lonely Is The Night,' 'In The Dark' and 'The Stroke.' Did this video kill the radio star? ### 226. BEING FUNNY IN A FOREIGN LANGUAGE by The 1975 URL: https://www.auditorymusings.net/being-funny-in-a-foreign-language-by-the-1975/ Last updated: 2023-01-06T11:00:18.000Z Believe it or not, the only song I had heard by this British band prior to listening to this 2022 record was off their 2013 debut. Somehow the band never clicked with me and, so, I ended up skipping their subsequent output - up until now. After seeing this album on so many 2022 best of lists, I figured I had better give them another shot...and I'm glad I did. Probably a combination of my tastes changing over the years and the fact that this *is* a really good record made me want to feature it today. Lesson learned. I'm ready to start exploring their back catalog - just as soon as I get this one off repeat, that is. Kind of in the pop rock / soft rock realm (but without the cheese), the tracks I would spin to get a taste of the record are these, in this order: 'I'm In Love With You' (the album's stand out in my opinion), 'About You' (very atmospheric, almost ethereal), 'Part Of The Band' (which was the lead off single) and 'All I Need To Hear' (a bluesy way to wind your listening session down). Lead singer Matty Healy has the whole Elvis knee locking thing down like a pro The 1975 performing 'I'm in Love with You' on Fallon ### 225. LIFES RICH PAGEANT by R.E.M. URL: https://www.auditorymusings.net/lifes-rich-pageant-by-r-e-m/ Last updated: 2023-01-02T11:00:04.000Z Released in 1986, this fourth record by alternative rock band R.E.M (previously covered [here](https://www.auditorymusings.net/out-of-time-by-r-e-m/)) served as somewhat of a transition from their strictly college rock leanings to something more accessible by a wider audience. Lead singer Michael Stipe continues with his cryptic lyrics, but this time they are propelled along by a tighter, rockier rythym section, particularly Bill Berry's drumming (maybe that's why he's featured on the album cover...well, *half* of him anyway). This is another record that falls within my all time favorites list, so I'm super excited to share these songs off of it with you all: 'Fall On Me' is an absolute must as your starting point, though one should put aside trying to decide what the song is really about and, instead, revel in the dual vocals between Stipe and bassist Mike Mills. I would then go to the lead off track, 'Begin the Begin' and it's unmistakable opening guitar riff. 'The Flowers Of Guatemala' will slow things down a bit until you reach 'Swan Swan H' - a sort of American Civil War-type dirge. ### 224. GULP! by Sports Team URL: https://www.auditorymusings.net/gulp-by-sports-team/ Last updated: 2022-12-23T11:00:31.000Z This 2022 sophomore effort from the UK's indie rock darlings Sports Team does more for me than their debut. I think there's more maturity and control in their writing and playing and, overall, less chaos than the first record. Additionally, the one thing that's guaranteed to pique my interest when listening to new music is when a song somehow reminds me of something I've heard before, but not really. It's a feeling that's hard to describe - a sort of deja vu that's more vu than deja. Anyway, that's what happened with a couple tracks on this record and, so, I just had to listen to the rest. And, I'm glad I did. The songs I've added to the Daily Records playlists include opener 'The Game' (vis-a-vis [The Sex Pistols'](https://www.auditorymusings.net/never-mind-the-bollocks-heres-the-sex-pistols-by-the-sex-pistols/) 'God Save The Queen'), 'R Entertainment,' mantra-like 'Dig!,' 'Cool It Kid' (which immediately reminded me of the riff in Liz Phair's 'Go West') and 'The Drop.' ### 223. My Favorite Records of 2022 URL: https://www.auditorymusings.net/my-favorite-records-of-2022/ Last updated: 2023-12-15T03:57:31.000Z Just a quick note before we get to the records - I've gone all in on Mastodon for my social media presence and have put my Twitter account on pause for the foreseeable future. So, if you'd like to follow me hit me up at [https://mstdn.social/@auditorymusings](https://mstdn.social/@auditorymusings?ref=auditorymusings.net) Now, on to my favorites of 2022\. As usual, these are presented in no particular order. Click/tap on the record sleeve to go straight to the album and streaming options. Finally, let me know what you think! You can comment on the blog, reply to the email newsletter or reply to my post on Mastodon - I'd love to hear your thoughts on these I hope everyone has a happy and healthy holiday season and here's to an even better 2023 Best wishes, Pulin [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/12/polydans-1.jpeg)](https://www.auditorymusings.net/polydans-by-roosevelt/) POLYDANS by Roosevelt [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/12/600x600bb-2.jpg)](https://www.auditorymusings.net/young-blood-by-marcus-king/) YOUNG BLOOD by Marcus King [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/12/600x600bb--1-.jpg)](https://www.auditorymusings.net/the-overload-by-yard-act/) THE OVERLOAD by Yard Act [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/12/600x600bb--2-.jpg)](https://www.auditorymusings.net/souvenirs-by-pale-blue-eyes/) SOUVENIRS by Pale Blue Eyes [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/12/600x600bb--3-.jpg)](https://www.auditorymusings.net/home-before-and-after-by-regina-spektor/) HOME, BEFORE AND AFTER by Regina Spektor [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/12/600x600bb--4-.jpg)](https://www.auditorymusings.net/wet-leg-self-titled/) WET LEG (self-titled) [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/12/600x600bb--5-.jpg)](https://www.auditorymusings.net/entering-heaven-alive-by-jack-white/) ENTERING HEAVEN ALIVE by Jack White [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/12/600x600bb--6-.jpg)](https://www.auditorymusings.net/teeth-marks-by-s-g-goodman/) TEETH MARKS by S.G. Goodman [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/12/600x600bb--7-.jpg)](https://www.auditorymusings.net/i-dont-know-who-needs-to-hear-this-by-tomberlin/) I DON'T KNOW WHO NEEDS TO HEAR THIS... by Tomberlin [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/12/600x600bb--8-.jpg)](https://www.auditorymusings.net/surrender-by-maggie-rogers/) SURRENDER by Maggie Rogers ### 222. THE LOST ALBUM by The Smithereens URL: https://www.auditorymusings.net/the-lost-album-by-the-smithereens/ Last updated: 2022-12-13T11:00:46.000Z This 2022 record of pretty much all new material from The Smithereens (previously covered [here](https://www.auditorymusings.net/11-by-the-smithereens/)) comes to us by way of 1993\. Wait, what? Well, it turns out that when the band was in between record companies back then, they had decided to make an album on their own. So, that's what they did. Recorded over just one month, they never got a chance to put it out as by the time they finished, they had already signed with another company. These tracks got put into a literal shoebox only to be discovered 30 or so years later. More than casual fans of the band will know that lead singer Pat DiNizio developed health problems during his later years and finally succumbed to them in 2017\. Listening to this record is like hearing a ghost - these are songs you've never heard sung by someone who is no longer with us. Clocking in at right around 42 minutes, these 12 tracks serve up The Smithereens like you know and love them - tight power pop gems with jangly guitars and DiNizio's vocals in perfect form. The album opener, 'Out Of This World,' was the lead off single, so I would start with that. Next give 'Don't Look Down' a listen - not only will you love the chiming guitars (though piped through a bit of distortion) but there's also a very heavy bass line that percolates through the song. 'Pretty Little Lies' would be a throw away of a song save for the fact that it really reminds me of The Hollies' 'Bus Stop' - see if you agree. Lastly, 'Stop Bringing Me Down' could have easily fit in on the seminal *11* that I had discussed back in early January. ### 221. RUMOURS by Fleetwood Mac URL: https://www.auditorymusings.net/rumours-by-fleetwood-mac/ Last updated: 2022-12-07T11:00:04.000Z It seems almost cliche to cover this 1977 breakout record by mixed British / American band Fleetwood Mac (previously covered [here](https://www.auditorymusings.net/say-you-will-by-fleetwood-mac/)), but on the heels of keyboardist / singer / songwriter Christine McVie's death I felt like I needed to. Granted there's not much I can say about this album that hasn't been said before a million times over. One of my all time favorite records, the influence it had on me during my formative years can't be overstated. The distinct memories that the opening notes of McVie's 'Don't Stop' evoke are now bittersweet. Move next to Lindsey Buckingham's [extraordinary fingerpicking](https://youtu.be/qxfxcEH8%5FCo?ref=auditorymusings.net) on 'Never Going Back Again.' Any mention of this record would, of course, be incomplete if Stevie Nicks' 'Dreams' were to go unmentioned so have a [sip of cranberry juice](https://youtu.be/OtzVKUCZE5w?ref=auditorymusings.net) and give this song a listen. And, finally, end with McVie again and the funky groove she lays down with her Hohner Clavinet on 'You Make Loving Fun.' ### 220. BOSTON (self-titled) URL: https://www.auditorymusings.net/boston-self-titled/ Last updated: 2022-11-28T11:00:08.000Z The best fade-in of the classic rock era? That's kind of what I think of the opening track from Boston's 1976 debut. If you're familiar with this song the second you hear the subdued guitar picking sliding in from your car radio's speakers you are guaranteed to get a smile on your face and your adrenaline pumping for you already know what you're in store for. So many of the tracks on this record went on to become hits and get tons of radio airplay back in the 70's and even to this day on legacy classic rock stations. If you're familiar with this album, take a walk down memory lane and, if not, enjoy for the first time what was one of the biggest rock records to come out in the late 70's. On a side note, although Boston was the brainchild of songwriter and multi-instrumentalist Tom Scholz, that smooth voice you hear is that of Brad Delp. Sadly, Delp committed suicide in 2007. You can't go wrong listening to the first half of the record which equates to the aforementioned alluded to 'More Than A Feeling,' then 'Peace Of Mind,' 'Foreplay / Long Time' and finally 'Rock & Roll Band.' [988 Suicide and Crisis Lifeline](https://988lifeline.org/?ref=auditorymusings.net) Postscript: With the uncertainty of what's going on with Twitter, I've gone ahead and created a presence over at Mastodon. I don't know if Mastodon will end up being the successor to Twitter, so I'm kind of rolling the dice on this one. Regardless, if you're so inclined, you can find and follow me at [Mastodon](https://mstdn.social/@auditorymusings?ref=auditorymusings.net). ### 219. PRETTY HATE MACHINE by Nine Inch Nails URL: https://www.auditorymusings.net/pretty-hate-machine-by-nine-inch-nails/ Last updated: 2022-11-23T11:00:42.000Z When this industrial rock with synth pop inflections (or is it the other way around?) record came out in 1989 I was a freshman in college. I remember when my friend got the CD (that's Compact Disc for the young 'uns) I was immediately struck by the cover art - what is *that?* Some sacrificial animal's ribcage? (Turns out they were blades from a turbine.) Regardless, that record sleeve was sending a message - enter at your own risk...a kind of *Achtung Baby* before U2 had even gotten to Berlin. When you first listen to this record, you will definitely hear the industrial elements with strange noises coming out of your speakers here and there, admixed with samples, some clean and some so distorted you only know it's a sample because you read it on Wikipedia. But what you'll also notice are the Depeche Mode and New Order (among others) influences. Just give my suggested tracks a listen and this will all make sense. Start with 'Head Like A Hole' - the unmistakable 'hit' from the album and probably one of the most accessible NIN tracks. Then move on to the last track on the record, 'Ringfinger,' where the bouncy synth which is present during most of the song gets drowned out by a cacophony of noise in the last 2 or so minutes. I wonder if Trent Reznor (he essentially *is* NIN) watched a lot of *Seinfeld* during the recording of *Pretty Hate Machine* because the next track to check out, 'Sanctified,' has a bass line straight out of the TV show's theme song. Finally, slow your heart rate back down and finish off with 'Something I Can Never Have' with its haunting piano motif. ### 218. THE HONEYDRIPPERS, VOL. 1 (self-titled) URL: https://www.auditorymusings.net/the-honeydrippers-vol-1-self-titled/ Last updated: 2022-11-15T11:00:59.000Z This 1984 EP of covers was a side project for Led Zeppelin (previously covered [here](https://www.auditorymusings.net/led-zeppelin-iii-by-led-zeppelin/)) frontman Robert Plant as a sort of tribute to 1950s rhythm and blues tunes. Though he started the Honeydrippers band in 1981, this album was recorded in 1984 with a different lineup, including his former Zep bandmate Jimmy Page. Several of the tracks swing pretty heavily, so get your gladrags on and get ready to dance: 'Rockin' At Midnight,' 'Young Boy Blues' and, of course, the big hit 'Sea Of Love' are your target tracks to give a spin. A very VERY 80s Robert Plant doing a bang-up lip syncing job on German TV ### 217. COUNTRY LIFE by Roxy Music URL: https://www.auditorymusings.net/country-life-by-roxy-music/ Last updated: 2022-11-11T11:00:09.000Z 1974 brought us Roxy Music's fourth record, one of their *finest*. (The music, the music, I'm talking about the music.) Up to and including *Country Life*, this British art rock / glam rock band, lead by the ever debonair Bryan Ferry, were known for their album openers - and this one does not disappoint (more below). To me there are two themes running throughout this record - first, there is no theme - the songs jump from genre to genre so fluidly yet so disparately that, somehow, it just works. Second, guitarist Phil Manzanera's contributions cut like a knife through most of the tracks. I think that's maybe why I like this record so much. It would be kind of silly of me to make such a big deal about opening tracks and then not suggest you start out with 'The Thrill Of It All' so definitely listen to this song first. The repeating bass line on the fade in of 'Out Of The Blue' mesmerizes. Move on to 'Casanova' where Manzanera and horn player Andy Mackay trade licks on guitar and oboe, respectively. Then the frenetic 'All I Want Is You' will leave you breathless in just under 3 minutes. Finally, end on an all out fun, bluesy Southern romp, 'If It Takes All Night.' ### 216. STAY PROUD OF ME by NoSo URL: https://www.auditorymusings.net/stay-proud-of-me-by-noso/ Last updated: 2022-11-07T11:00:44.000Z This 2022 debut record by Abby Hwong deals with themes of gender identity and coming of age. Their moniker, NoSo, refers to the relentless question of which Korea they are originally from (North or South). Much of the album is guitar-oriented with an air of dream pop that reminds me a lot of Claud (previously covered [here](https://www.auditorymusings.net/super-monster-by-claud/)). So, if you're in the mood for a deeply personal album where Hwong wears their heart on their sleeve, consider giving these tracks a listen to start out with: 'Suburbia,' 'I Feel You,' 'Parasites' and 'I'm Embarrassed I Still Think Of You.' ### 215. SIAMESE DREAM by Smashing Pumpkins URL: https://www.auditorymusings.net/siamese-dream-by-smashing-pumpkins/ Last updated: 2022-10-31T10:00:59.000Z For a short time during late 1992 and early 1993, Pumpkins frontman Billy Corgan (previously discussed [here](https://www.auditorymusings.net/gish-by-smashing-pumpkins/)) and producer Butch Vig (who had a hand in Nirvana's *[Nevermind](https://www.auditorymusings.net/nevermind-by-nirvana/)*) created a wall of sound in the form of this 1993 record rivaling that of renowned producer Phil Spector's work in the 1960's. I know I've said it several times before but I have to say it again here - while you'll definitely appreciate what I'm talking about with a casual spin of this album, that appreciation will skyrocket the minute you put on a pair of headphones and give this a critical listen. It can't be overstated how this record along with a couple others were the seminal alternative rock / grunge albums of the 1990's. Since anyone familiar with the album will have heard the hit singles ad nauseum since the 90's, I'd like to suggest you give the following tracks consideration instead: 'Rocket' and 'Hummer' are kind of mid-tempo rockers; then change it up and slow it down a bit with 'Mayonaise' before finally rocking it out 'til your fingers bleed and your eardrums pop with 'Geek U.S.A.' and the almost 9 minute sonic assault that is 'Silverfuck.' ### 214. BUSTED STUFF by Dave Matthews Band URL: https://www.auditorymusings.net/busted-stuff-by-dave-matthews-band/ Last updated: 2022-10-21T17:54:01.000Z I never was a huge fan of jam bands. The Grateful Dead? Never listened to any of their records from beginning to end and have never been to a show. Phish? Meh. But, there was a time in the mid to late 90's and early aughts that I used to listen to DMB all the time, particularly their debut album and *Busted Stuff* from 2002\. Much of the material from this album actually dates back to 2000 but was abandoned at that time and then eventually re-recorded for the 2002 release. Incredibly (and thankfully) 'Where Are You Going' was one of the new tracks recorded for the record. I would start there as the notes he elicits from his 12-string guitar are as beautiful as you'll ever hear. Going in order, I'd move on to 'Grace Is Gone,' 'Digging A Ditch' and 'Bartender.' Diehard DMB fans will have a bone to pick with these selections I'm sure, so give the whole album a spin and see what catches your ear. ### 213. SOUVENIRS by Pale Blue Eyes URL: https://www.auditorymusings.net/souvenirs-by-pale-blue-eyes/ Last updated: 2022-10-10T10:00:11.000Z When the name of your band is the same as an excellent song by The Velvet Underground, you've already got big shoes to fill. And fill they do with this just released 2022 debut from the English trio. If you're a fan of bands like Joy Division, New Order, OMD and...well, you get the gist, you're in for a treat. Over just a couple days of listening, I already know this record will be on my top ten list for 2022\. Obviously by name dropping some of those bands, you know that this is a synth and bass heavy album. Add on top of that motorik guitar riffs and extended jams and I'm sure you'll be spinning this record again and again. As for song selection, you can't go wrong with the last two-thirds or so of the record (actually, you can't go wrong with *any* of it). But since I have to pick a track for you to start with, I'd say go with 'Star Vehicle.' That's the album stand-out in my mind. Next, try 'Sing It Like We Used To' on for size, followed by 'Champagne' and 'Honeybear.' ### 212. 22 MAKE by Oh Wonder URL: https://www.auditorymusings.net/22-make-by-oh-wonder/ Last updated: 2022-10-08T16:56:41.000Z I previously covered the debut record by this English indie pop duo [here](https://www.auditorymusings.net/oh-wonder-self-titled/). Since that debut, they've released four additional albums, this being the latest. The significance of this record is that it serves as a follow-up to *22 Break* (released in late 2021), which is their self-professed break-up album. The pandemic and other stressors put a strain on their relationship and they found the recording of *22 Break* as cathartic. In the end, they stayed together and *22 Make* is the result, i.e., their 2022 make-up album. The instrumentation is pretty sparse and mellow, allowing the vocals (especially those of Josephine Vander West) to stand out front and center. The tracks I especially like include, 'Sweet Disaster,' '365,' title track/album opener '22 Make,' 'Magnificent' (the piano has a serious Coldplay vibe) and album closer 'Say Something' with its quirky but irresistible synth line. ### 211. WELCOME INTERSTATE MANAGERS by Fountains of Wayne URL: https://www.auditorymusings.net/welcome-interstate-managers-by-fountains-of-wayne/ Last updated: 2022-10-02T19:56:03.000Z Ever since Adam Schlesinger, co-founding member and co-songwriter for Fountains of Wayne, succumbed to COVID-19 early on in the pandemic I've been wanting to feature this 2003 record. This album was the third out of what ended up being a total of five put out by FofW, so it essentially represents the midpoint of their career. Coming in at about an hour, it's chock full of power pop gems spanning 17 tracks. There are hooks galore so you're likely to find something to like even if it's not any of the songs I think you should check out first. So, whether you give my tracks a listen or not, don't skip this record - I guarantee there will be something in there for you. If you're at all familiar with this album, you already know about 'Stacy's Mom' - an ode to teen lust somewhat in the vain of 'Mrs. Robinson' by Simon and Garfunkel. However, I'd rather you start your listening experience with another song, 'All Kinds Of Time.' Who else but Fountains of Wayne can write a song about a quarterback dropping back to pass the football, make it a ballad and have it turn out catchy as all hell. (By the way, James Iha, guitarist for Smashing Pumpkins (previously covered [here](https://www.auditorymusings.net/gish-by-smashing-pumpkins/)) plays on this track.) Move on to 'Hey Julie' and 'Hackensack' and then finish off with 'Stacy's Mom.' ### 210. HOT FUSS by The Killers URL: https://www.auditorymusings.net/hot-fuss-by-the-killers/ Last updated: 2022-09-29T10:00:19.000Z This 2004 debut album by the Las Vegas natives catapulted them to superstardom on the heels of multiple hit singles and positive critical reviews. The combination of alternative rock vibes mixed with synth heavy grooves gave the record a sound unlike anything else at the time. Couple that with lead singer Brandon Flowers showmanship and it's no surprise that they hit it big so fast (and were able to sustain that success). There's no better place to start than with 'Mr. Brightside' - the single that literally put them on the map in the UK. The combination of the opening guitar riff with the mid-song synth break illustrates perfectly that unique sound I was talking about earlier. Move on to 'Somebody Told Me' and 'Change Your Mind.' These are a couple more uptempo tracks that will get you grooving. Finally, end with what I think is their best song, not just on this record but in their entire catalog - 'All These Things That I've Done.' This track will not only get your adrenaline pumping but will leave you with that inevitable earworm, "I got soul, but I'm not a solider," for the rest of the day. Here's an excellent live version from the Live 8 concert in 2005 Live 8, Hyde Park London, July 2, 2005 ### 209. GREEN ALBUM by Weezer URL: https://www.auditorymusings.net/green-album-by-weezer/ Last updated: 2022-09-22T10:00:45.000Z Let me preface this by saying that I don't listen to much Weezer anymore. In fact, the only record of theirs I can stand to listen to is this 2001 self-titled one. (Side note - quite a few of their albums are self-titled and go by the color of the record sleeve, so keep that in mind when going through their discography, if you choose to do so.) Diehard fans will swear by their debut (again, self-titled but *Blue*) or their follow-up, *Pinkerton,* but I'll stick with keeping *Green* as the only Weezer record on my virtual shelf. This is some of the best power pop/alt rock to come out of the early aughts. Ten songs over about 30 minutes - just the perfect length to draw you in but not make you want to turn the music off. In other words, it's all killer and no filler. The best song on the record is 'Island In The Sun' so I'd start out with that one. Then just circle back to the first 3 songs: 'Don't Let Go,' 'Photograph' and 'Hash Pipe.' By that point, though, you're already almost halfway through, so might as well continue listening to the end. Finally, I'll leave you with this excellent Saturday Night Live skit illustrating the dichotomy between fans of early Weezer (up to and including *Green*) and everything that came after. I can totally relate to Leslie Jones' character! ### 208. HEARTBEAT CITY by The Cars URL: https://www.auditorymusings.net/heartbeat-city-by-the-cars/ Last updated: 2022-09-16T21:56:40.000Z Having been on a bit of a new wave binge lately, I thought I'd feature The Cars again. About six years after releasing a near perfect debut [record](https://www.auditorymusings.net/the-cars-self-titled/), Heartbeat City landed in 1984 and was pretty much the same thing - almost perfect. I was in 8th grade when the album came out and remember just how fast it soared in popularity. This was due to the massive airplay so many of the tracks were getting on the radio. To have one record with so many hits is already hard to do, but to do it again is like lightning striking twice. For those of you of the MTV generation, you may remember the quirky videos that went along with songs like 'You Might Think' or 'Magic' (actually, any video with Ric Ocasek is, by definition, quirky but I digress). Or, you may remember slow dancing to 'Drive' with that special someone at your 8th grade dance. Or, the synth-driven motorik of title track 'Heartbeat City.' I could go on and on rattling off pretty much every song from the record, but you would do better to just go and listen to the whole thing already! ### 207. FACE VALUE by Phil Collins URL: https://www.auditorymusings.net/face-value-by-phil-collins/ Last updated: 2022-09-02T10:00:25.000Z Uttering the name 'Phil Collins' can bring many things to mind - cringe, *that* drum break, The Alamo, Genesis, *No Jacket Required*, movie soundtracks, Motown, etc. It's undeniable that Collins was *everywhere* during a period of time, especially the 80's. Today, Collins is either reviled or revered - I fall in the latter camp. Whether he carried the beat for the Peter Gabriel-fronted version of *prog* rock band Genesis, carried the vocals for the self-fronted version of *pop* rock band Genesis or did it all on his own as a solo artist, he has left an indelible mark in the world of music. So, I think it's fitting to cover this 1981 record, his solo debut. Like many outstanding albums before and after, this one has roots in the breakup of his marriage. So, many of the tracks deal with this theme. What makes it work is the way Collins incorporates elements of pop, soul and R&B into the music. Perhaps he was foreshadowing how he would slowly lead Genesis away from prog rock and into the realm of a more pop-oriented sound. I briefly hesitated whether I should include *that* song in my recommendations, as it has been so overplayed over the years that sometimes, mood-dependent, even I cringe. But, if this will be your first listen, it's an absolute must, so start out with 'In The Air Tonight' and then read up on that iconic drum break. Follow that with the lively 'I Missed Again' and its bright and shiny horns. 'The Roof Is Leaking' is next on my list which has a bit of a countrified feel to it owing to some nice banjo plucking. Last, end with 'This Must Be Love' which I could imagine a pre-teen in the early 80's must have listened to many a time, pining about the girl that got away, hypothetically speaking of course.... ### 206. AM by Arctic Monkeys URL: https://www.auditorymusings.net/am-by-arctic-monkeys/ Last updated: 2022-08-30T10:00:20.000Z With all the buzz the last few days of a new Arctic Monkeys record due out in a couple of months, I thought it would be a good idea to cover their best selling album which probably also happens to be their most accessible to the casual fan. Hardcore followers of the band will undoubtedly think it sacrilege to discuss *AM* over more "worthy" releases. However, starting out with *AM* is a good way to ease into the music after which the listener can explore the back catalog more fully if interested. This 2013 record has a good mix of indie rock / alt rock songs the majority of which were written by lead singer Alex Turner. With hip-hop serving as a big influence when Turner was younger, many of the tracks here carry a heavy beat which is amplified when listening with a good set of headphones. Also, Turner is known for his lyricism and his ability to jam pack his verses with as many words as possible. Give these a listen: 'Why'd You Only Call Me When You're High,' 'Mad Sounds' (I can definitely hear a bit of Lou Reed/Velvet Underground in this one), 'R U Mine,' 'Do I Wanna Know' and end with some cool crooning by Turner in 'No. 1 Party Anthem.' ### 205. YOUNG BLOOD by Marcus King URL: https://www.auditorymusings.net/young-blood-by-marcus-king/ Last updated: 2023-08-25T21:05:13.000Z Don't talk to South Carolina native and blues rock shredder Marcus King about sophomore slumps cuz he ain't got one. Though technically not his second record (he released three and an EP as The Marcus King Band), this 2022 album *is* his second outing as a solo artist. Growing up under the tutelage of fellow bluesman Marvin King (who also happens to be his dad), Marcus started playing guitar at an early age. He honed his chops the hard way - playing lots and lots of shows and trying to juggle his studies before finally deciding to drop out of high school to focus on his music career. When you listen to this album you'll hear 60's and 70's rock influences all over the place - King is obviously paying tribute to the music he grew up listening to (even though he was born in the mid 90's). Where appropriate, I'll include the reference song and include it in the playlists so you can hear for yourself. Start out with 'Dark Cloud' - a killer riff and cowbell that immediately brings to mind Mountain's 'Mississippi Queen.' Love 'Lie Lie Lie' with it's shuffling drum beat. Move on to 'Blood On The Tracks' (and then listen to Creedence Clearwater Revival's version of 'Suzie Q'). And, speaking of CCR, see if you can hear 'Run Through The Jungle' running through 'Rescue Me.' End with 'Blues Worse Than I Ever Had' - a slow, soulful jam with King playing some killer slide guitar. ### 204. FLOWERS by Echo And The Bunnymen URL: https://www.auditorymusings.net/flowers-by-echo-and-the-bunnymen/ Last updated: 2023-08-25T21:07:28.000Z When one thinks of Echo & the Bunnymen, this 2001 record doesn't immediately come to mind. In fact, it probably doesn't even register on your radar. This is because it was released way past what is considered EATBM's heyday in the early to mid 1980's. It came out after lead singer Ian McCulloch (Mac) left the band, after the band broke up, after Mac and guitarist Will Sergeant reformed the band and after they released two albums prior. So, is this truly an EATBM record or really just one in name only? Well, we can leave that debate for another day. Suffice it to say, though, this is a pretty good record. And, more than that, this is a *guitar* record. But we already knew that, in a way, considering how much Sergeant's guitars contribute to EATBM's 80's hits. So, if you've never listened to *Flowers*, keep an open mind and give it a spin - I'm positive you'll find at least a track or two (or more) that you'll want to come back to again. My personal faves are title track 'Flowers' (speaking of guitars!), 'Everybody Knows,' 'Supermellow Man,' 'Make Me Shine' and 'Buried Alive.' Postscript: Comments have gone live on the site (finally!). So, if you're in the mood, strike up a discussion on this record (or any other) - let's keep it fun, lively and constructive. ### 203. QUADROPHENIA by The Who URL: https://www.auditorymusings.net/quadrophenia-by-the-who/ Last updated: 2023-08-25T21:08:27.000Z I promised back in [issue 175](https://www.auditorymusings.net/american-idiot-by-green-day/) that I would cover my favorite album by The Who, so here it is - *Quadrophenia*. The Who, previously discussed [here](https://www.auditorymusings.net/face-dances-by-the-who/), is my most beloved band. Unfortunately, I started following them right *after* they played in Houston, Texas on their 1982 tour. So, I missed that show. I made a vow to myself that my first concert experience had to be The Who, so I waited a full 7 years to get to that first show, when they came back to Houston in 1989\. Yes, I saved myself for The Who. ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/08/IMG_1925.jpg) My actual ticket stub from the 1989 show, saved all these years There's a lot that has been written about the rock opera that is this 1973 record. With themes revolving around disaffected youth, it's no surprise that my teenage self could completely relate to the story and the record. While the double album spawned several singles and hits, I'd like to direct your attention to several of the non-hit tracks that I connected with back in the 80's and still hold dear to this day. For the hits, I would refer you to any of the several greatest hits/compilation packages out there. What I like about my song choice here is the mix of vocals - some songs are sung by Pete Townshend (guitarist and singer), some by Roger Daltrey (lead singer) and some by both. So, I would start with 'Sea and Sand' and then follow that with the sequence of 'Cut My Hair,' 'The Punk And The Godfather' and 'I'm One.' Okay, I can't resist including at least one hit, so rock your way out with 'The Real Me' and marvel at what bassist John Entwistle and drummer Keith Moon can do when they're *not* just keeping the beat. ### 202. NEVERMIND by Nirvana URL: https://www.auditorymusings.net/nevermind-by-nirvana/ Last updated: 2022-08-08T10:00:34.000Z There are several significant historical events that are burned into the psyche of Gen X'ers like myself in that we remember exactly where we were or what we were doing when news of said event broke. For example, the space shuttle Challenger explosion in 1986 and 9/11 in 2001 to name just a couple. Add to this list hearing of Kurt Cobain's death - I was in San Antonio, Texas, in medical school, in my tiny one bedroom studio apartment, watching MTV on my tiny CRT TV when VJ Kurt Loder broke the news in April 1994 that not only was the Nirvana front man dead, but it was a suicide. It felt like getting punched in the gut twice in rapid succession. Of course *Nevermind* is the 1991 record that not only put Nirvana on the map but also exposed the wider listening public to grunge and alt rock, which beforehand only had a relatively small following. From that classic record sleeve to the iconic music video for 'Smells Like Teen Spirit' this is considered one of the greatest rock albums ever. It's the music, however, that qualifies it for that recognition. So, whether this will be your first time around the block with *Nevermind* or you will be revisiting the record after your last listen years ago, let me remind you of these tracks: 'Breed,' 'Come As You Are,' 'Lithium' and 'Smells Like Teen Spirit.' Kurt Loder announcing Kurt Cobain's death on April 8, 1994 [988 Suicide and Crisis Lifeline](https://988lifeline.org/?ref=auditorymusings.net) ### 201. FLORIST (self-titled) URL: https://www.auditorymusings.net/florist-self-titled/ Last updated: 2022-08-17T03:20:34.000Z This indie folk band out of Brooklyn, New York are just out with this 2022 record. Though self-titled albums are traditionally reserved for debuts, that's not the case here - this is their fourth. I was only introduced to the band via this latest outing, so have yet to go through their discography. Listening to the record from start to finish is an aural experience in that many of the 19 (!) tracks are either instrumentals or nature sounds. To say that this is a mellow album is an understatement. So, you need to be in the right state of mind to truly appreciate it as a whole and the tracks recommended here. I would start out with 'Two Ways' and then continue with 'Red Bird Pt. 2 (Morning),' 'Organ's Drone' and end with 'Sci-Fi Silence.' ### 200. SERMON ON THE ROCKS by Josh Ritter URL: https://www.auditorymusings.net/sermon-on-the-rocks-by-josh-ritter/ Last updated: 2022-08-04T10:00:46.000Z I continue to follow Josh Ritter closely as he is one of my favorite artist discoveries of the past 10 years or so. Previously covered [here](https://www.auditorymusings.net/so-runs-the-world-away-by-josh-ritter/), everything I said back then still holds true today. An absolute stellar singer, songwriter, performer, social activist, etc., I could listen to his music all day long. Coming off his previous "divorce" record, he was ready to strike a more hopeful tone with this 2015 album. And with his Royal City Band in tow, he headed down to New Orleans to put his thoughts and music on tape. With a mix of fast, upbeat tracks and slower, more contemplative ones, these are a good place to start: 'Getting Ready To Get Down' (think R.E.M.'s 'It's The End Of The World As We Know It' stream of consciousness), 'Homecoming,' 'Where The Night Goes' and 'The Stone.' Postscript: Well, we've reached somewhat of a milestone - 200 issues of Daily Records. I just wanted to take a moment to show my appreciation for you - the reader/listener. Thank you for lending me your eyes and your ears every now and then (yes, I know, Daily Records is not quite daily) and for your retweets, comments and feedback. It means a lot to be able to slowly grow my readership and, more importantly, spread my love for music to all those who will listen. Lastly, don't forget that if you want to go directly to the tracks I recommend, you can just click on the Apple Music or Spotify links down below (if you're reading this in your email) or up top (if you're reading this on the website) to go straight to my playlists containing all the songs I mention. ### 199. SURRENDER by Maggie Rogers URL: https://www.auditorymusings.net/surrender-by-maggie-rogers/ Last updated: 2022-07-29T10:00:02.000Z Here is the long-awaited 2022 follow-up to indie/pop/alt musician Maggie Rogers' first record (previously covered [here](https://www.auditorymusings.net/heard-it-in-a-past-life-by-maggie-rogers/)). She reportedly wrote upwards of 100 songs during the interval between debut and sophomore albums (which, of course, encompassed the pandemic), so hearing what she ended up culling from the collection is interesting. (Perhaps finding out at a later date what she *didn't* include may be of even more interest.) And, if that wasn't enough, she also went and got a degree from Harvard Divinity School. The lead single off the record, 'That's Where I Am,' is a great place to start. Once you hear that song, you'll immediately know why it was first from the gate. Album opener 'Overdrive' with it's Beck-like loops should be next in your listening session. Continue on with 'Honey' - it's droning/thumping synths will vibrate in your chest no matter what you set the volume to. 'Anywhere With You' is probably the standout track for me. Finally, end with the end - 'Different Kind Of World.' A great way to slow things down, kind of.... ### 198. DARKLANDS by The Jesus and Mary Chain URL: https://www.auditorymusings.net/darklands-by-the-jesus-and-mary-chain/ Last updated: 2022-07-27T10:00:01.000Z This 1987 record is the sophomore effort by The Jesus and Mary Chain. Whereas their debut album was considered a landmark in the noise pop genre that eventually lead the way to shoegaze, this album toned down the fuzz and distortion and ramped up the melody which, in my opinion, they perfected on *Automatic* (previously covered [here](https://www.auditorymusings.net/automatic-by-the-jesus-and-mary-chain/)). If you listen closely, you could swear that legendary producer Phil Spector must have had his hand in the recording somehow. As this record is more melodic than the previous, it may actually be a good starting point for a virgin JAMC listener. With that in mind, consider trying these tracks out first: 'Cherry Came Too,' 'Happy When It Rains,' 'April Skies' and album opener/title track 'Darklands.' ### 197. THE SWING by INXS URL: https://www.auditorymusings.net/the-swing-by-inxs/ Last updated: 2022-07-26T10:00:56.000Z This 1984 record by the Australian band (previously covered [here](https://www.auditorymusings.net/welcome-to-wherever-you-are-by-inxs/)), their fourth, marked a turning point from the post punk and new wave roots from which they stemmed to more of a pop and funk outfit. *The Swing* served as the launching point for international stardom that would finally arrive two albums later (1987's *Kick*). Cursory fans will recognize the hit off this record, the Nile Rodgers (of Chic fame) produced 'Original Sin.' But there's much more to this record than meets the eye (or ear as the case may be). The tight rhythm section of Garry Beers (bass) and Jon Farriss (drums) is what stands out in my mind, as evidenced by, 'Love Is (What I Say),' 'I Send A Message' and 'Burn For You.' ### 196. DIVA by Annie Lennox URL: https://www.auditorymusings.net/diva-by-annie-lennox/ Last updated: 2022-07-25T10:00:47.000Z This 1992 record, Lennox's debut as a solo artist, is, by far, her best album. Up to this point, Lennox was considered one-half of the British synth-pop duo Eurythmics. However, with her already established extraordinary vocal abilities, all she had left to prove was whether she could serve as a primary songwriter. Well, she easily accomplished that with *Diva*, penning 8 of the 10 songs on her own and co-writing the remaining. The record is somewhat of a departure from the synth and beat heavy music of her previous band. The highlight here is her voice and lyrics. Along those lines, the tracks I like and recommend include: 'Why' (easily my all time favorite song by Lennox or the Eurythmics), 'Primitive,' the bluesy 'Cold' and lastly the downer of a song with a catchy, upbeat sound, 'Walking On Broken Glass.' ### 195. ENTERING HEAVEN ALIVE by Jack White URL: https://www.auditorymusings.net/entering-heaven-alive-by-jack-white/ Last updated: 2022-07-22T10:00:09.000Z This 2022 record, fresh out today, is a welcome respite from White's previous album (released just 3 months ago and covered [here](https://www.auditorymusings.net/fear-of-the-dawn-by-jack-white/)), where he played the mad scientist and we his guinea pigs. As promised back then, *Entering Heaven Alive* (ascension in the religious sense) gives us the mellow, acoustic, laid back White; and, there's a lot to like about this version of the Raconteur. Most of the tracks include acoustic guitar, piano and organ, with even some strings thrown in. White is a master of giving his music that "old-timey" feel and it's those songs that I'm drawn to on this record. So, if you are likewise into that retro vibe, you'll appreciate these recommendations: 'Love Is Selfish,' 'Please God, Don't Tell Anyone' and 'A Tree On Fire From Within.' However, there's still some bluesy curveballs thrown on the album which, perhaps, would have fit in better on *Fear Of The Dawn*, but are welcome here and serve to mix things up a bit: 'A Madman From Manhattan' and 'I've Got You Surrounded (With My Love).' ### 194. ACT I: ORIGINS by Young The Giant URL: https://www.auditorymusings.net/act-i-origins-by-young-the-giant/ Last updated: 2022-07-17T10:00:09.000Z This indie/alternative band from SoCal (previously covered [here](https://www.auditorymusings.net/young-the-giant-self-titled/)) are back in 2022 with the first of a series of 4 EPs, this one called *Origins.* The idea is that all four of the EPs, once released, will encompass a full record titled *American Bollywood*. The goals here are lofty. As lead singer Sameer Gadhia noted, "we...started to tell the multi-generational saga of the American immigrant, and the origins, exiles, battles, and denouement of reclaiming our collective identity. It's...our universal search to find meaning in chaos." Gadhia, being of Indian descent, has put his stamp on the music. Check out the beginning of 'Wake Up' to hear what I mean. The next track, 'Tomorrow,' is also very YTGish, so I would give that a listen too. Since the album is only 4 songs, you might as well just listen to the whole thing straight through, but these 2 songs can get you started. ### 193. DISINTEGRATION by The Cure URL: https://www.auditorymusings.net/disintegration-by-the-cure/ Last updated: 2022-07-16T10:00:05.000Z I've set myself up for failure by picking this 1989 record by The Cure (previously covered [here](https://www.auditorymusings.net/wish-by-the-cure/)) to feature today. Why? Well, how does one choose just 3 to 5 songs off this absolute masterpiece to get the unenlightened started? Conversely, how will the diehard fans ever agree with my track selection? Oh well, here goes.... For those of us who were at just the right age (late teens) when this record came out, it became our Bible. We listened over and over again, we knew every word, every snarl, every sound. Lather, rinse, repeat. And, then again. You know who you are. With headphones, without headphones, in the car, in bed. Just one more listen before I fall asleep. This was the peak of the band's goth rock leanings, their commercial peak and the peak of their career. It doesn't get any better than this. So go forth on your listening adventure, but set aside more time than you normally would, for as soon as that last song ends you'll want to do it all.over.again. 'Untitled,' 'Plainsong,' 'Prayers For Rain,' 'Fascination Street' and 'Pictures of You.' It's only 28 seconds...wait for it, wait for it.... Just a quick note about the website. I've tweaked the appearance a bit on the homepage as well as the individual entries to give it a cleaner look. However, more importantly, my blogging platform has now included native search functionality - you can look up artists, album names, genres, tags, etc. If you haven't visited the site recently, go kick the tires and let me know what you think. ### 192. EXODUS by Bob Marley and The Wailers URL: https://www.auditorymusings.net/exodus-by-bob-marley-and-the-wailers/ Last updated: 2022-06-27T10:00:35.000Z This 1977 reggae record came about as a result of unfortunate circumstances - an unsuccessful assassination attempt at Marley's house/compound in Jamaica prompted him to 'exile' to London - *Exodus* was the album that came out of his time in England. Divided into 2 sides (as physical albums tend to be), side one had more political and religious undertones whereas the flipside brought out Marley's softer and more romantic side. It's this side two that I've always been drawn to (though I'm not discounting the importance of the top half of the record). So, with that in mind, it will likely be no surprise to anybody reading this that the quartet of songs I think the virgin listener should start out with are, 'Three Little Birds,' 'One Love/People Get Ready,' 'Turn Your Lights Down Low' and 'Waiting In Vain.' ### 191. EXCESS by Automatic URL: https://www.auditorymusings.net/excess-by-automatic/ Last updated: 2022-06-26T10:00:56.000Z The Los Angeles-based synth/bass/drums trio (previously covered [here](https://www.auditorymusings.net/signal-by-automatic/)) is back in 2022 with their second record. If you had a chance to listen to their debut and liked what you heard, then you're in store for more goodness here. The bass and synth heavy tunes continue, though I'm hearing more [Judy's](https://www.auditorymusings.net/washarama-by-the-judys/) and [Violent Femmes](https://www.auditorymusings.net/violent-femmes-self-titled/) on this record than the Devo influences on the first. My recommendations: 'New Beginning,' 'Turn Away,' 'On The Edge' and 'Skyscraper.' ### 190. HOME, BEFORE AND AFTER by Regina Spektor URL: https://www.auditorymusings.net/home-before-and-after-by-regina-spektor/ Last updated: 2022-06-24T10:00:47.000Z Previously covered [here](https://www.auditorymusings.net/begin-to-hope-by-regina-spektor/), Regina Spektor is back with this just released 2022 record. Ever since I first heard her, I've been enamored and mesmerized by her voice - I can't not listen to what she has to sing. She's not your straightforward singer songwriter; there's something about her singing and playing that will put a smile on your face. Whether it's her word play or peculiar phrasings on the piano, get ready to be sucked in to her music. I've been waiting for this album to be released for awhile, in fact since the first single was released back in February. I'm a big believer in the importance of track sequencing, with the lead off single placed as the album opener, as was done in this case. I'm so glad that she did this as 'Becoming All Alone' is one of the standouts and having heard it first (as a single) and then again as the opener, it just made me want to listen to the rest of the record even more. Other tracks to check out include 'SugarMan' (again, one of those songs that leaves you smiling and will turn into an earworm for the rest of the day), 'Loveology' (apparently a staple of her live shows, finally put down on record) and 'Up The Mountain.' ### 189. A NEW WORLD RECORD by Electric Light Orchestra URL: https://www.auditorymusings.net/a-new-world-record-by-electric-light-orchestra/ Last updated: 2022-06-20T10:00:40.000Z This 1976 record is considered one of the top two ELO albums in their discography (the other being 1977's *Out Of The Blue*). Most lists ranking ELO's records land *Out Of The Blue* in the top spot and it's hard to argue with this - that is the record that contains 'Mr. Blue Sky' - definitely their most well known and, possibly, best song. So why, you may ask, did I choose to write about *A New World Record* instead? Simply put - it's because of 'Telephone Line.' That song is my favorite song of all time. Not *one* of my favorite songs, but my absolute favorite song - ever. It holds incredible sentimental value for me, reminding me not only of my childhood in the 70's when I first heard it but also of my late father who is inevitably intertwined with those memories. And, with Father's Day here in the U.S. just passing, those memories pull even harder on my heart strings. Of course that track is not going to have the same effect on you as it does on me, so I'm hoping that you'll just appreciate what a great song it is. After that, give the album opener, 'Tightrope,' a listen and then move on to 'Rockaria!' and then 'Livin' Thing.' N.B. I stopped taking videos at concerts several years ago, deciding that I wanted to focus more on the music and musicians than capturing any particular performance on my phone. However, I couldn't resist when I saw Jeff Lynne's ELO in 2018. 'Telephone Line' by Jeff Lynne's ELO - Toyota Center, Houston, Texas 8.10.18 ### 188. VERSIONS OF MODERN PERFORMANCE by Horsegirl URL: https://www.auditorymusings.net/versions-of-modern-performance-by-horsegirl/ Last updated: 2022-06-17T10:00:10.000Z This trio from Chicago recently released this 2022 indie rock record. A fuzzy mix of gentle vocals and distortion-filled guitar sounds actually makes for a pleasing listen. It's a breath of fresh air in these sometimes overproduced days. Give 'Dirtbag Transformation (Still Dirty),' 'Billy' and 'Anti-glory' a listen. ### 187. HOUNDS OF LOVE by Kate Bush URL: https://www.auditorymusings.net/hounds-of-love-by-kate-bush/ Last updated: 2022-06-11T17:07:27.000Z Might as well get on the Kate Bush bandwagon, right? This 1985 record by the British musician is her most popular as well as probably her most accessible as she does tend to have more art rock/prog rock leanings. My introduction to Bush was back in college, in the early 90's, in the form of her 1986 compilation *The Whole Story.* So, I ended up at this album by working my way backwards. While side A consists of a more straightforward collection of tracks/singles, side B is more conceptual. I'll limit my recommendations to songs from side A. My favorite Kate Bush song (from this record and overall) is 'Cloudbusting' so give that a shot first. I just really like the driving nature of the beat and rhythm of it. Next consider listening to the title track, 'Hounds of Love.' Finally, you can end up with the song that's been all the rage recently because of its exposure in season 4 of Stranger Things, 'Running Up That Hill (A Deal With God).' Some of you who take the time to listen to any of these tracks (or, hopefully, the whole album) may find Bush's voice vaguely familiar but can't quite place where you may have heard her before in the distant past. Well, chances are it was from Peter Gabriel's 1986 album, *So*, particularly the track, 'Don't Give Up.' ### 186. TEETH MARKS by S.G. Goodman URL: https://www.auditorymusings.net/teeth-marks-by-s-g-goodman/ Last updated: 2022-06-04T04:41:35.000Z This just released 2022 record by Kentucky's S.G. Goodman is her sophomore effort. It's a little bit country, a little bit alternative and a whole lot of warble - Goodman is known for the shakiness perfectly placed in her songs in the same way that Sarah McLachlan's voice breaks at, what seems, the most opportune times. Goodman was the last artist to sign to John Prine's record label while he was still alive, so that should tell you something. Check out the following tracks: 'All My Love Is Coming Back To Me,' 'If You Were Someone I Loved,' 'Work Until I Die' and album closer 'Keeper Of The Time.' ### 185. DOUBLE FANTASY by John Lennon & Yoko Ono URL: https://www.auditorymusings.net/double-fantasy-by-john-lennon-yoko-ono/ Last updated: 2022-06-01T10:00:39.000Z Sometimes it's funny the way life works - or, in this case, death. This 1980 album, recorded with his wife and after a 5 year break from music to focus on raising his son Sean, was generally panned by critics. However, Lennon was shot and killed about 3 weeks after the record was released. This caused pretty much everyone to reassess their criticism, so much so that the album ended up winning Lennon a posthumous Grammy award in 1981 for Album of the Year. Conceived as a sort of back and forth between Lennon and Ono, the listener will find alternating tracks, first by Lennon and then Ono and so on and so forth. I have nothing against Yoko, but I find her music unlistenable. So, my recommended tracks will all be, unsurprisingly, by John. Probably my favorite here is 'Woman.' If you listen closely at the beginning, you can hear Lennon utter "For the other half of the sky," acknowlegding his devotion to Yoko. Next is 'Watching The Wheels' - a song that kind of explains to his critics why he took a break from music for the previous 5 years. Finally, check out album opener '(Just Like) Starting Over,' wherein Lennon admits that he's mimicking the vocal styles of legends Elvis Presley and Roy Orbison. ![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/06/5E88C682-0996-4C55-9BBF-8BC920196EC0.jpeg) Lennon autographing Double Fantasy for the man who would go on to kill him hours later (Photograph by Paul Goresh) ### 184. FEELINGS by Bloods URL: https://www.auditorymusings.net/feelings-by-bloods/ Last updated: 2022-05-28T20:40:20.000Z This 2018 record by unfortunately named Australian pop punk band Bloods (I couldn't find out how/why they ended up with this name) is about 30 minutes of pop punk (and/or self-described riot grrrl) heaven. They have a new album coming out in September of 2022 so now's as good a time as any to check out their most current release. For the most part, this is upbeat, feel good music for head nodding or raving. I read one comment that their sound is reminiscent of The Go-Go's and I don't disagree. The big hit is 'Feelings' so I would start off with that. Then consider alternating with a slower track like 'Broken Heart.' Pick things up again with album opener 'Bring My Walls Down' and finally turn things down a notch again with 'Slow Break' which has some really nice guitar work in the tail end of the song. ### 183. I DO NOT WANT WHAT I HAVEN’T GOT by Sinead O’Connor URL: https://www.auditorymusings.net/i-do-not-want-what-i-havent-got-by-sinead-oconnor/ Last updated: 2022-05-22T10:00:04.000Z Powerful. That's the only way to describe this 1990 record. The effect it had on me when it was released in the middle of my college years cannot be overstated. In fact, it is one of my all time favorite albums. I covered O'Connor's controversial position in the music industry [previously](https://www.auditorymusings.net/faith-and-courage-by-sinead-oconnor/), so won't rehash it here and will, instead, focus on the music. The fact that she penned all of the tracks save a couple when she was in her very early 20's is remarkable in and of itself. How someone at that age can address the themes and issues contained within the record is beyond me. And it's not just the lyrical content that strikes me as an amazing accomplishment - the music and arrangements are just as awe-inspiring. Anyway, I found it very difficult to select just 4 or 5 tracks to recommend as the album is just so good beginning to end that it really deserves a complete listen. However, other than the two or so best known songs (you can look those up if you don't know which ones to which I'm referring), I'd instead like to focus your attention on: 'Black Boys On Mopeds' which is about police brutality in the UK; 'I Am Stretched On Your Grave' wherein O'Connor takes an old Irish poem and sets it to the beat of James Brown's 'Funky Drummer;' 'Three Babies' - a ballad that showcases the softness in her singing; and, finally, the standout track for me, 'The Last Day Of Our Acquaintance' which is a devastating song about the breakup of a \_\_\_\_ - you fill in the blank...marriage, relationship, etc. The song starts out slow and airy, gradually working it's way to a cathartic climax after which O'Connor just lets loose on her singing. But I find the most meaningful part of the song is right around the 1 minute mark when she sings, "I know you don't love me anymore//You used to hold my hand when the plane took off." Those two short sentences speak volumes in what she's trying to convey to the listener. ### 182. THE LAST THING LEFT by Say Sue Me URL: https://www.auditorymusings.net/the-last-thing-left-by-say-sue-me/ Last updated: 2022-05-15T04:10:15.000Z I only just heard about this South Korean band last week when reading something about the anticipation of their upcoming 2022 record, now officially released. Well, we've not quite reached mid-year but I have a feeling this may end up on my year end list of favorite 2022 albums. My antennae were raised when I read the term "shoegaze" in a description of the band. Perhaps their previous albums were more shoegazey than this one. I'd describe the new record as more in the vein of indie rock/pop and/or surf rock. Lead singer Sumi Choi sings in English on all tracks but one - and that single Korean-language song, 'To Dream,' is the standout in my mind. The combination of not understanding the language coupled with Choi's voice and the repeating jangle guitar motif makes me want to listen on repeat, again and again (redundant, I know). So I would definitely start there. As usual, I'm drawn to the slower, melancholic tracks, so keep that in mind when listening to 'Still Here' and 'Now I Say.' A couple of upbeat songs I like are 'We Look Alike' and 'The Last Thing Left' (an ode to their original drummer who died in 2019). ### 181. DROPOUT BOOGIE by The Black Keys URL: https://www.auditorymusings.net/dropout-boogie-by-the-black-keys/ Last updated: 2022-05-13T10:00:04.000Z The Black Keys go back to the basics on this just released 2022 record - and thank goodness for it. After a brief detour off the beaten path in the form of a couple albums that didn't really do it for me, they're back to what they do best. Crunchy, fuzzed up and punchy garage rock with a hefty dose of blues. I'd even venture to say this is the closest they've gotten to some of their earlier output, for example the [previously covered](https://www.auditorymusings.net/rubber-factory-by-the-black-keys/) *Rubber Factory*. The pickins' are not slim on this record, but if you need a place to start, I'd go with 'Good Love' (with guest soloist Billy Gibbons from ZZ Top). Then pick things up a bit with 'Burn The Damn Thing Down.' And while you're there at track 7, just go ahead and continue with track 8, 'Happiness,' and finish with the '[Midnight Rider](https://youtu.be/CoCaPJWqa28?ref=auditorymusings.net)' influenced 'Baby I'm Coming Home.' ### 180. CROWDED HOUSE (self-titled) URL: https://www.auditorymusings.net/crowded-house-self-titled/ Last updated: 2022-05-12T10:00:07.000Z This 1986 debut record from New Zealand/Australian band Crowded House was their introduction to the world, but it wasn't Neil Finn's. Principal songwriter and singer Finn was fresh off the break-up of his previous band, Split Enz, when he formed Crowded House a year or so later. If the band Split Enz somehow rings a bell for those of you of appropriate age, it may be due to the song '[I Got You](https://youtu.be/wiqBlKnb91A?ref=auditorymusings.net)' rushing back into your head. I remember the linked video, the spooky verses and ebullient chorus like it was yesterday. This was my introduction to Neil Finn - I've followed his career ever since. Getting back to *Crowded House*, the tracks *I* think you should hear are probably the same tracks *you* think you should hear. These are some of their best known songs, all off a single album (and their debut at that). Instead of saving the best for last, I'd go straight for the money shot - 'Something So Strong' (though many may argue that 'Don't Dream It's Over' should hold that spot). Either way, you can't go wrong starting off with one of these two. Then, finish off with 'World Where You Live' and 'Mean To Me.' ### 179. IN SESSION (LIVE) by Albert King with Stevie Ray Vaughan URL: https://www.auditorymusings.net/in-session-live-by-albert-king-with-stevie-ray-vaughan/ Last updated: 2022-05-10T10:00:08.000Z I've been listening to a ton of blues lately which lead me down a YouTube rabbit hole of Albert King videos. The highlight is this 1983 audio recording of King and SRV's Canadian TV appearance. The great thing about these old blues legends are the stories they tell. Thankfully, King keeps these short and sweet (I've personally experienced another old timer in concert who talked more than he played). If you're even remotely interested in the blues, you've probably seen Albert King play without even knowing it - he's hard to miss with his Gibson Flying V guitar which he plays left-handed, strung upside down and backwards. What's heart-warming about this record (and the accompanying video) is the mutual respect both guitarists have for each other - Stevie for one of his idols and King for the up and coming axe slingers, like 'Little Stevie.' The tracks to check out include three that are present on streaming services and two that were not included on the record but are available on YouTube - those can't be included in the Apple Music and Spotify playlists, but I'll link to them down below. So, when you're ready to get blown away by these blues giants give a listen to: 'Call It Stormy Monday,' 'Pride and Joy,' 'Blues At Sunrise,' '[Born Under A Bad Sign](https://youtu.be/SeLddbrzsHk?ref=auditorymusings.net)' and '[Texas Flood](https://youtu.be/CAOlQaLVJdw?ref=auditorymusings.net).' ### 178. HEADFUL OF SUGAR by Sunflower Bean URL: https://www.auditorymusings.net/headful-of-sugar-by-sunflower-bean/ Last updated: 2022-05-07T22:51:21.000Z This 2022 record is the third in six years by New York indie rock band Sunflower Bean (previously covered [here](https://www.auditorymusings.net/twentytwo-in-blue-by-sunflower-bean/)). As mentioned in that post, I'm a big fan of singer/bassist Julia Cumming's voice as evidenced by my picks down below. This album shows the band at a much more mature point in their songwriting and playing. Tracks that I think are worth starting out with (and that I've added to my playlists) include, 'Who Put You Up To This?,' 'Stand By Me' and 'Post Love.' ### 177. I DON'T KNOW WHO NEEDS TO HEAR THIS... by Tomberlin URL: https://www.auditorymusings.net/i-dont-know-who-needs-to-hear-this-by-tomberlin/ Last updated: 2022-05-02T21:59:59.000Z This 2022 sophomore effort by Sarah Beth Tomberlin reminds me, in some ways, of Phoebe Bridgers (previously covered [here](https://www.auditorymusings.net/stranger-in-the-alps-by-phoebe-bridgers/) and [here](https://www.auditorymusings.net/punisher-by-phoebe-bridgers/)). The arrangements are generally sparse with the occasional track rocking out, if just a bit. For the most part, Tomberlin's vocal is the focus. Catching the ear of music publications and musicians alike, Tomberlin is someone to give a listen, especially if you're into this genre of music. My favorites off this record include, 'Happy Accident,' 'Memory,' 'Stoned' and 'idkwntht.' ### 176. THE DOORS (self-titled) URL: https://www.auditorymusings.net/the-doors-self-titled/ Last updated: 2022-04-29T18:41:06.000Z Think what you will about the late Jim Morrison and his "shaman-ship," he had a powerful, commanding voice and a knack for poetry, though pretty esoteric at times. This debut record was released in 1967 and was unique in the way keyboards provided many of the bass lines, rather than an actual bass guitar (though a bassist was used on some of the tracks during the recording of the album, contrary to popular belief). One could tell from the opening notes of 'Break On Through (To The Other Side)' that there was nothing out there that sounded anything like The Doors. This was an utterly original band. They released six albums in about four years before Morrison succumbed to the [27 club](https://www.history.com/news/music-legends-who-lived-fast-and-died-at-27-slideshow?ref=auditorymusings.net). After 'Break On Through' continue on with 'Soul Kitchen' and 'Twentieth Century Fox.' I hesitate to recommend two of the other more well known songs and would rather you try out 'Back Door Man' - an obligate blues cover, but done Doors style. ### 175. AMERICAN IDIOT by Green Day URL: https://www.auditorymusings.net/american-idiot-by-green-day/ Last updated: 2022-04-27T18:58:08.000Z This 2004 "punk rock opera" reminds me a lot of The Who's *Quadrophenia* (my favorite Who album, to be covered at a later date). Themes of adolescent disillusionment abound, tied closely with the cultural and political events of the time. Those of you old enough to remember, this is the record Green Day had to re-write after the master tapes for the album they had essentially already finished were stolen. In a funny twist of fate, the theft seemed to work in their favor as *American Idiot* went on to sell millions of copies, not to mention being loved by critics all over. We will never know how the original record would have been received. Since this is a rock opera, it is meant to be listened to from beginning to end, in order, so that one can understand the story. Cherry-picking tracks seems like the wrong thing to do, but I will do it nonetheless. I really like 'Are We The Waiting' and 'St. Jimmy' (usually played, and listed, together) to start out with. Next give 'Wake Me Up When September Ends' and the title track, 'American Idiot,' a spin. Close out with the 9 minute monster that is 'Jesus of Suburbia.' ### 174. WHERE DID OUR LOVE GO by The Supremes URL: https://www.auditorymusings.net/where-did-our-love-go-by-the-supremes/ Last updated: 2022-04-26T19:10:07.000Z This 1964 record is more of a collection rather than a true album, in that it collected singles and fillers from the Supremes' previous 2 years worth of output and put it on vinyl. Such was the practice back then, especially for Motown records - and we are the luckier for it. One of my all time favorite records, it's hard to argue with Diana Ross' voice being one of the greatest in modern pop music history. Although most of the songs deal with heartbreak, I get a smile on my face every time I listen to this album. Anyone even remotely familiar with the Motown sound will know the recommended tracks here. Side one of the LP has the hits, but that's not to say that the flip side is all fillers and no winners. Start out with 'Come See About Me' - the build up of the drums at the beginning is classic. Continue with the title track, 'Where Did Our Love Go,' probably their most popular song. 'Baby Love' is the last of the big 3 hits from the A side. Finish off with 'A Breath Taking Guy,' a Smokey Robinson-penned song that accommodates vocals from the other two members of the group (Florence Ballard and Mary Wilson). ### 173. FAMILY STYLE by The Vaughan Brothers URL: https://www.auditorymusings.net/family-style-by-the-vaughan-brothers/ Last updated: 2022-04-22T19:41:54.000Z Ah brotherly love - it's a precious thing. Cherish it if you have it and don't take it for granted, as it's not a given in this life. I mention this because by the time Stevie Ray and Jimmie Vaughan got around to making a record together, Stevie Ray Vaughan (SRV) would be dead before he would get to see the album come out. *Family Style* was posthumously released in 1990, a month or so after SRV was killed in a helicopter crash. SRV holds a special place in my heart as his story, though filled with success and fame, also had a fair share of struggles and pain. And what makes it worse is that he had just got his life together, cleaned up, sobered up and was beginning a next phase when he died. A big reason why I love the blues so much is because of SRV - he is my true guitar hero. So, whenever I hear him play, I feel happy sad / sad happy inside. Although there is not a lot of classic blues here, this is a nice record nonetheless as you can compare and contrast the playing and singing styles of the brothers Vaughan. Start out with 'Tick Tock,' which is kind of like their version of 'We Are The World.' It begins with Jimmie in spoken voice before SRV takes over with the singing. I absolutely love this track even though I get really sad every time I hear it, thinking about what SRV could have continued to accomplish and achieve had he lived. Then continue with 'Brothers,' a slow blues instrumental wherein Jimmie and SRV trade dueling guitar solos back and forth (mainly SRV forth with Jimmie a little back). End your listening experience with 'Telephone Song' (love the wah wah on this) and 'Hard To Be,' a more classic blues rock song. ### 172. WASHARAMA by The Judy's URL: https://www.auditorymusings.net/washarama-by-the-judys/ Last updated: 2022-04-19T23:15:00.000Z I recently found out that a couple of friends of mine grew up in Guyana, but luckily left the country prior to the Jonestown massacre. Of course, anytime I hear the word Guyana, the first thing that comes to mind (for musically inclined me) is not Jonestown, but rather Judy's. *The* Judy's, that is. They were a band borne out of the blossoming new wave and punk scene in southeast Texas (Pearland) in the late 70's and early 80's. Since they were so close to home for me, they were pretty big in my school and friend circle. I imagine that they were pretty well known throughout Texas too; and, in their heyday, they actually opened up for some pretty big bands at the time (Talking Heads, Go Go's). This record, their most popular and well known, was released in 1981\. The copy we had in junior high was on vinyl and then subsequently dubbed to tape (either Maxell or Memorex!). As far as I can tell, *Washarama* is not available on any streaming services. So, that leaves the lucky few of us who still have a copy laying around somewhere and YouTube as the only way to take that time machine back to the early 1980's. For those of you who remember listening to them and haven't in years, I hope this brings back some great memories. And, for the uninitiated, this was the Pearland/Houston claim to fame in the burgeoning music scene at the time. The link above will take you to YouTube where you can stream the entire album, but since it's not on Apple Music or Spotify I, unfortunately, won't be able to add any of the recommended tracks to my playlists. So, once you hit YouTube, one of the comments provides timestamps for each song - check out 'Her Wave,' 'Mental Obsession,' 'All The Pretty Girls' and, of course, round it out with their most popular song, 'Guyana Punch.' N.B. Some of you who have been on this ride with me from the get go may recognize a variation of this entry from the early Auditory Musings newsletter days. ### 171. FEAR OF THE DAWN by Jack White URL: https://www.auditorymusings.net/fear-of-the-dawn-by-jack-white/ Last updated: 2022-04-08T10:00:06.000Z This is the first of two records White has planned for 2022\. Today's more avant-garde album will be followed in July by one with slower, acoustic heavy tracks. In terms of *Fear Of The Dawn*, I don't like it. I don't dislike it either. It's just more of Jack White being Jack White. That is to say, it seems that the blues/garage/hard rock that put him on the map (and earned him legions of fans) with The White Stripes (previously covered [here](https://www.auditorymusings.net/icky-thump-by-the-white-stripes/)), The Dead Weather (see [here](https://www.auditorymusings.net/dodge-and-burn-by-the-dead-weather/)), The Raconteurs and as a solo artist (lastly [here](https://www.auditorymusings.net/blunderbuss-by-jack-white/)) has bored him. From his last record (the unreachable *Boarding House Reach*) to this effort, he seems to throw any and every sound into Pro Tools to see what sticks. And stick it does - like a thorn in your side. Everything about this record is overprocessed. He even admits as much in a recent interview (though he leaves 'over' out, good buddy). But that's not to say there isn't something salvageable here. So try out the last four tracks on the album and listen to the rest at your own peril: 'That Was Then, This Is Now,' 'Eosophobia (Reprise),' 'Morning, Noon and Night' and 'Shedding My Velvet.' ### 170. LONG AFTER DARK by Tom Petty and The Heartbreakers URL: https://www.auditorymusings.net/long-after-dark-by-tom-petty-and-the-heartbreakers/ Last updated: 2022-04-07T10:00:05.000Z I've been meaning to write about this 1982 record for awhile. I feel it's pretty underrated in Petty's catalog and deserves a mention here. What motivated me to finally get to it was watching the documentary *Somewhere You Feel Free: The Making of Wildflowers* (previously covered [here](https://www.auditorymusings.net/wildflowers-by-tom-petty/)). Wow, what a film! For those of you with an interest in the making of classic albums, I highly recommend watching this. Getting back to this record, though, many of you will likely remember the big hit, 'You Got Lucky,' as much for the video that was in heavy rotation on MTV as for the song itself. However, there's so much more to *Long After Dark* that was likely glossed over at the time because of the popularity of that song and video. So, it's worth circling back to have another listen. The tracks that stand out to me include, 'Between Two Worlds,' 'Change Of Heart,' Deliver Me,' 'We Stand A Chance' and, a great, mellow way to end the album - 'A Wasted Life' - start out with this one if you just feel like floating away. ### 169. LED ZEPPELIN III by Led Zeppelin URL: https://www.auditorymusings.net/led-zeppelin-iii-by-led-zeppelin/ Last updated: 2022-04-05T22:00:00.000Z I've been listening to a lot of Led Zeppelin lately and so thought I'd discuss this 1970 record as it doesn't seem to get as much love as *I*, *II* or *IV*. It was a bit of a departure from the hard rock/heavy metal roots of the band, focusing more on acoustic, folksy arrangements (though there are still a few hard rocking numbers here). The main reason I wanted to discuss this album, however, are the memories that come rushing back to me each time I hear a particular song that's *not* on the record. Those of you who grew up in Houston may remember a store called Record Exchange on Westheimer. I spent many hours there in the 80s, flipping through the vinyl, looking for hard to find imports and bootlegs. And, one of those happened to be a non-album track from *III* \- 'Hey, Hey, What Can I Do.' Turns out that this song was only available as the B-side to the 'Immigrant Song' single. So even though this song is technically not part of *III*, I include it here not only because of the back story but also for nostalgic reasons (not to mention it's a great track). You'll find it in both my Apple Music and Spotify playlists. As for other recommendations from this album, check out the great blues track 'Since I've Been Loving You,' 'That's The Way' and 'Gallows Pole' (not a Zep original, but great nonetheless). ### 168. US by Peter Gabriel URL: https://www.auditorymusings.net/us-by-peter-gabriel/ Last updated: 2022-04-01T10:00:06.000Z This 1992 record was the true follow-up to Gabriel's 1986 smash hit, *So*. While *So* carried the pop torch with pride, *Us* was a completely different beast. This is an atmospheric album which dealt with heavy personal issues, including his divorce and strained relationship with his daughter. It is a great listen with headphones, especially the tracks I recommend down below. While there are a few pop-oriented singles here, I'd like to direct your attention to those songs that truly deserve a close, focused listen: 'Love To Be Loved,' 'Blood of Eden' (with Sinead O'Connor, previously covered [here](https://www.auditorymusings.net/faith-and-courage-by-sinead-oconnor/)), 'Washing Of The Water' and 'Secret World.' ### 167. GEORGIA GOTHIC by Mattiel URL: https://www.auditorymusings.net/georgia-gothic-by-mattiel/ Last updated: 2022-03-23T22:00:01.000Z This 2022 record comes to us from Atlanta, Georgia-based duo Mattiel (named after singer Mattiel Brown). The album is a bit difficult to describe as the tracks span different sounds, from pop to country to blues to folk to even some rap (if defined loosely). Jack White was so impressed with the duo that he had them open for him on one of his tours. That was reason enough for me to check the band out. If you decide to check them out as well, here are my suggestions: 'Jeff Goldblum' (also check out the [official video](https://youtu.be/qUs1Ggy41V4?ref=auditorymusings.net)), 'How It Ends,' 'Subterranean Shut-in Blues' and 'Lighthouse.' ### 166. CONTINUUM by John Mayer URL: https://www.auditorymusings.net/continuum-by-john-mayer/ Last updated: 2022-03-22T17:09:32.000Z This 2006 record by John Mayer tops many lists ranking his albums from worst to best. It reflects somewhat of a shift from his previous two studio records in that the sound is more soul and blues oriented, both in his guitar playing and in his singing. His writing had also matured by this time, tackling social and political issues on album opener, 'Waiting On The World To Change.' Since I tend to especially like guitar-oriented songs, the other tracks I would recommend you check out include, 'Gravity,' 'Bold As Love' (a Jimi Hendrix cover) and 'In Repair' (the latter two have great guitar solos). ### 165. NEVER MIND THE BOLLOCKS, HERE'S THE SEX PISTOLS by The Sex Pistols URL: https://www.auditorymusings.net/never-mind-the-bollocks-heres-the-sex-pistols-by-the-sex-pistols/ Last updated: 2022-03-21T10:00:07.000Z I was reminded of this 1977 record by a Sid Vicious reference in the most recent episode of the TV show, *Billions.* I hadn't listened to the album in full in years. To say that this, the Sex Pistols' only studio recording, is considered one of the most (if not *the* most) influential punk albums of all time is, to put it bluntly, a f\*cking understatement. I can only imagine the collective shock in Great Britain when this was released all those years ago. A few lines of text here simply won't do the album justice, so just go listen to it already! I would start and end your session with 'Anarchy in the U.K.' with 'Pretty Vacant' and 'God Save the Queen' thrown in between. De-stroy! ### 164. GUV III by Young Guv URL: https://www.auditorymusings.net/guv-iii-by-young-guv/ Last updated: 2022-03-17T10:00:09.000Z This just released 2022 record comes to us from Toronto by way of the New Mexico desert. Young Guv is the moniker of Ben Cook who, believe it or not, used to be quite the hardcore rocker before transitioning to his current incarnation as power popper extraordinaire. Being stuck in New Mexico at the beginning of the pandemic paid off for him (and us) - if you're a fan of Big Star, The Byrds and Rickenbackers, then this is the album for you. Those guitars jangle and chime through every hook-laden track. Even better, though, if you like this you have something else to look forward to - a second record's worth of material (GUV IV) supposedly due out later this year. 'Couldn't Leave U If I Tried,' 'Lo Lo Lonely,' 'But I Ain't Got U' and 'Scam Likely' are great tracks to start out with. ### 163. THE JACKET by Widowspeak URL: https://www.auditorymusings.net/the-jacket-by-widowspeak/ Last updated: 2022-03-12T11:00:06.000Z I've mentioned it [before](https://www.auditorymusings.net/plum-by-widowspeak/) and I'll say it again - this band reminds me so much of [Mazzy Star](https://www.auditorymusings.net/among-my-swan-by-mazzy-star/) that it's almost a bit eery. So, if you're a Hope Sandoval fan and/or into the whole dream pop/shoegaze scene, you'll do well to give this just released 2022 record or the previously covered album, *Plum*, a spin. The band has evolved their sound a bit from the previous outing, incorporating some country elements and even some psychedelia in the opening track, 'While You Wait.' This is Sunday morning music that works well any day of the week, any time of the day. Be sure to also check out, 'Forget It,' 'Everything Is Simple' and 'Slow Dance.' ### 162. EXTERNAL COMBUSTION by Mike Campbell and The Dirty Knobs URL: https://www.auditorymusings.net/external-combustion-by-mike-campbell-and-the-dirty-knobs/ Last updated: 2022-03-05T00:29:59.000Z What continues to amaze me about Mike Campbell's non-Heartbreaker output (his debut with The Dirty Knobs previously covered [here](https://www.auditorymusings.net/wreckless-abandon-by-the-dirty-knobs/)) is his voice - I can't help but feel like he's channeling Tom Petty with every song he sings. Either that or I just miss Petty immensely and latch onto anything that brings him back to me. Regardless, what's interesting about this just released 2022 record is that the band is now known as Mike Campbell and The Dirty Knobs, rather than just The Dirty Knobs. I'm sure this has to do with capitalizing on Campbell's name recognition to boost this album's streams, etc. But, somehow I feel like there will be enough streams, sales, concert tickets, etc. as this is a great straight up rock and roll record. So, if you're in the mood to rock, check these tracks out: 'Electric Gypsy,' 'State of Mind' (love love love Margo Price on this track), 'Brigitte Bardot' and 'It Is Written.' ### 161. FLOWER OF DEVOTION by Dehd URL: https://www.auditorymusings.net/flower-of-devotion-by-dehd/ Last updated: 2022-03-03T18:39:01.000Z This 2020 record by Chicago-based trio Dehd was met with critical acclaim, most notably by the notoriously grumpy online publication, *Pitchfork*, calling it some of the best new music of that year. Mixing elements of surf rock (and all that entails in terms of distinctive guitar playing), shoegaze and straight up indie vibes, the melodic nature of the songs come through during the entire length of the album. I wanted to feature Dehd as they have some new music coming out soon, so it's worth taking some time familiarizing yourself with their sound. In order to do this, start out with 'Desire,' 'Drip Drop,' 'Disappear' and 'No Time.' Lastly, here's a friendly reminder that all the songs mentioned in Daily Records can be found in my [Apple Music](https://music.apple.com/us/playlist/daily-records/pl.u-qaEKDu3LZL8?ref=auditorymusings.net) and [Spotify](https://open.spotify.com/playlist/5oOxFEv37B5ZvlxWeMpAvA?si=0b6186383a8f47ba&nd=1&ref=auditorymusings.net) playlists, so if you haven't checked those out lately (or yet!), consider adding them to your library for quick and easy access any time you want. ### 160. SYNCHRONICITY by The Police URL: https://www.auditorymusings.net/synchronicity-by-the-police/ Last updated: 2022-02-26T20:36:51.000Z In many ways, The Police were a lot like their fellow punk and reggae compatriots The Clash (previously covered [here](https://www.auditorymusings.net/london-calling-by-the-clash/)) - 5 records in about 5 years and then you're done. (The Clash's *Cut the Crap* doesn't really count as, without Mick Jones and Topper Headon, it was a Clash album in name only.) In the immortal words of Neil Young, it truly was better to burn out than to fade away. In fact, although this 1983 album was The Police's swan song, the band itself had become an ugly duckling. It's any wonder that the record even got made - by the time of the recording in late 1982/early 1983 the band members essentially hated each other. But, of course, as is well known, not only did the record get made, but it went on to become the band's biggest release ever. Go figure. In keeping with my tendency to pick 3 to 5 tracks from each record to recommend the reader/listener start out with, there's no getting around what those should be for *Synchronicity*. Sometimes I wonder if the sequencing of the record had been made top heavy (that is, start out with the singles/potential hits at the beginning a la U2's *The Joshua Tree*) would it have been considered as good or even better than it was? We will never know. Regardless, these are the songs I consider as must listens for the uninitiated and initiated alike: 'Synchronicity II' (I think this would have been a much better album opener), 'Every Breath You Take,' 'King of Pain' and 'Wrapped Around Your Finger.' ### 159. VIOLENT FEMMES (self-titled) URL: https://www.auditorymusings.net/violent-femmes-self-titled/ Last updated: 2022-02-22T11:00:06.000Z This 1983 debut record by the Violent Femmes presents a dilemma just like several other previously covered debuts in that so many of the songs turned into hits that it's difficult to pick just a few to serve as an introduction to the band and the album. And, this is made all the more extraordinary when you realize that lead singer and songwriter Gordon Gano wrote most of these songs as an 18-year old high school student. Everything about this record is quirky - from Gano's nasally vocals to the stand-up (literally) drumming to xylophone solos (not one, but two), *Violent Femmes* came at the right time to defuse (or egg on) the teenage angst of the early 1980's. Since the singles/hits are probably familiar to many of you, I'd rather highlight some of the lesser known gems that rarely find their way onto algorithmically generated playlists. So, start out with the one tender track on the record, 'Good Feeling,' and then move on to 'To the Kill,' 'Promise' and, lastly, 'Confessions.' ### 158. RUBBER FACTORY by The Black Keys URL: https://www.auditorymusings.net/rubber-factory-by-the-black-keys/ Last updated: 2022-02-03T11:00:05.000Z This 2004 record, the third for Ohio's garage-rock-blues outfit The Black Keys, seems to crystallize what they had been working towards on their debut and sophomore efforts. And, in this case, the third time's definitely a charm. The entire album is recorded by two guys in an abandoned tire factory on an eBay-bought mixing console and, boy, can you tell! The sound has a low down, dirty grunginess to it and I love all 42 minutes of it. With fuzzy guitar riffs and solos galore, it's difficult to recommend just a few tracks off this cohesive collection. This is truly a record that deserves a start to finish listening. But, recommend I must, so here goes: the single '10 A.M. Automatic' is a great place to start and will probably be familiar to many of you. The guitar solo that starts around 2:30 and closes out the track is something to behold. The album opener, 'When the Lights Go Out,' with its dirge-like rhythm will surely bring back memories of The Velvet Underground's 'Venus in Furs.' Then, move on to 'The Desperate Man' and the country-slide guitar of 'The Lengths.' Finally, finish off the way the record does, with 'Till I Get My Way' in all its fuzz/buzz/scuzz glory. ### 157. THE OVERLOAD by Yard Act URL: https://www.auditorymusings.net/the-overload-by-yard-act/ Last updated: 2022-02-02T19:38:45.000Z I won't pretend to understand all the scathing post-Brexit criticisms percolating throughout this 2022 record by these four guys from Leeds, but when I first listened to their post punk debut, what immediately caught my attention was the sound - the thick British accent, the driving rhythms and ever present guitar. I kept feeling like I've heard a band like this before, but I couldn't quite put my finger on it. Then, maybe two days later it dawned on me - the spoken vocals, the rhythms, the guitar - Cake! Though my comparison may be a bit off kilter, listen to almost any song here and then listen to 'Short Skirt / Long Jacket' and tell me you don't hear a bit of Cake in Yard Act (minus the Yorkshire inflections of course). Comparisons and/or influences that *have* been mentioned include those original Brit-poppers Pulp (previously covered [here](https://www.auditorymusings.net/this-is-hardcore-by-pulp/)) and The Arctic Monkeys. So, with that introduction, what tracks should you check out? I'd get the "party" started with 'Pour Another' and then circle back to the opening/title track, 'The Overload,' with its frenetic pace. Then slow things down and listen to the story being told in 'Tall Poppies.' Finally, finish off with 'The Incident' and the closing refrain - "I'm irrelevant, I'm irrelevant, I'm irrelevant..." ### 156. NEVER GIVE UP by Partner URL: https://www.auditorymusings.net/never-give-up-by-partner/ Last updated: 2022-02-02T19:38:28.000Z What do you get when you cross tongue-in-cheek lyrics from a band like, say, They Might Be Giants with riff heavy power pop along the lines of The Pursuit of Happiness (previously covered [here](https://www.auditorymusings.net/love-junk-by-the-pursuit-of-happiness/))? Well, this guitar-laden 2020 record of course. This Canadian duo simultaneously know how to rock but also don't take themselves too seriously. To get a sense of what they are capable of, start out with the last song on the album, 'Crocodiles,' and then continue on to an ode to their Gibson electric guitar, 'Honey.' 'The Pit' will definitely give those in the know a 'Born Under a Bad Sign' vibe while 'Here I Am World' wraps things up in a nice, power pop bow. ### 155. THE BOY NAMED IF by Elvis Costello and the Imposters URL: https://www.auditorymusings.net/the-boy-named-if-by-elvis-costello-and-the-imposters/ Last updated: 2022-02-02T19:38:11.000Z This hot off the presses 2022 record proves that Elvis Costello is back. Actually, he never went away - this is something like his 33rd studio album. Previously covered [here](https://www.auditorymusings.net/armed-forces-by-elvis-costello-and-the-attractions/), The Boy Named If is a sort of return to form for Costello. In fact, I think this is the closest we have gotten to something akin to his first three albums from the late 70's. While the casual listener may wonder why his band is The Imposters rather than The Attractions, the more devout fans know that this *is* The Attractions minus the original bassist with whom relations with Costello had soured over the years. Getting back to the music, as soon as I heard album opener 'Farewell, OK' my immediate reaction was, "yes, more of this please." And, more of this there is - continue on with title track 'The Boy Named If' and 'Magnificent Hurt.' 'What if I Can't Give You Anything but Love?' should remind fans of The Beatles' Let it Be album of a certain song ([spoiler alert](https://youtu.be/FTODmvdUC4E?ref=auditorymusings.net)) and finally 'Mr. Crescent' is a great way to close out the record on a quiet note. ### 154. EMOTION SICKNESS by Mediocre URL: https://www.auditorymusings.net/emotion-sickness-by-mediocre/ Last updated: 2023-08-25T21:10:10.000Z This 2020 EP released by two friends who are still in college is anything but mediocre (an unfortunate choice of a band name, in my opinion, when trying to search online for them). With a sound somewhere between Sleater Kinney and the Hives (remember them?), you're sure to find a gem or two to latch onto off this record (incidentally, their label has slow-dripped several singles since the release of this EP, so be sure to check those out if you like what you hear). Personally, I'd start out with 'Cloud 9,' 'Dread' and 'Intracranial' (this physician loves that song title!). ### 153. POLYDANS by Roosevelt URL: https://www.auditorymusings.net/polydans-by-roosevelt/ Last updated: 2022-02-02T19:37:40.000Z Roosevelt is the performance name of German musician Marius Lauber. I happened to stumble upon this 2021 record and have been listening to it for the last few days. Though dance/electronica is not exactly in my wheelhouse, the heavy synth and pop elements caught my ear, mainly due to the similarities I could hear to music that *is* in my wheelhouse - namely that of Joy Division, New Order, Depeche Mode and Erasure. So, if you're a fan of 80's synth pop, have a listen to this album and see if you agree. Start out with 'Lovers' for an upbeat, Erasure-esque track and then follow up with 'Forget' which should put you in a Joy Division/New Order type of mood. A couple of other tracks to check out include 'Echoes' (especially the last 2 minutes) and 'Sign.' ### 152. 11 by The Smithereens URL: https://www.auditorymusings.net/11-by-the-smithereens/ Last updated: 2022-02-02T19:37:22.000Z Released at the tail end of 1989, this record epitomized early 90's power pop, though with a heavier, crunchier guitar sound than what the band had previously incorporated in their music. You can hear Beatles and Beach Boys influences throughout the tracks, especially in the choruses and harmonies. Heck, there's even a harpsichord solo in 'Blue Period' that sounds a lot like The Beatles' harpsichord-like piano solo from 'In My Life.' The whole album clocks in at just 10 tracks and 34 minutes but that seems about right for what it is - a pop-rock classic. I'd say you can't go wrong listening to the first half, especially the first four songs - 'A Girl Like You,' 'Blues Before and After,' 'Blue Period' and 'Baby Be Good.' By the way, if you find yourself feeling like you recognize the other vocalist on 'Blue Period' it's because you probably do - that's Go-Go Belinda Carlisle. ### 151. THE CARS (self-titled) URL: https://www.auditorymusings.net/the-cars-self-titled/ Last updated: 2022-02-02T19:36:59.000Z Continuing with the theme of [debut albums that could be considered greatest hits](https://www.auditorymusings.net/play-deep-by-the-outfield/) in and of themselves, I'd like to take a look/listen at this 1978 record by that new wave/power pop band from Boston - The Cars. Growing up listening to this album, one thing that I didn't realize is that the vocals are split almost 50/50 between "lead singer" Ric Ocasek and bassist Benjamin Orr. Their vocals are so similar that I had just assumed that Ocasek sang every song. It wasn't until many many years later (I'm embarrassed to say just how many) that I came to learn about Orr's contributions to this record. Getting back to the fact that essentially every song is a hit, it's hard to pick just a few for the new (or revisiting) listener to start out with. However, here goes: Ocasek singing on 'My Best Friend's Girl' and 'Don't Cha Stop' (guitarist Elliot Easton's solo to close out the last 40 or so seconds of the song is worth the price of admission); and, Orr showcasing his vocal talents on 'Bye Bye Love' and 'Moving in Stereo' (the latter's obligate reference to that infamous scene in Fast Times at Ridgemont High not withstanding). Postscript: In celebration of the new (and hopefully better) year, I've completely redesigned the website. My hope is that the new format will foster more engagement from you, the reader, in that when reading a particular entry you will be presented with other similar records to check out on the left and a long list of genre tags for you to explore on the right. If you're reading this in the emailed newsletter, just click on "view online" up top. If you're reading this on the site, well then you're already there! ### 150. My Favorite Records of 2021 URL: https://www.auditorymusings.net/my-favorite-records-of-2021/ Last updated: 2022-02-02T19:36:42.000Z This special, year end edition of the blog is geared towards those of you who don't follow [me](https://twitter.com/auditorymusings?ref=auditorymusings.net), [myself](https://twitter.com/pinkoos?ref=auditorymusings.net) or I on Twitter and, so, haven't seen this collection of my favorite records from the past year These are presented in no particular order; just click/tap on the record name to be taken to the album from where you can stream on your platform of choice Here's wishing each and every one of you Happy Holidays, no matter what you celebrate and let's all hope for a better and brighter 2022 Best wishes and Happy New Year, Pulin [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/01/600x600bb-1.jpeg)](https://album.link/us/i/1554144723?ref=auditorymusings.net) [BLUE WEEKEND](https://www.auditorymusings.net/blue-weekend-by-wolf-alice/) by Wolf Alice [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/01/600x600bb-2.jpeg)](https://album.link/us/i/1544143084?ref=auditorymusings.net) [THE MOON AND STARS: PRESCRIPTIONS FOR DREAMERS](https://www.auditorymusings.net/the-moon-and-stars-prescriptions-for-dreamers-by-valerie-june/) by Valerie June [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/01/600x600bb-3.jpeg)](https://album.link/us/i/1563170497?ref=auditorymusings.net) [WHAT WERE YOU HOPING TO FIND?](https://www.auditorymusings.net/what-were-you-hoping-to-find-by-vistas/) by Vistas [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/01/600x600bb-4.jpeg)](https://album.link/us/i/1573372414?ref=auditorymusings.net) [BUFFALO NICHOLS](https://www.auditorymusings.net/buffalo-nichols-self-titled/) (self-titled) [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/01/600x600bb-5.jpeg)](https://album.link/us/i/1534824850?ref=auditorymusings.net) [NO PLACE](https://www.auditorymusings.net/no-place-by-danielle-durack/) by Danielle Durack [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/01/600x600bb-6.jpeg)](https://album.link/us/i/1544342016?ref=auditorymusings.net) [A BILLION LITTLE LIGHTS](https://www.auditorymusings.net/a-billion-little-lights-by-wild-pink/) by Wild Pink [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/01/600x600bb-7.jpeg)](https://album.link/us/i/1569917510?ref=auditorymusings.net) [COOL](https://www.auditorymusings.net/cool-by-colleen-green/) by Colleen Green [![](https://storage.ghost.io/c/97/fb/97fbbfa7-db31-4ab4-b011-1c5d6a2073a9/content/images/2022/01/600x600bb-8.jpeg)](https://album.link/us/i/1556742760?ref=auditorymusings.net) [ALWAYS SOMETHING](https://www.auditorymusings.net/always-something-by-uv-tv/) by UV-TV ### 149. WET LEG (self-titled) URL: https://www.auditorymusings.net/wet-leg-self-titled/ Last updated: 2023-08-25T21:14:42.000Z And now for something completely different…this record actually doesn’t come out until 2022, but I’ve been so enamored with a couple of the lead off singles I felt compelled to share it with you now. The band is from the Isle of Wight, formed by two college friends back in 2019\. A mixture of deadpan deliverance and alternatively thick, grungy and melodic guitar lines have caught the interest of ordinary fans and music critics alike. Though four tracks have been released so far, the two I want to direct your attention to are ‘Chaise Longue’ and ‘Wet Dream.’ The former starts out with drums, a heavy bass line and dry vocals alluded to earlier. Then, all of a sudden the rest of the guitars kick in and you’re hooked instantly. A bonus is a sly reference to a scene from the movie “Mean Girls” that those of you who’ve seen it will recognize immediately. ‘Wet Dream’ continues with more witty lyrics and rocks a little bit harder than ‘Chaise Longue.’ Can’t wait for the rest of the album to drop in April! ### 148. TENDER by Allison Lorenzen URL: https://www.auditorymusings.net/tender-by-allison-lorenzen/ Last updated: 2022-02-02T19:35:30.000Z This just released 2021 record by Denver, Colorado-based Allison Lorenzen has been playing on repeat ever since I came across it a few days ago. It’s her voice that first grabbed my attention and piqued my interest - it has been variably described as choir-like, ethereal and ephemeral. Well, all those adjectives apply, and more. In a way, she reminds me a lot of Enya in that respect, but with the fuzz and distortion of early Jesus and Mary Chain mixed in for good measure. The whole album has a very understated production, but that suits the music perfectly - this is a headphones listen if there ever was one. Try out ‘Chalk,’ ‘Vale,’ ‘In A Dream’ and ‘Backwards.’ ### 147. THE MASTERPLAN by Oasis URL: https://www.auditorymusings.net/the-masterplan-by-oasis/ Last updated: 2022-02-02T19:35:12.000Z When one thinks of the Manchester-bred Britpop band Oasis, images of the constantly squabbling brothers Noel and Liam Gallagher or images of those first two classic record sleeves usually come to mind. However, many casual listeners of the band may not realize that this 1998 record, a collection of B-sides, is considered by many as their third best album, regardless of the fact that it is, technically, a compilation of songs deemed not good enough to make the cut for regular release. Going into your listening session with this knowledge should hopefully help you realize that this collection of Oasis ‘throwaways’ is better than many bands A-sides. Start out (and start loud) with the absolute banger, ‘Acquiesce.’ Continue with ‘Going Nowhere’ (how can you not love how Noel enunciates “jag-u-ar”?) and then finish off with the classics, ‘Half the World Away,’ ‘Headshrinker’ and title track ‘The Masterplan.’ ### 146. BLUNDERBUSS by Jack White URL: https://www.auditorymusings.net/blunderbuss-by-jack-white/ Last updated: 2022-02-02T19:34:58.000Z With the recent news that [upholsterer extraordinaire](https://jackwhiteartanddesign.com/work/furniture-and-upholstery/third-man-upholstery-shop/?ref=auditorymusings.net) Jack White plans on releasing two solo records in 2022, I thought I’d take this opportunity to revisit his debut from 2012\. This genre-bending record is alternative to its core, though it’s layered with folk, rock and even some country-tinged tunes. The over-arching themes deal with relationships and breakups, which comes as no surprise as his marriage was falling apart/had fallen apart by the time this album came out. Start out with the opener, ‘Missing Pieces,’ to get a sense of how much White just wants to rock out. Then, move on to ‘Freedom at 21’ where he makes a whammy bar out of his vocal cords (you need to listen to know what I mean). ‘Hip (Eponymous) Poor Boy’ (what a song title!) comes across as a rollicking country stomper, but if you listen to the lyrics closely, you’ll think different. Round out your listening with ‘Trash Tongue Talker’ which is great story telling with some mean piano breaks in between. ### 145. NOTHING’S SHOCKING by Jane’s Addiction URL: https://www.auditorymusings.net/nothings-shocking-by-janes-addiction/ Last updated: 2022-02-02T19:34:42.000Z Landing at the time of hair metal, this 1988 record came out of left field and announced that Jane’s Addiction was not going to follow, but lead. And lead they did - with lead singer Perry Farrell’s wailing vocals and guitar prodigy Dave Navarro’s distortion heavy sound, this album sounded like nothing out at the time. Though there are slow tracks on the record, I would focus on the rockers to get a real sense of what JA was all about, the one exception being the classic, ‘Jane Says.’ Let that song serve as a soft intro to the band and then turn up your speakers/headphones and continue on with ‘Ocean Size,’ ‘Pigs in Zen’ and finally ‘Mountain Song.’ Cash in now, honey. ### 144. PROJECTOR by Geese URL: https://www.auditorymusings.net/projector-by-geese/ Last updated: 2022-02-02T19:34:25.000Z This just released 2021 debut record by Brooklyn-based quintet Geese is currently getting all the buzz, not because all the members are technically still teenagers but because, well, okay, they’re all technically still teenagers! One listen to this album and you’ll hear why. The influences contained within seem beyond their years but, yet, they’re there - The Strokes, Television, Parquet Courts and even some Arctic Monkeys and Radiohead thrown in for good measure. What’s attracted me to this record in particular is, of course, the guitars - specifically the tracks that seem to have a level of sonic dissonance on first listen but, the more one listens, the more the guitars sound a little quirky but…just right. ‘Low Era’ is the standout on the record for me. Give that a listen and see if you can hear a little of Matt Shultz (Cage the Elephant’s lead singer, previously covered [here](https://www.auditorymusings.net/cage-the-elephant-self-titled/)) in there. Next up is the title track, ‘Projector.’ I hear Jarvis Cocker (front man of Pulp, previously covered [here](https://www.auditorymusings.net/this-is-hardcore-by-pulp/)) all over this one. Finally, round out your brief sampling with ‘Bottle.’ ### 143. ABBEY ROAD by The Beatles URL: https://www.auditorymusings.net/abbey-road-by-the-beatles/ Last updated: 2022-02-02T19:33:58.000Z With The Beatles’ “Let It Be” record currently getting a lot of attention, I would instead like to focus on what is arguably a much better album (perhaps their best?), 1969’s “Abbey Road.” Though “Abbey Road” was their penultimate release, the “Let It Be” sessions were actually recorded before “Abbey Road,” so many consider this the last true Beatles record. But, we can leave that debate for another time. From that iconic album cover to the side two medley, there are many things that make this record stand out. However, for me, the thing that stands out the most are the two George Harrison-penned tracks, ‘Something’ and ‘Here Comes The Sun.’ These are considered a couple of Harrison’s best songs, if not *the* best songs he’s ever written. In fact, ‘Here Comes The Sun’ is the most streamed Beatles song on Spotify. Other than those two, the other songs you can check out to get a taste are ‘Oh! Darling’ and ‘You Never Give Me Your Money’ (which technically starts out the medley portion of side two). ### 142. BUFFALO NICHOLS (self-titled) URL: https://www.auditorymusings.net/buffalo-nichols-self-titled/ Last updated: 2022-02-02T19:33:41.000Z Houston-born, Milwaukee-raised and, now, Austin-living Buffalo Nichols offers a contemporary take on the blues with this just released 2021 record. Pairing his smokey voice with nimble guitar playing, he covers themes ranging from the overtly political/social commentary on ‘Another Man’ and ‘Living Hell’ to dealing with isolation on album opener (and lead single) ‘Lost & Lonesome.’ ‘These Things’ provides a moment of tenderness between the two halves of the record. By the way, if you’re a fan of slide guitar, you’re in for a treat. ### 141. LAST OF THE INDEPENDENTS by The Pretenders URL: https://www.auditorymusings.net/last-of-the-independents-by-the-pretenders/ Last updated: 2022-02-02T19:33:26.000Z When I discussed The Pretenders’ latest album [here](https://www.auditorymusings.net/hate-for-sale-by-the-pretenders/), I mentioned how the record I’m discussing today, 1994’s The Last of the Independents, had been my prior favorite of theirs. So I thought now would be as good as a time as any to tell you about it. After their first three albums established the band’s presence in the rock scene, they hit a slump with the next couple. Then came this record to put them back on the map (and radio charts). Though the “band” really only consisted of Chrissie Hynde, original drummer Martin Chambers and some session musicians, they sound as tight and in sync as any group who has been playing together for years. Additionally, Hynde’s trademark snark is here as is her knack for great ballads. To get a taste of the former, check out ‘Money Talk’ and ‘I’m a Mother.’ Then, to slow things down a bit, listen to ‘977’ and ‘Revolution.’ The fade out on the latter, beginning around the 4 minute mark, is truly something to behold - it gets me every time. Finally, the record closes out with a beautiful cover/reinterpretation of Bob Dylan’s ‘Forever Young’ - definitely worth your time. ### 140. FEELS SO GOOD // FEELS SO BAD by The Shivas URL: https://www.auditorymusings.net/feels-so-good-feels-so-bad-by-the-shivas/ Last updated: 2022-02-02T19:33:13.000Z This American indie psychedelic garage rock band is out with a brand new record for 2021\. Though their previous effort came out in 2019, they were unable to tour in support of it because of the pandemic. So, they spent the last couple of years collecting their thoughts and putting them to great music, the result being this record. There is catchy guitar-work throughout the album and a mixture of male and female vocals that reminds me a lot of Sunflower Bean, previously covered [here](https://www.auditorymusings.net/twentytwo-in-blue-by-sunflower-bean/). The first two tracks (‘Feels So Bad’ and ‘Undone’) pack a punch. ‘If I Could Choose’ is a fun, playful song. And, ‘You Wanna Be My Man’ slows things down to shoegaze territory. Check these songs out and then try out the rest of the album. ### 139. DEAD MAN’S POP by The Replacements URL: https://www.auditorymusings.net/dead-mans-pop-by-the-replacements/ Last updated: 2022-02-02T19:32:57.000Z This gets a bit complicated so bear with me. This 2019 box set includes a fully remixed version of the band’s 1989 record, “Don’t Tell A Soul” which, in this set, is referred to as “Don’t Tell A Soul Redux.” So, the record I’m really covering here is the 11 track remixed version of “Don’t Tell A Soul” contained within “Dead Man’s Pop.” Now that we cleared that up, let’s move on. This record was not considered very good when it first came out. In fact, when people talk about the best Replacements’ albums, “Don’t Tell A Soul” doesn’t even come up in the conversation. However, I was first introduced to the band with this album and, so, it has special meaning to me. And, it turns out, I think it actually is a very good album, but had just suffered from overproduction at the time of its initial release back in ‘89\. It just didn’t fit in with the scrappy reputation the rock and rollers from Minnesota had. So, that’s where this remixed version comes in. Supposedly it’s more in line with what the band had originally intended. If you’re familiar with “Don’t Tell A Soul” but hadn’t heard about this release, go ahead and try an A/B comparison with the songs mentioned below and see what you think. And, if you’ve never heard the ‘89 release before, go straight to this version - do not pass Go, do not collect $200\. My faves (then and now): ‘I’ll Be You,’ ‘We’ll Inherit the Earth,’ ‘Achin’ to Be’ and ‘They’re Blind’ (has some sublime guitar work in this version). ### 138. LINDSEY BUCKINGHAM (self-titled) URL: https://www.auditorymusings.net/lindsey-buckingham-self-titled/ Last updated: 2022-02-02T19:32:40.000Z (Former) Fleetwood Mac frontman (that still just doesn’t sound right) Lindsey Buckingham has a just released 2021 record out which, interestingly enough, is self-titled (not typically the norm for one’s *seventh* solo album). Perhaps it’s his way of embracing the new found independence forced upon him. That doesn’t matter, though, because what does is the music. And, with Buckingham, you’re almost always guaranteed great melodies and even better finger picking. One of my favorite things to do at Fleetwood Mac concerts is to zero in on his picking hand, which the video camera operators must know because that hand is always up on the big screen. So, unsurprisingly, my picks (pun intended) for tracks off this record with which to begin include, ‘Santa Rosa,’ ‘Blue Light,’ ‘On the Wrong Side’ and ‘I Don’t Mind.’ Incidentally, Buckingham wrote, produced and recorded the entire record on his own. ### 137. GREASE (The Original Soundtrack from the Motion Picture) URL: https://www.auditorymusings.net/grease-the-original-soundtrack-from-the-motion-picture/ Last updated: 2022-02-02T19:32:21.000Z Very few songs give me the goosebumps like the opening notes of ‘Grease’ (the other one that immediately comes to mind is the [opening fanfare in Star Wars](https://youtu.be/UOqtn4DZerA?ref=auditorymusings.net)). Maybe it’s because it brings back memories of seeing those movies in the theater as a child or a specific combination of notes that triggers it or something else, I don’t know. But, what I do know is that the ASMR is real! Regardless, this 1978 record is full of songs that will bring a smile to the faces of older listeners and, hopefully, do the same for the younger ones listening for the first time. Other than the title track already discussed, others worth checking out include, ‘Hopelessly Devoted to You’ (every time I hear this I immediately picture Sandy \[Olivia Newton-John\] on that porch), ‘You’re the One That I Want,’ ‘Beauty School Dropout’ (Frankie Avalon’s delivery is as smooth as butter!) and ‘We Go Together.’ Lastly, if you haven’t already done so, you must see the movie in order to put these songs in context - you won’t regret it. ### 136. TEN THOUSAND ROSES by Dori Freeman URL: https://www.auditorymusings.net/ten-thousand-roses-by-dori-freeman/ Last updated: 2022-02-02T19:32:03.000Z Dori Freeman’s debut album (previously covered [here](https://www.auditorymusings.net/dori-freeman-self-titled/)) was one of my favorite records of 2016\. Now it’s 2021 and she’s back with her fourth. Self-described as “electric, lo-fi, grunge-country,” it’s quite the departure from her previous material. Just comparing the look on her face on the two album covers speaks volumes. Get ready for a bigger sound from a bigger band, thoughtful lyrics and confident vocals. The standouts for me include, ‘The Storm,’ ‘Nobody Nothing,’ and ‘I Wanted To’ (I especially love what she does with her voice on the chorus while the band jams in the background). ### 135. COOL by Colleen Green URL: https://www.auditorymusings.net/cool-by-colleen-green/ Last updated: 2022-02-02T19:31:47.000Z By the time you read this, this 2021 record will have been released in full. At my time of writing this, however, only four tracks are out. But, those four tracks have definitely piqued my interest. Fans of guitar-oriented pop or lo-fi will surely find something to like amongst these songs and, probably the rest of the album. In the meantime, though, one listen to ‘I Wanna Be A Dog’ will have you humming the chorus over and over again. Then, ‘Highway’ changes things up with a slow, almost sinister guitar riff and bass line with half spoken vocals. ### 134. SAY YOU WILL by Fleetwood Mac URL: https://www.auditorymusings.net/say-you-will-by-fleetwood-mac/ Last updated: 2022-02-02T19:31:32.000Z When thinking about a Fleetwood Mac record, this 2003 release doesn’t necessarily come to mind. But, it’s got some gems in there worth checking out. This was the album they put out after Christine McVie left the band (though she does play on a few songs). So, principal songwriting duties fell on Stevie Nicks and Lindsey Buckingham. They both showed up to the recording sessions with some tracks in the bag. Among these, the songs I really like tend to showcase Buckingham’s guitar chops and Nicks’ vocals (despite her noticeably deeper register). Give these a shot: ‘Thrown Down,’ ‘Come,’ ‘Bleed To Love Her’ and ‘Goodbye Baby.’ Incidentally, the studio version of ‘Come’ ends with an almost 2 minute guitar solo which, impressive enough on its own, is no comparison to what Buckingham does on [this](https://youtu.be/4HGs6M9exS4?ref=auditorymusings.net) live version. ### 133. FUMBLING TOWARDS ECSTASY by Sarah McLachlan URL: https://www.auditorymusings.net/fumbling-towards-ecstasy-by-sarah-mclachlan/ Last updated: 2022-02-02T19:31:15.000Z This 1993 record, McLachlan’s third, proved to be her commercial breakthrough despite the pervasive dark themes and generally melancholy arrangements (‘Ice Cream’ is the only upbeat track on the album). I was introduced to this record in medical school and it has stayed with me ever since, frequently revisited when the appropriate mood arises. While it’s undeniable that she is known for her lilting to almost ethereal voice, the production raises these songs to another level. With that in mind, you would do well to give a listen to ‘Possession,’ ‘Hold On’ and ‘Fumbling Towards Ecstasy’ before making your way through the rest of the record. ### 132. THE WORLD WE BUILT by The Wild Reeds URL: https://www.auditorymusings.net/the-world-we-built-by-the-wild-reeds/ Last updated: 2022-02-02T19:30:54.000Z Los Angeles based indie folk band The Wild Reeds released this record in 2017\. Although the songs are lead by 3 part harmonies, the music is not necessarily subdued - it’s full of crunchy guitars and interesting key changes throughout many of the tracks. This is not your ma and pop’s folk music. Track sequencing plays an important role here as the first four are particularly strong and reminds me a lot of U2’s The Joshua Tree and its first four songs. So it should come as no surprise that I recommend you start off with ‘Only Songs,’ ‘Fall to Sleep,’ ‘Everything Looks Better (In Hindsight)’ and ‘Fix You Up’ (where the harmonies are truly sublime). ### 131. FLOWERS by The Rolling Stones URL: https://www.auditorymusings.net/flowers-by-the-rolling-stones/ Last updated: 2022-02-02T19:30:32.000Z Though technically a compilation album, this 1967 release can stand on its own as one of the Stones’ best. In light of the recent death of drummer Charlie Watts, it’s worth taking a look back at this record. Only three of the twelve tracks had not been released previously, but the remaining were either limited to UK audiences or only available as singles. Whether you’re listening to this for the first time, after a long time or have it on regular rotation (at least since Watts’ passing) pay close attention to some of the less familiar tunes. My go to songs include ‘Lady Jane,’ ‘Out of Time’ and ‘Back Street Girl.’ ### 130. WHAT WERE YOU HOPING TO FIND? by Vistas URL: https://www.auditorymusings.net/what-were-you-hoping-to-find-by-vistas/ Last updated: 2022-02-02T19:30:17.000Z I’ve always been a sucker for power pop bands (just enter that phrase in the search box on the website and you’ll see what I mean) and today’s post continues that trend. This just-released 2021 record by Scottish trio Vistas is full of 3 minute nuggets of catchy, melodic guitar heaven. Having recently learned about this band, this second album really makes me want to check out their debut. In the meantime, though, have a listen to this one (especially the title track, ‘Start Again,’ ‘Dayglow’ and ‘The Love That You Leave Behind’) and get prepared to have earworms ‘Stuck In Your Head’ for the rest of the day. ### 129. TRES HOMBRES by ZZ Top URL: https://www.auditorymusings.net/tres-hombres-by-zz-top/ Last updated: 2022-02-02T19:29:58.000Z I wasn’t yet 3 years old when Texas blues rock outfit ZZ Top released their third record in 1973\. This band has always held a special place in my heart, not just because they hailed from the Houston and surrounding area, but also because I was lucky enough to get guitarist/vocalist Billy Gibbons’ autograph on my last day of junior high as he sat at the bar of an Italian restaurant next door to my school. As I write this the news of bassist Dusty Hill’s death is just beginning to sink in. In the coming days, you’ll likely read many quotes about how Hill and drummer Frank Beard (ironically, the only member of the trio without one) gave the thumping ‘bottom’ to the Top. To hear this tight rhythm section in action, check out the first three tracks (‘Waitin’ for the Bus,’ ‘Jesus Just Left Chicago’ and ‘Beer Drinkers & Hell Raisers’). And, while you’re chugging on that beer, raise a little hell while listening to ‘La Grange’…you know what I’m talkin’ ‘bout….By the way, the segue between the first two tracks on the album is so ingrained into our collective muscle memory, it’s impossible to get to the end of ‘Waitin’ for the Bus’ without subconsciously hearing the beginning of ‘Jesus Just Left Chicago’ a split second before it actually starts. ### 128. CLICK CLICK DOMINO by Ida Mae URL: https://www.auditorymusings.net/click-click-domino-by-ida-mae/ Last updated: 2022-02-02T19:29:24.000Z There’s something oddly endearing about a couple of Brits landing across the pond and into the Americana music scene. Such is the case with Nashville transplants (by way of London) Ida Mae and this recently released 2021 record. The wife/husband duo of Stephanie Jean and Chris Turpin have created a blues/folk/roots rock tapestry of songs on this album that range from folksy ballads (for example, ‘Sing a Hallelujah’) to the funk of ‘Little Liars’ (drum machine included!). Blues rock guitarist Marcus King guests on the record as does shredder Jake Kiszka (Greta Van Fleet). In addition to the aforementioned tracks, check out ‘Road to Avalon’ and ‘Line on the Page.’ ### 127. SOBERISH by Liz Phair URL: https://www.auditorymusings.net/soberish-by-liz-phair/ Last updated: 2022-02-02T19:29:05.000Z I wrote about Liz Phair’s third album [here](https://www.auditorymusings.net/whitechocolatespaceegg-by-liz-phair/) and now I want to tell you about this 2021 record, her seventh. Writing from a more mature viewpoint that 50+ years of living life will bring, this is not going to be a rehash of Exile in Guyville (her seminal debut album), nor would one want it to be. Rather, the themes explored here include actual divorce (not contemplated like in the excellent ‘Divorce Song’ from Exile), sobriety, friendship and the like. Some of my favorites include album opener ‘Spanish Doors,’ ‘In There’ and ‘Soul Sucker.’ ### 126. BLUE WEEKEND by Wolf Alice URL: https://www.auditorymusings.net/blue-weekend-by-wolf-alice/ Last updated: 2022-02-02T19:28:46.000Z Previously covered [here](https://www.auditorymusings.net/visions-of-a-life-by-wolf-alice/), British indie/alternative band Wolf Alice are back in 2021 with their third record. Quickly garnering 5 star reviews from the critical press, Blue Weekend has already been hailed as the foursome’s best album yet. Ranging from grunge to piano ballads and everything in between, the 11 tracks highlight the band’s virtuosity and variability (not to mention producer Markus Dravs’ magic touch). To get a taste of lead singer and guitarist Ellie Rowsell’s tenderness start off with the aforementioned piano ballad, ‘The Last Man on Earth.’ Then, for something completely different check out ‘Smile.’ The band has described the sound they were trying to get throughout the record as “cinematic,” going so far as to play demos over movie trailers to see if the tracks generated the right feelings. Listen to ‘Delicious Things’ to see if you get those theatrical vibes too. ### 125. ALWAYS SOMETHING by UV-TV URL: https://www.auditorymusings.net/always-something-by-uv-tv/ Last updated: 2022-02-02T19:28:29.000Z Another Friday brings another new record release and another new genre…jangle-punk. This Queens, New York trio honed their chops in Gainesville, Florida before relocating to NY where this 2021 album was recorded. Clocking in at just under 30 minutes and nine tracks, there should be no filler here. The first two singles, ‘Distant Lullaby’ and ‘Back to Nowhere’ are absolute bangers while the title track (let out of the stable just prior to the full record release) slows things down to a slow but pulsating rhythm. If you’re a fan of jangly pop (think early R.E.M.) and melodic punk (Green Day) you must give this record a spin. Also, the fact that lead singer Rose Vastola reminds me a lot of Liz Phair is a plus in my book. ### 124. SO LOW by Lowland Hum URL: https://www.auditorymusings.net/so-low-by-lowland-hum/ Last updated: 2022-02-02T19:28:11.000Z This husband and wife duo from Virginia came up with the bold idea of re-interpreting Peter Gabriel’s landmark record, [So](https://album.link/i/986800858?ref=auditorymusings.net) \- in 2021 - and release it on the 35th anniversary of So’s debut. And, it works. If you’re into the mellow art-folk scene and like sweet harmonies, there is something on this album for you. I’m particularly drawn to the tracks that I like from Gabriel’s original, including ‘Don’t Give Up,’ ‘In Your Eyes’ and ‘Mercy Street.’ ### 123. SOUL VICTIM by Broken Up URL: https://www.auditorymusings.net/soul-victim-by-broken-up/ Last updated: 2022-02-02T19:27:55.000Z This 2020 record first landed on my radar when the initial single (‘Long Long Long’) was released in late 2019\. However, it somehow slipped through the cracks until I just happened to stumble upon it again recently. Part of Italy’s own darkwave/shoegaze movement, this guitar and synth heavy album pairs a certain melancholia with driving beats. Along with the aforementioned single, check out ‘Drifting Away,’ ‘With Anyone Else’ and ‘Govinda Gopala.’ ### 122. SILVER SYNTHETIC (self-titled) URL: https://www.auditorymusings.net/silver-synthetic-self-titled/ Last updated: 2022-02-02T19:27:37.000Z Those of us yearning for the days of [Laurel Canyon](https://groovyhistory.com/laurel-canyon-rock-star-1970s?ref=auditorymusings.net) inspired music need look no further than this 2021 record. This is sun-kissed pop, perfect to usher in the Spring. Not exactly the kind of music one would expect out of a band hailing from New Orleans, Louisiana. Jack White (yes, *that* Jack White) was so impressed by the band, he signed them to his own Third Man Records label. The album clocks in at only 8 tracks and 33 minutes, but that just feels right. Check out ‘In the Beginning,’ ‘Unchain Your Heart’ and ‘Chasm Killer’ to get things started. ### 121. CELEBRATE THE JOURNEY by Erwin Helfer and the Chicago Boogie Ensemble URL: https://www.auditorymusings.net/celebrate-the-journey-by-erwin-helfer-and-the-chicago-boogie-ensemble/ Last updated: 2022-02-02T19:27:09.000Z This 2021 record by the famed 85-year old Chicago blues and jazz pianist is a breath of fresh air despite its harkening back to old time Dixieland jazz and blues. Accompanied by bass, drums and two saxophones, the music puts you in one of those moods - one of those *good* moods, that is. In fact, after listening to this album, you can’t help but wish you had never given up those piano lessons oh so many years ago. There’s a mix of covers/standards as well as Helfer originals here. Start out with ‘Doxy’ to get things moving and then slow it down a bit with ‘Ain’t Nobody’s Business.’ ‘St. James Infirmary’ will be known to many of you. Lastly, I can imagine ‘Big Joe’ being played in some juke joint to signify the last call. ### 120. GISH by Smashing Pumpkins URL: https://www.auditorymusings.net/gish-by-smashing-pumpkins/ Last updated: 2022-02-02T19:26:12.000Z This 1991 debut record by alt rock deities Smashing Pumpkins was critically reassessed only after the band released their 1993 sophomore smash Siamese Dream. And, oh what a revelation. The opening two tracks (‘I Am One’ and ‘Siva’) announce the foursome with a bang and a clatter (due in large part to drummer Jimmy Chamberlin’s ringing, hollow snare) before taking things down a notch or two into psychedelia with ‘Rhinoceros’ and ‘Crush.’ Interspersed between and after are more guitar heavy rock anthems that showcase singer/guitarist Billy Corgan’s chops. Pull up any videos of Corgan playing live (this [one](https://youtu.be/Af%5F0htOBb80?ref=auditorymusings.net) for example) and you’ll see that he doesn’t strum his guitar - he *attacks* it. ### 119. TODAY WE’RE THE GREATEST by Middle Kids URL: https://www.auditorymusings.net/today-were-the-greatest-by-middle-kids/ Last updated: 2022-02-02T19:25:54.000Z This just released 2021 record by Australian trio Middle Kids is for fans of indie or alt rock. Gaining quite a following after the release of their debut long play in 2018, this second effort is sure to expand their reach around the globe. Check out ‘Cellophane (Brain),’ ‘R U 4 Me?,’ ‘Questions’ and, when you just feel like giving a big middle finger to the world, turn up ‘I Don’t Care.’ ### 118. THE MOON AND STARS: PRESCRIPTIONS FOR DREAMERS by Valerie June URL: https://www.auditorymusings.net/the-moon-and-stars-prescriptions-for-dreamers-by-valerie-june/ Last updated: 2022-02-02T19:25:33.000Z I’ve been waiting for this 2021 record to be released ever since I heard the first single. And, based on the additional songs that have come out in the interim, this has quickly become one of my favorite albums of the year, despite not having heard the full release. But, by the time you read this, the record will have officially dropped. June’s style is all over the place, including blues, Americana, singer-songwriter, folk, soul and even dream pop. She has a very distinctive voice that serves her well throughout these various genres. Knowing that there’s more for me to hear, these are the tracks I really like so far: ‘Stay,’ ‘You And I,’ ‘Call Me A Fool’ and ‘Why The Bright Stars Glow.’ ### 117. ZACH PERSON EP (self-titled) URL: https://www.auditorymusings.net/zach-person-ep-self-titled/ Last updated: 2022-02-02T19:25:14.000Z I never thought I would be mentioning American Idol in this blog but, well, here we are. Houston native (from age 13) and Austin transplant Zach Person was a contestant on the show during the 2016 season. Though he didn’t make it far, he definitely got noticed. Considered a mix of indie and blues rock, he plays a mean guitar, including slide. Citing influences such as Jack White, the Black Keys, John Mayer and Buddy Guy you know what to expect even before the needle drops on this 2020 record. For a taste of the slide guitar listen to ‘Can’t Stop Running’ and then continue on with ‘Send Me Away.’ Finish off with a cover of Otis Blackwell’s ‘All Shook Up’ (though you’re probably most familiar with Elvis Presley’s version). The riff on Person’s interpretation is very reminiscent of that on The Cult’s ‘[Soldier Blue](https://youtu.be/nENSDzXv0Rk?ref=auditorymusings.net).’ ### 116. A BILLION LITTLE LIGHTS by Wild Pink URL: https://www.auditorymusings.net/a-billion-little-lights-by-wild-pink/ Last updated: 2022-02-02T19:24:58.000Z This 2021 record is the third release from New York City trio Wild Pink (previously discussed [here](https://www.auditorymusings.net/yolk-in-the-fur-by-wild-pink/)). Cinematic in scope, the album is imbued with lead singer John Ross’s subtle, unassuming vocals throughout. A little indie, a little country, a little Americana - there’s something in here for everyone. Try ‘The Shining But Tropical,’ ‘Family Friends’ and ‘Pacific City’ to whet your appetite. ### 115. SUPER MONSTER by Claud URL: https://www.auditorymusings.net/super-monster-by-claud/ Last updated: 2022-02-02T19:24:38.000Z The first artist signed to Phoebe Bridgers’ Saddest Factory label, Claud (they/them) epitomizes lo-fi bedroom pop (think Clairo) on this 2021 record. So if you’ve listened to Clairo’s album (previously covered [here](https://www.auditorymusings.net/immunity-by-clairo/)), you know what you’re in store for. The first four songs (‘Overnight,’ ‘Gold,’ ‘Soft Spot’ and ‘In or In-Between’) are a great place to start. ### 114. KIWANUKA by Michael Kiwanuka URL: https://www.auditorymusings.net/kiwanuka-by-michael-kiwanuka/ Last updated: 2022-02-02T19:24:21.000Z This 2019 record (and winner of the 2020 British Mercury Prize) received critical acclaim from all over the planet. Considered indie folk or rock, Kiwanuka is an autobiographical concept album released just when you thought concept albums were dead. Mixing elements of soul, rock, gospel and jazz, there’s bound to be at least one (or two or three or more) tracks to fall in love with. My favorites are: ‘Rolling,’ ‘I’ve Been Dazed,’ ‘Hero’ and ‘Final Days.’ The latter reminds me of later-day U2, maybe something off Songs of Innocence. ### 113. GOING TO HELL by Lande Hekt URL: https://www.auditorymusings.net/going-to-hell-by-lande-hekt/ Last updated: 2022-02-02T19:24:00.000Z This recently released record is by one third of the Exeter, GB-based punk trio Muncie Girls. This guitar-driven album finds Hekt singing and playing all instruments save for percussion. Billed as her ‘coming out’ record, the songs deal with very personal issues while, at the same time, backed up by catchy melodies and memorable riffs. The first three tracks (‘Whiskey,’ ‘80 Days of Rain’ and ‘Hannover’) are must listens as is the title track. ### 112. NO PLACE by Danielle Durack URL: https://www.auditorymusings.net/no-place-by-danielle-durack/ Last updated: 2022-02-02T19:23:30.000Z Sometimes you’re just in the mood for a good breakup record - this just released offering from [previously featured](https://www.auditorymusings.net/bonnie-rose-by-danielle-durack/) Phoenix-based singer/songwriter (and pizza slinger!) Danielle Durack fits the bill. Check out ‘Broken Wings,’ ‘There Goes My Heart’ and ‘Eggshells.’ When her voice breaks in ‘Broken Wings’ around 1:25 or so, I’m instantly reminded of Sarah McLachlan who, incidentally, has some experience in the breakup songwriting department herself. ### 111. TOP OF THE STAIRS by Maxband URL: https://www.auditorymusings.net/top-of-the-stairs-by-maxband/ Last updated: 2022-02-02T19:23:05.000Z This short, 5 song 2020 EP is the product of New York City indie rock band Parquet Courts’ drummer, Max Savage. Though in this role, he’s stepped out from behind his drum kit to share vocals and play guitar, Dave Grohl-style. The record is a mix of punk and dream pop, depending on who’s singing - Savage has more punk tendencies while co-vocalist Patrick Smith’s lines float in the ether. Check out album opener ‘Unsaid’ for Savage and then ‘Cut it Loose’ for a taste of both. Closer ‘Case of Dust’ has Smith exhaling over a guitar riff reminiscent of Garbage’s ‘Stupid Girl.’ ### 110. I LOVE YOU BUT DAMN by Smokey Brights URL: https://www.auditorymusings.net/i-love-you-but-damn-by-smokey-brights/ Last updated: 2022-02-02T19:22:49.000Z Another husband/wife band out of the fertile Seattle music scene brings us this 2020 record. Kind of a mixture of modern rock and pop, the songs rock and groove simultaneously, suitable for arenas and dance floors, respectively. My favorites include ‘72,’ ‘I Love You But Damn’ and especially ‘Since ‘85’ with its slinky bass line. ### 109. EVERY BAD by Porridge Radio URL: https://www.auditorymusings.net/every-bad-by-porridge-radio/ Last updated: 2022-02-02T19:22:23.000Z This 2020 record from Brighton, England indie rock band Porridge Radio is reminiscent, in some ways, of 90’s grunge bands in that the loud/soft aesthetic is present in several of the tracks. “Every Bad” was a nominee for the 2020 British Mercury Prize and deservedly so. The stand-outs for me are ‘Sweet,’ ‘Pop Song,’ ‘Give/Take’ and ‘Lilac.’ ### 108. STATIC AND SILENCE by The Sundays URL: https://www.auditorymusings.net/static-and-silence-by-the-sundays/ Last updated: 2022-02-02T19:22:05.000Z English indie pop band The Sundays only released three studio albums, 1997’s “Static and Silence” being their final output. Husband and wife, David Gavurin (guitars) and Harriet Wheeler (vocals), formed the core of the band. By the time this record was released, the band had mellowed out a bit, drifting towards a more folksy sound. Nevertheless, the three albums making up the whole of their catalog were quite influential in the early to mid 1990’s alternative music scene. Check out the hit album opener, ‘Summertime,’ and then slow things down with ‘When I’m Thinking About You.’ Finally, ‘Another Flavour’ has a killer guitar riff that will keep you interested. ### 107. FALLING ASLEEP AT THE WHEEL by Holly Humberstone URL: https://www.auditorymusings.net/falling-asleep-at-the-wheel-by-holly-humberstone/ Last updated: 2022-02-02T19:21:47.000Z This 2020 debut EP by British indie pop singer-songwriter Holly Humberstone draws comparisons to other musicians that have been featured on this blog, including Phoebe Bridgers, Haim and Sky Ferreira. Simultaneously melancholy but upbeat, Humberstone has a knack for finding a happy medium between the two emotions. The first three songs are definitely the place to start, but the EP is so short (25 minutes), you might as well listen to the end. ### 106. WRECKLESS ABANDON by The Dirty Knobs URL: https://www.auditorymusings.net/wreckless-abandon-by-the-dirty-knobs/ Last updated: 2022-02-02T19:21:31.000Z Mike Campbell (guitarist for Tom Petty and the Heartbreakers) formed The Dirty Knobs back in 2001 with 3 other session musicians, mainly as a way to keep himself busy and occupied during downtime from the Heartbreakers. It only took about 19 years to finally put out a formal debut album. As of this writing, 3 singles off the record have been released - the rest of the tracks come out November 20, 2020\. From what I’ve heard so far, I’m really looking forward to hearing the rest of the album. It’s a bit uncanny (and unnerving) how much Campbell’s singing voice sounds like Petty’s. In fact, in preparation for the record release, Campbell has been giving a lot of interviews and one of the stories he tells is how Petty didn’t want him releasing a solo record because of how similar their voices sound. In terms of the 3 songs currently out, Campbell insists that ‘F\*\*k that Guy’ is not about any one person - he prefers the listener “insert your own a$$hole.” Well, I know whom I’m going to complete this Mad Lib with…. ### 105. OH WONDER (self-titled) URL: https://www.auditorymusings.net/oh-wonder-self-titled/ Last updated: 2022-02-02T19:21:13.000Z There are many ways to discover new music these days (this blog, for example). I found out about this band and record recently after “Shazam-ing” the theme song of a British crime series we’re currently enjoying (Unforgotten). Turns out that this album is the debut of London-based indie pop duo Oh Wonder. One year prior to the release, the band started releasing one new song per month, finally ending with the release of the full long play in 2015\. Put this record on and enjoy the following tracks: ‘Livewire,’ ‘Drive,’ ‘Landslide’ and ‘All We Do’ (from Unforgotten). ### 104. ARMED FORCES by Elvis Costello and the Attractions URL: https://www.auditorymusings.net/armed-forces-by-elvis-costello-and-the-attractions/ Last updated: 2022-02-02T19:20:55.000Z On occasion of the recently released 2020 deluxe version of this 1979 record, I listened to the original from top to bottom and was reminded of just how good it is. This new wave/post-punk outing is considered Costello’s “political” album, is full of melody and it contains probably his biggest hit - a cover of Nick Lowe’s ‘(What’s So Funny ‘Bout) Peace, Love, and Understanding.’ Also check out ‘Accidents Will Happen,’ ‘Oliver’s Army’ and ‘Two Little Hitlers’ with its clever word-play. ### 103. YOU NEVER WERE MUCH OF A DANCER by Gwenifer Raymond URL: https://www.auditorymusings.net/you-never-were-much-of-a-dancer-by-gwenifer-raymond/ Last updated: 2022-02-02T19:20:37.000Z Welsh-born astrophysicist (she has a PhD) and virtuoso instrumentalist has a new album coming out soon, so now is a good time to take a look at her 2018 debut. American primitive is a finger-picking guitar genre credited to American John Fahey. As such, Raymond’s record has no vocals - it’s pretty much all guitar and some banjo. And, it’s mesmerizing. So, throw on your best set of headphones and have a listen to: ‘Sometimes There’s Blood,’ ‘Sweep It Up,’ ‘Requiem for John Fahey,’ ‘Dance of the Everlasting Faint’ (this will remind you of a classical Indian music *raga*) and ‘Bleeding Finger Blues’ (more bluegrass than blues, but amazing nonetheless). ### 102. BINGO! by The Steve Miller Band URL: https://www.auditorymusings.net/bingo-by-the-steve-miller-band/ Last updated: 2022-02-02T19:20:21.000Z Steve Miller started out in the mid-1960’s as a bluesman before shifting to AOR (album-oriented rock) for the bulk of his career. That period of music is probably what you’re most familiar with when you think of him. However, this 2010 record finds him revisiting his roots by way of blues and R&B covers. Great artists like Otis Rush, Jimmie Vaughan, B.B. King and others are represented here. If you give this album a spin, note that Miller shares lead vocals with Sonny Charles (The Checkmates), but it’s only Steve playing that mean lead guitar on all the tracks. ‘Hey Yeah’ is a great way to open the album while ‘Drivin’ Wheel’ closes it with a bang (you’ll need to track down the Special Edition of the album to hear that one). ### 101. DODGE AND BURN by The Dead Weather URL: https://www.auditorymusings.net/dodge-and-burn-by-the-dead-weather/ Last updated: 2022-02-02T19:20:01.000Z This 2015 record is the third in The Dead Weather’s studio output. The band is considered a supergroup, the most notable member of which is Jack White (The White Stripes, The Raconteurs). Considered alt/garage rock, the album rocks throughout and does well to have lead vocals handled by both White and Alison Mosshart (of The Kills). And, as if White hasn’t already done anything and everything with multiple bands, he decided that, for this band, he was going to be the drummer rather than lead guitarist. So, if you’re in the mood for something a little harder give a listen to ‘I Feel Love (Every Million Miles),’ ‘Buzzkill(er)’ and, especially, ‘Mile Markers.’ ### 100. WORKING MEN’S CLUB (self-titled) URL: https://www.auditorymusings.net/working-mens-club-self-titled/ Last updated: 2022-02-02T19:19:16.000Z This 2020 debut from the UK-based band is heavy on synthpop elements reminiscent of New Order while the pulsating beats would be welcome at any self-respecting rave. That’s not to say, however, that guitars are absent from this record - ‘White Rooms and People’ has the whole Chic/Nile Rodgers groove going on, for example. But, if you’re here for the synths, I’d check out ‘Valleys,’ ‘John Cooper Clarke’ and the 12.5 minute (!) album closer ‘Angel’ (the latter two of which also happen to have their fair share of guitars). ### 99. OUT OF TIME by R.E.M. URL: https://www.auditorymusings.net/out-of-time-by-r-e-m/ Last updated: 2022-02-02T19:18:55.000Z Today is election day in the United States, so I thought I’d cover a record that played a pretty important role in US politics back when it was released in 1991\. Without getting too much into the weeds, the reason “Out of Time” is considered so critically important has to do with the petition that was included on the longbox cardboard packaging of every single copy of the compact disc. The petition was part of the Rock the Vote campaign that encouraged support of the Motor Voter Act, the goal of which was to allow voters an easier process of registration via their local Department of Motor Vehicles (DMV). The reader/listener is encouraged to listen to [this episode](https://99percentinvisible.org/episode/longbox/?ref=auditorymusings.net) of the podcast, 99% Invisible, for a deep dive on this topic. Getting back to the music, this album contains: R.E.M.’s biggest hit - ‘Losing My Religion;’ one of lead singer Michael Stipe’s favorite R.E.M. songs - ‘Country Feedback;’ and, one of the band’s most loathed songs - ‘Shiny Happy People.’ A couple of my personal favorites off this record are ‘Belong’ and ‘Me in Honey.’ ### 98. A STRANGE DREAM by Smokescreens URL: https://www.auditorymusings.net/a-strange-dream-by-smokescreens/ Last updated: 2022-02-02T19:18:41.000Z Fans of jangly guitar pop will do well to give this 2020 record by Los Angeles band Smokescreens a listen. You may just get reminded of a certain college rock band from Athens, Georgia. Definitely check out the album opener and closer, ‘Fork in the Road’ and ‘I Love Only You,’ respectively. Beyond that, ‘Nighttime Skies’ will give you an acoustic, Velvet Underground vibe whereas the remaining tracks jingle and jangle a la R.E.M. ### 97. VANISHED GARDENS by Charles Lloyd and The Marvels plus Lucinda Williams URL: https://www.auditorymusings.net/vanished-gardens-by-charles-lloyd-and-the-marvels-plus-lucinda-williams/ Last updated: 2022-02-02T19:18:24.000Z This 2018 record is unique in that the band is a jazz ensemble of sorts with Lucinda Williams contributing vocals to half of the tracks. Included are reinterpretations of three of Williams’ own songs as well as some Lloyd originals and other covers (notably ‘Angel’ - a Jimi Hendrix song). Have a listen to ‘Dust,’ ‘We’ve Come Too Far To Turn Around’ (a great gospel-tinged track) and ‘Blues for Langston and LaRue.’ ### 96. GOOD SOULS BETTER ANGELS by Lucinda Williams URL: https://www.auditorymusings.net/good-souls-better-angels-by-lucinda-williams/ Last updated: 2022-02-02T19:18:06.000Z Williams’ long and storied career keeps chugging along, the latest manifestation being this 2020 record. Considered Americana and/or singer-songwriter, this album definitely rocks at the same time. While her previous output has been more personal, this record is definitely more political. The album opens with ‘You Can’t Rule Me’ which has a great shuffling backbeat. ‘Big Black Train’ slows things down a bit but the highlight is ‘Man Without a Soul’- you have one guess who this song is about. ### 95. UNCIVIL WAR by Shemekia Copeland URL: https://www.auditorymusings.net/uncivil-war-by-shemekia-copeland/ Last updated: 2022-02-02T19:17:46.000Z Continuing our blues theme for the time being, this 2020 record is hot off the presses. Copeland, daughter of Texas blues legend Johnny Copeland, has been in the business since the mid-1990’s or so, delivering powerful vocals on whatever she puts down on tape. This album is no exception. Check out opener ‘Clotilda’s on Fire’ which also happens to have alt-country rocker Jason Isbell on guitar. In fact, just continue on with the next 3 songs (‘Walk Until I Ride,’ ‘Uncivil War’ and ‘Money Makes You Ugly’) to get a sense of the pipes on Copeland. ‘Money Makes You Ugly’ has Kingfish ([previously discussed](https://www.auditorymusings.net/kingfish-by-christone-ingram/)) playing some sharp leads. ’Love Song’ (one of her dad’s songs) is a great way to close the record on a high note. ### 94. KILL OR BE KIND by Samantha Fish URL: https://www.auditorymusings.net/kill-or-be-kind-by-samantha-fish/ Last updated: 2022-02-02T19:17:23.000Z This 2019 record from blues rocker Samantha Fish is probably more rock than blues though she mixes the genres up on the songs pretty nicely - there’s even some soul-style horns scattered among the tracks. Putting out albums and touring relentlessly over the past 10 years or so, she’s finally getting the recognition she’s due, especially for her guitar handy work (just look up some videos of her playing live). Give ‘Bulletproof,’ ‘Kill Or Be Kind,’ ‘Love Letters’ and ‘Fair-Weather’ a listen. ### 93. KINGFISH by Christone Ingram URL: https://www.auditorymusings.net/kingfish-by-christone-ingram/ Last updated: 2022-02-02T19:17:05.000Z Twenty-one year old blues guitar phenom Christone “Kingfish” Ingram released his debut record in 2019\. Considered a child prodigy from a very young age, he was noticed and nurtured by several big names in blues music, culminating in this album release and subsequent tours. The maturity in his playing and singing lies in stark contrast to his young age. For a taste of the electric blues, check out ‘Fresh Out’ (his collaboration with Buddy Guy) and ‘Love Ain’t My Favorite Word.’ And, ‘Hard Times’ is a great slow blues acoustic collaboration with Keb’ Mo’. ‘That’s Fine By Me’ closes out the record in fine form, letting each instrument take center stage on this slow burn track. ### 92. PLAY DEEP by The Outfield URL: https://www.auditorymusings.net/play-deep-by-the-outfield/ Last updated: 2022-02-02T19:16:26.000Z Those of us who came of age in the 1980’s surely have the Picasso-esque album cover of this 1985 record, along with lead singer Tony Lewis’ boyish voice and boyish looks, seared into our psyche. Sadly, Lewis died on October 19, 2020\. So, I thought I would honor him by featuring The Outfield’s debut record, especially considering the influence this collection of songs had on many awkward teens of the MTV generation. “Play Deep” is one of those albums that can almost be considered a Greatest Hits compilation in and of itself - almost every single song has the hook, the melody and the vibe of a hit single. The big hits are pretty much the first 4 songs, followed by ‘All the Love’ and ‘Talk to Me.’ Of those first 4, ‘Your Love’ (“Josie’s on a vacation far away…”) will, hopefully, bring back some great memories. And, if this is your first time hearing this album, enjoy the experience of an almost perfect power pop record. ### 91. THE DIVISION BELL by Pink Floyd URL: https://www.auditorymusings.net/the-division-bell-by-pink-floyd/ Last updated: 2022-02-02T19:16:08.000Z Though almost universally criticized at the time of release as a Roger Waters-less ‘Pink Floyd’ trying too hard to sound like Pink Floyd, this 1994 record was, in later years, praised for being a Roger Waters-less Pink Floyd that sounded a lot like classic ‘Pink Floyd.’ Huh? Anyway, regardless of how you feel about the absence of Waters on this album, one thing is clear - it really does sound like what we’ve come to recognize as the Floyd sound. I really enjoy David Gilmour’s guitar work, especially on tracks like ‘Marooned,’ ‘Coming Back to Life’ and ‘Lost for Words’ (especially the latter two). ### 90. AMONG MY SWAN by Mazzy Star URL: https://www.auditorymusings.net/among-my-swan-by-mazzy-star/ Last updated: 2022-02-02T19:15:51.000Z I mentioned in a previous [entry](https://www.auditorymusings.net/plum-by-widowspeak/) that I would cover Mazzy Star in a future post, so here you go. The combination of Hope Sandoval’s lighter than feathers voice floating above David Roback’s alternating slide and fuzz guitars makes for dream pop/shoegaze heaven on this 1996 record. Sandoval on harmonica features prominently as well. Songs to check out include, ‘Flowers in December,’ ‘Cry, Cry’ (the guitar sounds like it’s being played under water), ‘Still Cold’ and ‘Look On Down from the Bridge.’ ### 89. WILDFLOWERS by Tom Petty URL: https://www.auditorymusings.net/wildflowers-by-tom-petty/ Last updated: 2022-02-02T19:15:29.000Z Released in 1994, this record is considered to be Tom Petty’s best, with or without the Heartbreakers (though almost all of the Heartbreakers played on “Wildflowers”). A heartland, singer-songwriter album dropping in the middle of the grunge/alt-rock craze was definitely a bold move that, in hindsight, worked out just fine for Petty. A super deluxe box set was recently released that includes, among other things, another 10 original songs that were originally meant for the 1994 release. At the time of this writing, I hadn’t had a chance to fully digest the new material, but refer the reader/listener to it to enjoy and discover on your own. In terms of the original 15 songs, I like ‘Wildflowers,’ ‘Time to Move On,’ ‘Don’t Fade on Me’ and ‘Crawling Back to You.’ ### 88. WISH by The Cure URL: https://www.auditorymusings.net/wish-by-the-cure/ Last updated: 2022-02-02T19:13:20.000Z I picked this 1992 Cure record to feature since it came right after their landmark album “Disintegration” and, as such, does not get as much recognition as it should (though many still consider it a very good album). The singles/hits off “Wish” will be familiar to many, including ‘High,’ ‘Friday I’m in Love’ and ‘A Letter to Elise.’ However, I’m particularly drawn to this album for what I call the gloomy or almost sinister songs. Just check out ‘Open,’ ‘Apart,’ ‘Trust’ and ‘End’ to set the mood. ### 87. QUEENS OF THE BREAKERS by The Barr Brothers URL: https://www.auditorymusings.net/queens-of-the-breakers-by-the-barr-brothers/ Last updated: 2022-02-02T19:12:53.000Z Canadian-American band The Barr Brothers released their third record in 2017\. Kind of a mix of folk, some blues and even West African instrumentation, the songs here are an eclectic combination of music that should keep the listener engaged for the full 50 minutes or so. While there are several great tracks here, I wouldn’t blame you if you started at rocker ‘It Came to Me’ and then continued on with the remaining 3 songs - just a great stretch of 4 songs to end the record. ### 86. MUSIC IN EXILE by Songhoy Blues URL: https://www.auditorymusings.net/music-in-exile-by-songhoy-blues/ Last updated: 2022-02-02T19:12:33.000Z This 2015 debut record from the desert blues band Songhoy Blues is being featured because the Malian group is about to release their third album towards the end of October. So, in preparation for that release, I thought it would be nice to cover “Music in Exile.” The members of the band consider themselves, first and foremost, a guitar band. This is evident in pretty much every song on the record. Though none of the songs are sung in English (you’ll need to check out ‘Worry’ off the upcoming album for that), the mixture of riffs and rhythms will suck you in and keep you listening. Try out ‘Soubour,’ ‘Irganda’ and ‘Nick.’ ### 85. TWO ROOMS: CELEBRATING THE SONGS OF ELTON JOHN AND BERNIE TAUPIN URL: https://www.auditorymusings.net/two-rooms-celebrating-the-songs-of-elton-john-and-bernie-taupin/ Last updated: 2022-02-02T19:12:16.000Z This 1991 covers album is not available on streaming services, so if you click on the sleeve, it will take you to a YouTube playlist of the songs. Though there have been more recent albums reimagining John/Taupin compositions (search for Revamp and Restoration), Two Rooms is near and dear to my heart because it was released while I was in college and I really like the all star cast performing the covers. While not all of the tracks work for me (and some are downright unlistenable), there are a few gems here worth checking out: ‘Rocket Man,’ ‘Come Down in Time,’ ‘Sacrifice’ and ‘Burn Down the Mission’ by Kate Bush, Sting, Sinead O’Connor and Phil Collins, respectively, just to name a few. ### 84. LONDON CALLING by The Clash URL: https://www.auditorymusings.net/london-calling-by-the-clash/ Last updated: 2022-02-02T19:12:00.000Z One of the greatest albums of all time, one of the greatest double albums of all time, one of the greatest punk albums of all time…the list goes on and on. Released in 1980 in the US, one look at that record sleeve clued you in that you were in for a wild ride. This genre spanning and genre bending album has something for everyone and reflected the directions the band wanted to take away from just straight punk rock. There’s still punk, of course, but add to that rock, jazz, ska, reggae, etc. and you have a mixture that will never leave you bored. Check out ‘Rudie Can’t Fail,’ ‘The Right Profile,’ ‘Lost in the Supermarket,’ ‘Death or Glory,’ ‘The Card Cheat’ and ‘Lover’s Rock.’ Probably the most recognizable track will be ‘Train in Vain (Stand by Me).’ ### 83. COBAIN AND CORNBREAD by The Black Tones URL: https://www.auditorymusings.net/cobain-and-cornbread-by-the-black-tones/ Last updated: 2022-02-02T19:11:42.000Z The Black Tones are a twin sibling duo from Seattle, WA. Their brand of blues/punk music has garnered a large following in the Pacific Northwest and rightly so. Their songs tell stories and make statements. Just check out ‘The Key of Black (They Want Us Dead),’ for example. Lead singer and guitarist Eva Walker makes good use of the wah wah pedal while her brother Cedric keeps the beat going on the drums. It takes more than 3 minutes before she dives into the vocals. ‘Ghetto Spaceship’ and ‘Mama! There’s a Spider in My Room’ are other songs to check out. ### 82. THE LOST BERLIN TAPES by Ella Fitzgerald URL: https://www.auditorymusings.net/the-lost-berlin-tapes-by-ella-fitzgerald/ Last updated: 2022-02-02T19:09:56.000Z There’s a sense of exhilaration when something long lost is suddenly found or, even better, when something not even known to exist abruptly does. The former applies to “The Lost Berlin Tapes” - a recording of Fitzgerald made in 1962 Berlin. When the tapes were finally found almost 60 years later, yellowed cellophane tape was still shutting the precious contents out from the rest of the world. Inside was a recording from March 25, 1962, released just this past week for us to awe over. So, if you’re into vocalists like Fitzgerald, Billie Holiday and the like, this is a must listen. Songs you will recognize are contained within (‘Cheek to Cheek,’ ‘Mack the Knife,’ etc.), but I love the slow blues number that closes out the album, ‘Wee Baby Blues.’ ### 81. IT’S REAL by Ex Hex URL: https://www.auditorymusings.net/its-real-by-ex-hex/ Last updated: 2022-02-02T19:09:36.000Z Power-punk-pop band Ex Hex’s second record, released in 2019, showcases the trio’s knack for addictive melodies admixed with crunchy guitar riffs and sharp solos. This is arena rock masquerading as power pop. The first three songs (‘Tough Enough,’ ‘Rainbow Shiner’ and ‘Good Times’) are a great introduction to the band and the record. ### 80. YOLK IN THE FUR by Wild Pink URL: https://www.auditorymusings.net/yolk-in-the-fur-by-wild-pink/ Last updated: 2022-02-02T19:09:12.000Z It’s kind of funny how Wild Pink are consistently compared to The War on Drugs and Death Cab for Cutie since I haven’t been able to find any real connection to either of those band’s music. The first time I heard “Yolk in the Fur,” however, I was hooked. This 2018 indie rock record is imbued with subtlety (imagine lead singer John Ross just talking to you on the phone), finger-lickin’ good finger-pickin’ and synths that you would only notice if they suddenly went missing. Check out ‘Lake Erie,’ ‘Jewels Drossed in the Runoff’ and ‘Love is Better.’ ### 79. COLONY DRIVE (EP) by Black Nite Crash URL: https://www.auditorymusings.net/colony-drive-ep-by-black-nite-crash/ Last updated: 2022-02-02T19:08:53.000Z Seattle, Washington shoegaze band, Black Nite Crash, are back with a new 4-song EP for 2020\. With three guitars and a bunch of fuzz, this record is short enough (15 minutes) to listen to straight through. If you like bands like The Jesus and Mary Chain and Mazzy Star, I would definitely check out this EP. ‘Wrong’ is a strong opener and ‘She’ has a great riff. ### 78. STAY ALIVE by Laura Jane Grace URL: https://www.auditorymusings.net/stay-alive-by-laura-jane-grace/ Last updated: 2022-02-02T19:08:23.000Z Punk rock band Against Me!’s frontwoman, Laura Jane Grace, dropped a surprise solo album this past week. Though quarantine livestreams have become a thing of late, Grace has shied away from those, instead deciding to make this record over the span of just a few days and using songs she had written prior to and during the pandemic. Mostly (but not completely) acoustic, the focus is on the lyricism here. Give ‘The Calendar Song,’ ‘The Mountain Song’ and ‘Hanging Tree’ a listen - the latter is a damning condemnation of Trump and his sycophants. Also, consider re-visiting Against Me!’s landmark record, “Transgender Dysphoria Blues,” previously discussed [here](https://www.auditorymusings.net/transgender-dysphoria-blues-by-against-me/). ### 77. ONE ESKIMO (self-titled) URL: https://www.auditorymusings.net/one-eskimo-self-titled/ Last updated: 2022-02-02T19:07:56.000Z I believe I had mentioned before how it’s so refreshing to come across a musician who sings with his/her native accent intact, rather than Americanizing the vocals. This is what Kristian Leontiou, lead singer of UK-based indie band One eskimO, does on their 2009 record. Kind of atmospheric in nature, this album is subtle in the way that it will get its hooks into you. Try listening to ‘Simple Day’ just once - you can’t - it’s such great storytelling in the form of a song that you’ll want to hear that story again and again. Continue with ‘Kandi’ (which, incidentally, samples the song ‘He Called Me Baby’ by Candi Staton), ‘Astronauts’ and ‘Amazing’ and you’ll leave with a smile on your face. ### 76. BLACK HOLES by The Blue Stones URL: https://www.auditorymusings.net/black-holes-by-the-blue-stones/ Last updated: 2022-02-02T19:07:31.000Z What’s with guitar/drums blues rock duos naming themselves after colorful objects? There’s The White Stripes, The Black Keys and, now, The Blue Stones. Hailing from Windsor, Ontario, Canada, the similarities with the aforementioned bands don’t stop at the color wheel. This 2018 record (actually 2015 but re-released in 2018) is rock ‘n’ blues, though with a somewhat cleaner sound than, say, early Black Keys. So, if you have an affinity for the music crunched out by the Stripes and Keys, you won’t be let down by the Stones (sorry, I couldn’t resist!). Check out ‘Black Holes,’ ‘Be My Fire’ and ‘Rolling with the Punches.’ ### 75. LOVE by The Cult URL: https://www.auditorymusings.net/love-by-the-cult/ Last updated: 2025-11-13T03:23:37.000Z One of the classic post-punk/goth rock records of all time, “Love” came out in 1985 and served as a breakthrough for The Cult in the UK (that same level of success came in the US only after they changed their sound on the two subsequent albums). With Manchester’s own Billy Duffy on guitar and lead singer/shaman Ian Astbury both serving as the band’s songwriters, the music has Native American imagery paired with killer guitar riffs and solos throughout - Duffy with his trademark Gretsch White Falcon guitar is an image to behold. Aside from the very well known hits ‘Nirvana,’ ‘Rain’ and ‘She Sells Sanctuary’ my personal favorites are ‘Love,’ ‘Phoenix’ and ‘Revolution.’ Listen closely to ‘Phoenix’ - it’s essentially a song written around a 5-minute guitar solo! ### 74. OUT IN THE STORM by Waxahatchee URL: https://www.auditorymusings.net/out-in-the-storm-by-waxahatchee/ Last updated: 2022-02-02T19:06:49.000Z In contrast to her 2020 record discussed [here](https://www.auditorymusings.net/saint-cloud-by-waxahatchee/), Katie Crutchfield’s 2017 outing is filled with electric guitars and rockers. Still writing about personal themes, the music makes you feel like she really had a lot to get off her chest. Depending on which record you listen to first, you will either be surprised to hear how much she can rock out or how mellow she can get. There’s so much to like on this album, it’s hard to recommend just a few songs over just listening to the whole thing, but here goes: ‘8 Ball,’ ‘Silver,’ ‘Sparks Fly’ and ‘Brass Beam.’ ### 73. ROYAL BLOOD (self-titled) URL: https://www.auditorymusings.net/royal-blood-self-titled/ Last updated: 2022-02-02T19:06:31.000Z You would be forgiven if, based on the record sleeve, you thought this debut album from UK duo Royal Blood dropped this year, during the height of the COVID-19 pandemic - that sure does look like a mask. You would be wrong, though. This record was nominated for the British Mercury Prize in 2014\. The unique thing about this band (aside from being a pure duo) is that their main instruments are bass and drums only. That’s right - no guitars here. Listen to pretty much any song, though, and you would find that hard to believe. The magic is in lead singer/bassist Mike Kerr’s use of effects. Getting back to the music, this is a straight up rock record. I can imagine seeing them play this music live would be quite the experience. Definitely start out with ‘Ten Tonne Skeleton’ and then go back to ‘Come On Over,’ ‘Figure It Out’ and ‘Blood Hands.’ And, remember, there are no six string electric guitars on this record. ### 72. FROM WHERE I STARTED by Sera Cahoone URL: https://www.auditorymusings.net/from-where-i-started-by-sera-cahoone/ Last updated: 2022-02-02T19:06:12.000Z Singer-Songwriter Sera Cahoone (former drummer for indie act Band of Horses) makes a soothing brand of country-folk that is easy on the ears. As a result, this 2017 record is very addictive - I find myself listening to it on repeat from time to time. The acoustic guitar playing is really nice (‘Up to Me’ is the song that lead me to the album). In a way, Cahoone reminds me a lot of [Dori Freeman](https://www.auditorymusings.net/dori-freeman-self-titled/), though a bit less country. Regardless, the first four songs serve as a great introduction. Beyond those, check out ‘Not Like I’ and ‘Tables Turned.’ ### 71. JUDY SUCKS A LEMON FOR BREAKFAST by Cornershop URL: https://www.auditorymusings.net/judy-sucks-a-lemon-for-breakfast-by-cornershop/ Last updated: 2022-02-02T19:05:52.000Z Cornershop is a band out of the UK known for their fusion of Indian elements (particularly the sitar) with indie rock, pop and electronic music. They started out in the mid-90’s. This, their fifth album, was released in 2009\. As mentioned, they have a knack for making a melting pot of their music and throwing in catchy hooks and witty lyrics. I really like how they incorporate the sitar in what are otherwise straight up rock/pop songs. This record is chock full of great examples, including opener ‘Who Fingered Rock’n’Roll,’ ‘Soul School’ and ‘The Roll of Characteristics (Of History in the Making).’ They also do a nice cover of Bob Dylan’s ‘The Mighty Quinn.’ ### 70. FAITH AND COURAGE by Sinead O’Connor URL: https://www.auditorymusings.net/faith-and-courage-by-sinead-oconnor/ Last updated: 2022-02-02T19:05:32.000Z College rock and alt-rock icon Sinead O’Connor’s career was at its peak after the release of her first two records, “The Lion and the Cobra” and “I Do Not Want What I Haven’t Got” (1987 and 1990, respectively). However, after a series of controversial statements and actions, her fame took a nosedive. 2000’s “Faith and Courage” was a comeback of sorts, at least a return to more accessible and mainstream music. Unfortunately, I think many people couldn’t get over her actions during the 90’s and, subsequently, never really gave her future music a chance. That’s a shame, really, as this is a really good album. Her trademark sweet voice is in full form, as is the occasional bite she’s known for. The rockers include ‘No Man’s Woman’ and ‘Daddy I’m Fine’ so give those a shot if that’s your thing. ‘Jealous’ and ‘Hold Back the Night’ showcase that voice I mentioned earlier. And, album opener ‘The Healing Room’ is one of those tracks that you simply must listen to with headphones to fully appreciate the production work. ### 69. TWENTYTWO IN BLUE by Sunflower Bean URL: https://www.auditorymusings.net/twentytwo-in-blue-by-sunflower-bean/ Last updated: 2022-02-02T19:04:55.000Z This second record from New York trio Sunflower Bean (apparently the two founding members of the band had an affinity for sunflower seeds and coffee/coffee beans, respectively) came out in 2018 to generally favorable reviews. Landing squarely in the indie rock/pop realm, the standout features are singer/bassist Julia Cumming’s vocals and the cohesiveness of the playing by all three band members. There are a couple of songs where vocal duties are mostly carried by the male members of the band, but I find I’m drawn to the songs sung by Cumming. The first five songs (essentially half of the album) are a great way to start out. ‘Any Way You Like’ is a nice slow song toward the end of the record though, again, I think it would’ve worked much better with Cumming on lead vocals for the entire length of the song (she takes over lead about half way through). ### 68. AHEAD OF THE LIONS by Living Things URL: https://www.auditorymusings.net/ahead-of-the-lions-by-living-things/ Last updated: 2022-02-02T19:04:27.000Z Punk rock quartet Living Things includes 3 brothers from St. Louis, Missouri and their childhood friend. This record, released in 2005, was my introduction to them after seeing them open for The Cult. With politically-oriented lyrics paired with a guitar heavy sound, the band has been compared to the likes of The Sex Pistols, The Ramones and Nirvana. They released another album in 2009 but then went on an extended hiatus. They’ve recently resurfaced with a new EP and supposedly a new full length record coming out next year. Check out the first 3 songs: ‘Bombs Below,’ ‘I Owe’ and ‘Bom Bom Bom.’ For something a bit slower, I really like ‘Keep It ‘Til You Fold.’ ### 67. INCIDENTAL MUSIC by W.H. Lung URL: https://www.auditorymusings.net/incidental-music-by-w-h-lung/ Last updated: 2022-02-02T19:04:07.000Z This 2019 debut album by Manchester, UK trio W.H. Lung (named after a Chinese supermarket) is worth a listen, even if it only consisted of the opening, 10 minute tour de force, ‘Simpatico People.’ But, there’s so much more. Synth-pop electronica a la LCD Soundsystem, this record will hypnotize you and leave you postictal for a while after. Of course the tracks are synthesizer heavy but there’s also shimmering guitars which, combined with the vocals, gives the entire album it’s driving momentum (motorik). My big three also happen to be the three longest songs on the record: the previously mentioned ‘Simpatico People,’ ‘Inspiration!’ and ‘Nothing Is.’ ### 66. WEIRD GLOW by Sarah Bethe Nelson URL: https://www.auditorymusings.net/weird-glow-by-sarah-bethe-nelson/ Last updated: 2022-02-02T19:03:44.000Z Ethereal indie-rock is what San Francisco-based musician Sarah Bethe Nelson peddles and she does it well. With understated, somewhat muffled vocals and simple guitars throughout, this is a great back to basics record in the indie realm, released in 2019\. ‘Weird Glow’ and ‘Paralyzed Waltz’ are worth checking out (the latter has a vague resemblance to the Violent Femmes’ ‘Gone Daddy Gone’) but the last track, ‘8th and Hooper,’ is a 9 minute hazy dream which will leave you wanting more. ### 65. SUEDE (self-titled) URL: https://www.auditorymusings.net/suede-self-titled/ Last updated: 2022-10-07T14:42:13.000Z This is a bit confusing - Suede is the name of the band pretty much everywhere in the world except the United States, where they’re known as The London Suede, hence the name on the record sleeve. Their debut record, released in 1993, was hailed as the beginning of what eventually became known as Britpop. In fact, Suede is considered part of the big four of the Britpop scene, along with Oasis, Blur and [Pulp](https://www.auditorymusings.net/this-is-hardcore-by-pulp/). Lead by the somewhat androgynous Brett Anderson, this is British glamrock to the core. Think David Bowie’s glam phase or parts of The Smiths’ catalog. Electric guitars play a big role on this record, even on the ballads, so you’re in for a treat. The singles that were released prior to the full album coming out are ‘Animal Nitrate,’ ‘Metal Mickey’ and ‘The Drowners.’ Start with those to get a taste, but don’t neglect the rest of the album, especially ‘Moving’ and ‘Pantomine Horse.’ Finally, if you’re streaming the Deluxe version of the album, there’s a pretty interesting cover of The Pretenders’ ‘Brass in Pocket.’ ### 64. FLUTTERBY by Butterfly Boucher URL: https://www.auditorymusings.net/flutterby-by-butterfly-boucher/ Last updated: 2022-02-02T19:02:13.000Z Australian multi-instrumentalist Butterfly Boucher released her debut album in 2003 and then toured with Sarah McLachlan in 2004 - that’s how I first heard of her. She comes from a musical family with many of her siblings members or former members of bands. On this record, Boucher plays bass guitar, guitar, piano, violin and sings. I would describe this record as folky-rock or poppy-folk. Best if you just give it a listen and decide for yourself! Check out ‘I Can’t Make Me,’ ‘Soul Back’ and ‘Never Leave Your Heart Alone’ to start out with. ### 63. SUMMERLONG by Rose City Band URL: https://www.auditorymusings.net/summerlong-by-rose-city-band/ Last updated: 2022-02-02T19:01:46.000Z Fans of the Moon Duo record I discussed [here](https://www.auditorymusings.net/stars-are-the-light-by-moon-duo/) will no doubt find something to like on this 2020 release. Why? Because Rose City Band essentially consists of one half of the duo - Ripley Johnson. Although he calls this endeavor a “band” he sings and plays all the instruments on this album, save for the drums. In terms of genre, the closest thing I could come up with to describe the sound is psychedelic alt-rock-country. There’s a bunch of twang in these songs along with steel guitar and melodic finger picking guitar solos. Comparisons have been made to the Grateful Dead, Dire Straits and even Bob Dylan. I would recommend checking out album opener ‘Only Lonely’ and then ‘Real Long Gone,’ both of which will give you a taste of the alt-country nature of the record. ‘Floating Out’ slows things down a notch. Finally, the last two tracks really meld with one another, making for 12 minutes of psychedelic heaven. Oh, and it’s “Rose City Band” because Portland, Oregon, where Johnson resides, is nicknamed Rose City or City of Roses. ### 62. MINT by Alice Merton URL: https://www.auditorymusings.net/mint-by-alice-merton/ Last updated: 2022-02-02T19:01:29.000Z This record by Canadian-German-British pop singer Alice Merton came out in 2019\. The album is laced with hints of 80’s pop and rock with every song being a potential ear worm. Merton sounds best when she sings in her natural, deep register (she’s been compared to Florence Welch of Florence + the Machine). Interestingly, she gained popularity first in Germany and then the rest of Europe with the release of a few singles and an EP before gaining notice and momentum in the US. If you’re into some percussive beats, check out this record, particularly ‘No Roots,’ ‘Lash Out’ and album closer ‘Why So Serious.’ ### 61. NO NEED TO ARGUE by The Cranberries URL: https://www.auditorymusings.net/no-need-to-argue-by-the-cranberries/ Last updated: 2022-02-02T19:01:10.000Z In anticipation of the 25th anniversary re-release of this 1994 record, I thought it would be a good idea to revisit The Cranberries’ most popular and highest selling album. Of course, the current incarnation of the band lacks lead singer Dolores O’Riordan, who died in 2018\. One of the most striking things about her was how she wouldn’t try to “lose” her Irish accent when singing - rather she embraced it. This adds a really nice touch to her already beautiful voice. Getting back to the record, the first five tracks are can’t miss songs, so I would just start listening at the beginning and go in sequence. The tenderness exhibited in ‘Ode to My Family’ is particularly poignant when you realize that O’Riordan is gone. I feel like there’s some filler in the middle of the album, but then things start picking up again with ‘Ridiculous Thoughts’ onward. ### 60. MIDNITE VULTURES by Beck URL: https://www.auditorymusings.net/midnite-vultures-by-beck/ Last updated: 2022-02-02T19:00:54.000Z 1999 brought us this Beck record which happens to have my favorite song of his. I mentioned in a [previous](https://www.auditorymusings.net/on-the-line-by-jenny-lewis/) post how I find Beck’s voice pretty nondescript. While that’s true, I also feel like he can make it sound like anything and everything. That is showcased to full effect on this album. From a computer to a slacker to Prince - it’s all in here. But it’s not just his voice that can do this shapeshifting - each song belongs to a genre of its own. Additionally, one of the best things about Beck is his ability to inject humor into his songs. It requires listening closely to his lyrics, but doing so will reward you in spades. Check out ‘Nicotine & Gravy,’ ‘Peaches & Cream’ and, my favorite, ‘Debra.’ ### 59. REMIND ME TOMORROW by Sharon Van Etten URL: https://www.auditorymusings.net/remind-me-tomorrow-by-sharon-van-etten/ Last updated: 2022-02-02T19:00:38.000Z Considered more guitar driven indie or alternative, Sharon Van Etten changed things up for this 2019 record, with heavy synths and deep bass lines. Prior to making this, her fifth album, she composed film and TV scores, acted, went back to school and had a child. In some ways, I think the photo on the record sleeve conveys the busy nature of her life leading up to “Remind Me Tomorrow.” This record made numerous “top albums of 2019” lists and the centerpiece track, ‘Seventeen,’ likewise was mentioned as one of the best songs of 2019 by many outlets. My favorites on this album include ‘Seventeen’ and the following two songs: ‘Malibu’ and ‘You Shadow.’ ### 58. WHITECHOCOLATESPACEEGG by Liz Phair URL: https://www.auditorymusings.net/whitechocolatespaceegg-by-liz-phair/ Last updated: 2022-02-02T19:00:19.000Z If Liz Phair made one mistake in her career, it was releasing a debut album (“Exile in Guyville”) that would end up being impossible to live up to. Everything that came after has been compared to Exile. Whitechocolatespaceegg (WCSE), released in 1998, was Phair’s third record. The themes include marriage and motherhood (quite the contrast from her first two albums!), but the pop and rock hooks are still there, as good as or better than ever. For some reason, WCSE never got the critical nor commercial recognition it deserves. If you’re a Liz Phair fan and never really got into this record when it first came out, I encourage you to give it another listen - it’s highly underrated. Back in 1998, my favorites off the album were ‘Big Tall Man,’ ‘Perfect World’ and ‘What Makes You Happy.’ And, they still are. ### 57. SO RUNS THE WORLD AWAY by Josh Ritter URL: https://www.auditorymusings.net/so-runs-the-world-away-by-josh-ritter/ Last updated: 2022-02-02T18:59:55.000Z Though many consider Josh Ritter’s 2006 record “The Animal Years” as his most essential album and a good one to start out with, I picked this 2010 outing to share with you as this is the record that served as my introduction to him. A singer-songwriter in the Americana or folk tradition, Ritter has been compared to Bob Dylan and named among the best living songwriters. Listening to any of his albums or career spanning playlists on whichever streaming service you use will confirm this. But, to truly appreciate his music is to see him live in concert. The energy and enthusiasm he shows when performing raises already great songs to another level. Getting back to this particular record, my big three are ‘Change of Time,’ ‘The Curse’ and ‘Folk Bloodbath’ but I really hope that listening to these (or any) tracks off this album will serve as a springboard for you to explore his back catalog further - you won’t regret it! ### 56. PLUM by Widowspeak URL: https://www.auditorymusings.net/plum-by-widowspeak/ Last updated: 2022-02-02T18:59:38.000Z This just-released 2020 record and the two-piece band that made it reminds me (and many others) of Mazzy Star, the 90’s shoegaze/dream pop band (to be covered in a future blog post). From the airy vocals of lead singer Molly Hamilton to the (mostly) shimmering guitars of Robert Earl Thomas, one can’t help but draw comparisons to Hope Sandoval and the late David Roback. The songs are beautifully arranged, truly creating comfort music for the soul. However, the record does display some “top-heaviness” with the singles populating the early half, while the latter half is somewhat darker. Whether this sequencing was intentional or not, I think it actually works well for the music. ‘Plum,’ ‘The Good Ones’ and ‘Breadwinner’ should be on your list to check out first. ### 55. DRESSY BESSY (self-titled) URL: https://www.auditorymusings.net/dressy-bessy-self-titled/ Last updated: 2022-02-02T18:59:22.000Z The history of this band and its various members is too long and complicated to get into here. I mention this, however, because due to the lineup changes and resulting changes in the sound of their music, I’m really more a fan of this record rather than a fan of the band. With that out of the way, this 2003 record is 39 minutes of guitar-driven indie rock/pop. The songs are short, the hooks are catchy and will make you want to pick up a guitar and try to figure out the tabs. In short, a quick listen will leave a smile on your face. My big three are: ‘The Things That You Say That You Do,’ ‘Girl, You Shout!’ and ‘Hey May.’ ### 54. AIN’T THAT GOOD NEWS by Sam Cooke URL: https://www.auditorymusings.net/aint-that-good-news-by-sam-cooke/ Last updated: 2022-02-02T18:59:04.000Z This 1964 record was soul/rhythm and blues singer Sam Cooke’s final album prior to his death. Most soul singers of the time released their music in the form of singles - “Ain’t That Good News” is Cooke’s most acclaimed output in the form of an album. Almost the entire first half of the record are Cooke originals whereas the remaining tracks are his interpretations of standards. The centerpiece song, which is also what he’s most famous for, is ‘A Change is Gonna Come’ - a song written by Cooke that would eventually come to represent the Civil Rights Movement. So that, of course, is a favorite of mine. Closing out the big three for me are ‘Another Saturday Night’ and ‘Good Times.’ ### 53. PUNISHER by Phoebe Bridgers URL: https://www.auditorymusings.net/punisher-by-phoebe-bridgers/ Last updated: 2022-02-02T18:58:49.000Z It’s no secret that I’ve been a fan of Phoebe Bridgers since her strong debut album, having [written](https://www.auditorymusings.net/stranger-in-the-alps-by-phoebe-bridgers/) about it in the past. And, that fandom continues with “Punisher” - her 2020 record that thankfully doesn’t suffer from any sort of sophomore slump. The introspective lyrics and low key arrangements pick up right where “Stranger in the Alps” left off, again with most of the album slow and moody. I have a feeling this is where Bridgers feels most comfortable as one can count the uptempo songs from her two albums on one hand. Having said that, when she does go for something a bit faster (it’s all relative), she succeeds: check out ‘Kyoto’ and ‘ICU.’ For something a bit slower, I really like the title track with its repetitive keyboards in the background. ### 52. LYLE LOVETT AND HIS LARGE BAND (self-titled) URL: https://www.auditorymusings.net/lyle-lovett-and-his-large-band-self-titled/ Last updated: 2022-02-02T18:58:27.000Z I think if Texas’ own nerdy country crooner Lyle Lovett would have come up through the ranks over the past few years (as opposed to during the 80’s), he would have been considered alt-country or something similar. This is because his music doesn’t sound “country” to me (in the traditional sense of the word). This 1989 record is case in point. From the opening instrumental ‘The Blues Walk’ (which actually is more jazz than blues) you know this is going to be a different type of album. In fact, it’s not until the 7th track before you not only get a country song, but also a country song title - ‘I Married Her Just Because She Looks Like You.’ Following that is, dare I say, a better than the original cover of Tammy Wynette’s ‘Stand By Your Man’ (pronouns unchanged and all). But, the big three for me on this record are the acoustic ballads, ‘Which Way Does That Old Pony Run,’ ‘Nobody Knows Me’ and ‘If You Were to Wake Up.’ ### 51. BLUE TRAIN by John Coltrane URL: https://www.auditorymusings.net/blue-train-by-john-coltrane/ Last updated: 2022-02-02T18:58:10.000Z While Coltrane’s “A Love Supreme” is considered by most people as his best work ever, this 1958 album (recorded in 1957) is my personal favorite of his. Let’s face it, sometimes the more experimental or avant-garde jazz records can be a slog to get through - listening to these types of albums requires “work” to fully appreciate their greatness. When I just want to throw on some jazz and enjoy the melody and musicianship, “Blue Train” is my go to record - I’ve got the framed vinyl up on my wall to prove it! This was his first major album as band leader and also one of his own personal favorites of his career up to that point. If the record only consisted of the first two tracks (‘Blue Train’ and ‘Moment’s Notice’) I would have still been in heaven - I could listen to those two songs (with their blues backbones) back to back, over and over again. But, Coltrane gives us more - especially his interpretation of ‘I’m Old Fashioned’ - his most tender playing in my opinion. Lastly, I must mention that the band he assembled for this record is top notch - all great players in their own right, including a couple of alumni from one of Miles Davis’ ensembles. ### 50. VISIONS OF A LIFE by Wolf Alice URL: https://www.auditorymusings.net/visions-of-a-life-by-wolf-alice/ Last updated: 2022-02-02T18:57:55.000Z 2017 brought us London-based alt-rock (Britrock) band Wolf Alice’s second record. A four piece band with lead singer Ellie Rowsell at the helm, “Visions of a Life” variably alternates between punk (the powerful ‘Yuk Foo’), synthpop (‘Don’t Delete the Kisses’), pure rock (‘Space & Time’) and, well, a song called ‘Sadboy’ (with a bridge sung by Rowsell that has to be heard to be believed). The album closes out with the epic 8 minute title track which is essentially 2 to 3 songs in one. By the way, this record won the 2018 Mercury Prize for album of the year. ### 49. HINDU LOVE GODS (self-titled) URL: https://www.auditorymusings.net/hindu-love-gods-self-titled/ Last updated: 2022-02-02T18:57:38.000Z Fans of the band R.E.M. surely already know about this 1990 record. If on the off chance that you don’t, then you’re in for a treat. Hindu Love Gods = R.E.M. - Michael Stipe + Warren Zevon. So, that leaves you with Mike Mills, Bill Berry, Peter Buck and Warren Zevon. An album of blues/blues rock covers, this sounds nothing like R.E.M. - crunchy guitars, hollow drums and Zevon’s deep voice put a unique spin on these songs. The only “hit” was the cover of Prince’s ‘Raspberry Beret’ though all the tracks are worth a spin, including the two Robert Johnson covers that open the record. ### 48. THE COMPLETE RECORDINGS (CENTENNIAL COLLECTION) by Robert Johnson URL: https://www.auditorymusings.net/the-complete-recordings-centennial-collection-by-robert-johnson/ Last updated: 2022-02-02T18:47:00.000Z This is where it all began. Two days, two cities, 29 songs and 13 alternate takes. Just a man and his guitar. Whether you subscribe to the notion that most (all?) modern music has its roots in the blues, one thing is undeniable - Robert Johnson and his 29 songs were hugely influential to rock and blues musicians on both sides of the pond. For the younger readers discovering “classic rock” for the first time, you only need to check the credits for some of your favorite rock/blues songs to see the monumental effect Johnson had from just those two short recording sessions in San Antonio and Dallas, Texas back in 1936-1937: Howlin’ Wolf ‘Dust My Broom,’ Eric Clapton/Cream ‘Crossroads,’ Led Zeppelin ‘Travelling Riverside Blues,’ Rolling Stones ‘Love in Vain,’ White Stripes ‘Stop Breaking Down Blues,’ and the list goes on and on. ### 47. ON THE LINE by Jenny Lewis URL: https://www.auditorymusings.net/on-the-line-by-jenny-lewis/ Last updated: 2022-02-02T18:46:43.000Z You may know Jenny Lewis from her time fronting the band Rilo Kiley, but she’s actually had quite the prolific solo career, with this 2019 record being her fourth. Lewis has one of those voices that sounds great, but is hard to pick out in a crowd. It’s kind of funny that fellow musician Beck had a hand in producing several of the songs on this album, as I feel exactly the same way about his voice too. Unsurprisingly, then, the songs that I find a connection with on On the Line include the Beck-produced ones: ‘Do Si Do,’ ‘Little White Dove’ and ‘Rabbit Hole.’ That’s not to say that I don’t enjoy the rest of the album - I do. In fact, listen to the first song and tell me that the way her angelic voice delivers the line, “Heads gonna roll, baby” doesn’t put a smile on your face. ### 46. CRAZY ON THE WEEKEND by Sunhouse URL: https://www.auditorymusings.net/crazy-on-the-weekend-by-sunhouse/ Last updated: 2022-02-02T18:46:27.000Z This is the most amazing record you’ve never heard, by a British band that was here and gone in a flash - other than a couple of EPs, this was their only long play, released in 1998\. Bandleader Gavin Clark, shy and uncomfortable, never got over the fact that this record went nowhere, despite comparisons to Nick Drake, Tom Waits, Jeff Buckley and others. Considered indie folk or folk rock, most of the album leans heavily on acoustic arrangements, though there are a few rockers in there. A close listen to the lyrics is warranted in order to truly appreciate the depth of this record. Additionally, I encourage you to read up on Clark who sadly died in 2015, age 46\. In terms of the songs, I found this record following the crumbs dropped by the first two songs which I must have heard in a playlist some years ago. With ‘Hurricane’ you think it’s going to be a solo, acoustic track for the first minute and change and then, bam, the full band crashes in to flesh out the song fully. The first half of the album is nearly flawless in my mind, with ‘Lips’ being one of those ballads that works perfectly with the barest of accompaniment. ### 45. NEW YORK CITY by The Peter Malick Group (feat. Norah Jones) URL: https://www.auditorymusings.net/new-york-city-by-the-peter-malick-group-feat-norah-jones/ Last updated: 2022-02-02T18:46:11.000Z The year is 2000 and Norah Jones, daughter of Indian classical music maestro Ravi Shankar, wouldn’t release her smash debut album for another year and a half. So, what was she doing? Well, she was recording this album with bluesman Peter Malick and his band, though the record wasn’t actually released until 2003, *after* Jones was catapulted to superstardom by her own album, Come Away with Me, and its 8 Grammy Awards. It goes without saying that New York City presents Jones in a less refined, less polished light. However, she definitely has the blues and country in her, as evidenced by ‘All Your Love’ and ‘Things You Don’t Have to Do,’ respectively. ### 44. CAGE THE ELEPHANT (self-titled) URL: https://www.auditorymusings.net/cage-the-elephant-self-titled/ Last updated: 2022-02-02T18:45:58.000Z Kentucky’s Cage the Elephant announce themselves within the first few notes of their 2008/2009 debut record and then keep their foot on the gas for the next 40 minutes or so. Alternatively described as alt rock, punk blues and funk, lead singer Matt Shultz and his brother, rhythm guitarist Brad Shultz, form the core of the band. With an electric live show, this band (and this album) has the chops and the hooks to take you on a wild ride. Get strapped in because the first three tracks start things out with a bang. Other great songs include, ‘Back Against the Wall,’ ‘Judas’ and ‘Back Stabbin’ Betty.’ ### 43. INTRODUCTION, PRESENCE by Nation of Language URL: https://www.auditorymusings.net/introduction-presence-by-nation-of-language/ Last updated: 2022-02-02T18:45:37.000Z 2020 brings us this debut record by New York-based new wave revivalists Nation of Language. Their influences include many of the new wave and synth pop bands of the 80’s, including OMD, New Order, Joy Division, Human League, etc. With the deep vocals, driving bass and punchy synth, this trio brings all the best of new wave to a modern audience. Album opener ‘Tournament’ sets the mood which then continues with ‘Rush & Fever’ and so on. Close your eyes when ‘On Division St’ starts and you’ll swear that this is some alternate version of New Order’s ‘Bizarre Love Triangle.’ The record ends on a strong note with ‘The Wall & I.’ ### 42. 28 DAYS IN THE VALLEY by Dorothy URL: https://www.auditorymusings.net/28-days-in-the-valley-by-dorothy/ Last updated: 2022-02-02T18:45:21.000Z I came across the hard rock/blues rock band Dorothy (fronted by lead singer Dorothy Martin) when they opened up for Greta Van Fleet several years ago. With her hard pounding vocals, Martin reminds me a lot of Ann Wilson from Heart. In fact, this whole 2018 record sounds like it could have been released in the 70’s, as if Dorothy were contemporaries of not just Heart, but Jefferson Airplane too. This is a classic rock record in every sense of the word. It’s not just Martin’s vocals that stand out - she has a very tight band supporting her. There are guitar hooks galore. If you’re just looking for a record to put on and rock to, you won’t be disappointed with this one. From album opener ‘Flawless’ continue on with ‘Who Do You Love’ and you’ll get an idea of what you’re in store for. ‘Philadelphia’ brings things down a notch towards the latter half of the record, but not to worry - ‘We Are STAARS’ will have you shaking again. ### 41. WELCOME TO WHEREVER YOU ARE by INXS URL: https://www.auditorymusings.net/welcome-to-wherever-you-are-by-inxs/ Last updated: 2022-02-02T18:45:02.000Z Released in 1992, in the shadow of their two previous platinum sellers - Kick and X - this record already had an uphill climb before the first single was ever released. It also didn’t help that the band had decided not to tour in support of it, having just come off the massive tour in support of X. Turns out that WTWYA was not only INXS’ penultimate album with lead singer Michael Hutchence before his death in 1997, but also their last really really good record. After Kick and X, the band wanted to move into a new direction and make their sound more raw and edgy. They accomplished that with WTWYA, especially with ‘Heaven Sent’ and ‘Communications.’ ‘Not Enough Time’ and ‘Beautiful Girl’ round out my other favorite tracks from this album - ‘Not Enough Time’ is a sultry slow-burn of a song if there ever was one. ### 40. HEARD IT IN A PAST LIFE by Maggie Rogers URL: https://www.auditorymusings.net/heard-it-in-a-past-life-by-maggie-rogers/ Last updated: 2022-02-02T18:44:42.000Z Though I hadn’t heard of this 2019 record until 2020, it quickly became one of my favorites of the year. Pharrell Williams had a hand in promoting Rogers, having taught her in an NYU music class (you can find a video online of Rogers playing her song ‘Alaska’ for him during class). Genre-wise, she has been called a singer-songwriter, indie pop, folk pop, etc. However, regardless of the pigeon-hole you want to put this record in, the one thing that holds true is that it is a really strong full length debut album by the (at the time) 24-25 year old Rogers. The big three on this record for me are ‘Back in my Body,’ ‘Light On’ and ‘Retrograde.’ ### 39. POP by U2 URL: https://www.auditorymusings.net/pop-by-u2/ Last updated: 2022-02-02T18:44:25.000Z Though much maligned when it was released, this 1997 U2 record is actually my favorite. The band was rushed in completing the album as their manager had already committed them to a huge worldwide tour in support of it. Consequently, many of the songs were not completely fleshed out in a way that was satisfactory to the band. In fact, in later years, U2 ended up re-recording and remixing 6 of the 12 songs for either single or compilation releases. So, unfortunately, the only way to get a real sense of the way U2 intended for the album to sound is to seek out these 6 single/remixed versions and combine those with the remainder of the unchanged tracks to recreate the fully realized album. Here’s what to look for (either on streaming platforms or YouTube): the ****single versions** of ‘If God Will Send His Angels,’ ‘Last Night on Earth’ and ‘Please;’ and, the ****Mike Hedges mixes** of ‘Discotheque,’ ‘Gone’ and ‘Staring at the Sun.’ ### 38. BEGIN TO HOPE by Regina Spektor URL: https://www.auditorymusings.net/begin-to-hope-by-regina-spektor/ Last updated: 2022-02-02T18:44:07.000Z Think Fiona Apple, but with more melody; Tori Amos, but with more accessibility; Alanis Morissette, but with less acidity. That’s Regina Spektor in a nutshell. Quirky and whimsical but with street smarts and book smarts is how I would describe Spektor and this 2006 record. A talented pianist and singer, she can give her voice that more “coy” sound, like in ‘Fidelity’ or ‘Samson’ or she can sound more authoritative, as in ‘That Time.’ Either way, I think you’ll find this album a good way to spend about 45 minutes, especially if you’re into any or all of the artists mentioned above. You can’t go wrong with the first 4 tracks, especially the aforementioned ‘Fidelity’ and ‘Samson’ which were considered the singles/hits when first released. ‘Field Below,’ however, with it’s piano/vocal arrangement and bluesy fills, is a must listen. ### 37. IMMUNITY by Clairo URL: https://www.auditorymusings.net/immunity-by-clairo/ Last updated: 2024-07-26T03:14:53.000Z 2019 saw Clairo (Claire Cottrill) emerge from being a viral bedroom pop star to a full-fledged indie pop sensation, thanks to this debut album, with production and musical help from members of Vampire Weekend and Haim. One way to describe this record is “chill.” Though the beats are there, a level of restraint in the production allows her vocals to come through in a way that they hadn’t when she was recording tracks in her bedroom. Though I’m not a fan of auto-tune, it is used to “okay” effect in one of the album’s standout tracks, ‘Closer to You.’ The other hit is ‘Bags,’ so check that one out too. ‘North’ is a song that doesn’t get mentioned much, but I think it’s just as good as the others. While the first half of the album focuses more on the beats and overall music with her vocals gliding on top, the second half is weighted more towards the opposite - her singing takes the spotlight (runs and all) with the music acting as the vehicle. Have a listen and see if you agree. ### 36. LOVE STINKS by The J. Geils Band URL: https://www.auditorymusings.net/love-stinks-by-the-j-geils-band/ Last updated: 2022-02-02T18:43:36.000Z This 1980 album came out a little less than 2 years prior to their commercial smash, ‘Freeze-Frame,’ and foreshadowed the direction the band was heading in. It’s hard to believe that ‘Love Stinks’ was actually their 9th studio album - the J. Geils Band had been grinding since the late 60’s, finally coming close to commercial success with this record and then achieving that success with the follow-up. Over the years, they transformed from a blues rock outfit to essentially a pop/new wave band. You can still hear that blues and rock influence in tracks like ‘Takin’ You Down’ and ‘Tryin’ Not to Think About It.’ But, the songs you probably remember this record for are what I call the big three: ‘Just Can’t Wait,’ ‘Come Back’ and, of course, ‘Love Stinks.’ Compare and contrast the big three with the previously mentioned tracks and you’ll hear what I’m talking about. ### 35. RED (Taylor's Version) by Taylor Swift URL: https://www.auditorymusings.net/red-by-taylor-swift/ Last updated: 2022-02-02T18:43:20.000Z With all the hoopla surrounding the surprise drop of Taylor Swift’s record, ‘folklore,’ I thought it would be nice to take a step back and focus on ‘Red’ - her 2012 album that many consider the transition from “country” Taylor to the more “pop” oriented Taylor. Listening to this album, one can’t help but be reminded of Shania Twain’s 1997 offering, ‘Come On Over,’ which accomplished much of the same, just about 15 years earlier. On ‘Red’ I tend to gravitate toward the slower songs, so that would include ‘All Too Well’ and ‘I Almost Do’ (you can hear the yearning in her voice in the chorus). However, ‘State of Grace’ is a great, rhythmic album opener and ‘22’ has to be one of the best produced pop songs I’ve heard - listen to that one loud. ### 34. TELL NO ONE by Bad Moves URL: https://www.auditorymusings.net/tell-no-one-by-bad-moves/ Last updated: 2022-02-02T18:42:39.000Z Washington D.C. quartet Bad Moves released this, their debut album, in 2018, generating a lot of buzz along the way. Described simultaneously as power pop and punk, they remind me of Green Day or even the Clash. Mostly uptempo tracks with melodic guitar riffs and loud vocals, this record will keep you moving for almost the entirety of its 33 minute running length. Start out with ‘Spirit FM’ which I think is the best track on the record. It definitely sounds like there’s some relationship to the Clash’s cover of the Equals ‘Police On My Back.’ ‘Give it a Shot’ sounds like something straight out of the Ramones’ songbook, whereas ‘One Thing’ will catapult you back to the late 70’s/early 80’s LA punk scene that birthed the Go-Go’s. ### 33. YOUNG ENOUGH by Charly Bliss URL: https://www.auditorymusings.net/young-enough-by-charly-bliss/ Last updated: 2022-02-02T18:42:02.000Z Upbeat, melodious songs about real downer topics seems to be all the rage these days. That holds true for this 2019 record from the Brooklyn-based *band* Charly Bliss (there is no band member with that name). This power pop group layers the songs on this album with synths allowing the new wave nature of most of the tracks to shine through. Lead singer Eva Hendricks, having suffered through an abusive relationship (culminating in an assault) pours her heart out on this album. But, you wouldn’t be able to tell that unless you listen closely - her squeaky clean voice and the joyous arrangements betrays the dark undertone of the lyrics. The title track is the standout here, with it’s driving beat and rolling bass line, it’s as infectious as it is meaningful. The other “hits” include ‘Chatroom’ and ‘Capacity’ but don’t neglect to check out the rest of the album, especially ‘Hurt Me.’ ### 32. THIS IS HARDCORE by Pulp URL: https://www.auditorymusings.net/this-is-hardcore-by-pulp/ Last updated: 2022-02-02T18:41:34.000Z British art rock band Pulp released this record in 1998, just a few years after their ground-breaking ‘Different Class’ came out. The Roxy Music influences are all over this album as lead singer Jarvis Cocker is, in a way, Bryan Ferry only a little less debonair and a little more Urkel. You can especially hear Roxy on ‘Party Hard.’ Other highlights (and the more accessible tracks) include, ‘Help the Aged,’ ‘A Little Soul’ and ‘I’m a Man.’ ‘Seductive Barry’ is an almost 9 minute long trance, especially if you train your ears on the hypnotizing bass line for the entire length of the song. ### 31. SIGNAL by Automatic URL: https://www.auditorymusings.net/signal-by-automatic/ Last updated: 2022-02-02T18:40:17.000Z This 2019 record, from the guitar-less trio Automatic (named after the Go-Go’s song), blends bass, synths, vocals and drums into post-punk heaven. That’s no surprise, seeing that the drummer is the daughter of Bauhaus drummer Kevin Haskins. As one would imagine, this record is full of thick bass lines, droning synthesizers and Devo-esque vocals. Check out the following to get a taste: ‘Electrocution,’ ‘I Love You, Fine,’ and ‘Strange Conversations.’ ### 30. FACE DANCES by The Who URL: https://www.auditorymusings.net/face-dances-by-the-who/ Last updated: 2022-02-02T18:40:01.000Z I would be remiss if I didn’t feature the album containing this blog’s namesake. Released in 1981, this was the first album the Who released after drummer Keith Moon’s death in 1978 and featured Kenney Jones (the Faces, the Small Faces) as Moon’s ‘replacement’ (as if Keith Moon could ever be replaced). Album opener ‘You Better You Bet’ was the lead single and also one of the first videos to be played on the new music video channel, MTV. This album seems to always be in the running as one of the Who’s worst (usually competing with ‘It’s Hard’), though I think both of these records have their share of hits (and misses). Aside from the singles (‘YBYB,’ ‘Don’t Let Go the Coat’), other tracks I would check out include John Entwistle’s ‘The Quiet One’ (imagine if Moonie played drums on this rocker), ‘Daily Records’ (for obvious reasons) and ‘Another Tricky Day’ with it’s killer opening riff. By the way, after listening to ‘Another Tricky Day’ queue up the first 30 seconds or so of the Steve Miller Band’s 1977 song, ‘Swingtown.’ ### 29. BONNIE ROSE by Danielle Durack URL: https://www.auditorymusings.net/bonnie-rose-by-danielle-durack/ Last updated: 2022-02-02T18:39:46.000Z This 2017 debut record from Arizona singer-songwriter Danielle Durack is a subdued work of art. Starting out with the yearning for a fresh start in ‘San Francisco’ she moves on to more upbeat tempos with ‘Fighter’ and ‘Monster.’ ‘What I’d Do For You’ is very reminiscent of Tori Amos but my absolute favorite off the album is ‘Dying Flowers.’ Durack describes it as “a happy little song about impending doom.” I feel like the music supervisor for a TV show or movie needs to have this song playing during a couple’s break-up scene - it would work to great effect. ### 28. THE BENDS by Radiohead URL: https://www.auditorymusings.net/the-bends-by-radiohead/ Last updated: 2022-02-02T18:39:31.000Z For me, this 1995 record is the Radiohead I know and love. This was their last ‘mainstream’ album before they climaxed with 1997’s ‘OK Computer.’ While that one was still listenable, everything after represented a direction I wish Radiohead had not taken. But, the critics would disagree. Regardless, getting back to ‘The Bends,’ this is stadium rock at its best. From the opening effects in ‘Planet Telex’ to the power chords in ‘The Bends’ and the hypnotic guitar riff in ‘My Iron Lung’ this is a guitar lover’s record. Even the slower songs (‘Fake Plastic Trees’ and ‘Street Spirit’) can be imagined with lighters (or cell phone screens) held up high. Thom Yorke had said that ‘Street Spirit’ was influenced by R.E.M., which one can certainly hear in ‘Fretless,’ an outtake from the ‘Out of Time’ sessions. ### 27. SUPERVISION by La Roux URL: https://www.auditorymusings.net/supervision-by-la-roux/ Last updated: 2022-02-02T18:39:13.000Z Originally formed as a synthpop duo but now essentially a one woman (Elly Jackson) act, this record definitely exudes synthpop but not in the same way as the previously discussed Tegan and Sara record. Rather, Supervision has a disco, Donna Summers/Nile Rodgers/Chic vibe percolating throughout. But, this is no 1978 rehash. This album is chock full of hooks, grooves and funk for 2020\. Check out ‘International Woman of Leisure,’ ‘Automatic Driver,’ and ‘Do You Feel’ and see if you disagree. ### 26. ICKY THUMP by The White Stripes URL: https://www.auditorymusings.net/icky-thump-by-the-white-stripes/ Last updated: 2022-02-02T18:38:59.000Z It’s hard to believe that exactly 8 years to the day passed between the White Stripes’ first album and their last album, ‘Icky Thump.’ In between, Jack and Meg White produced an incredible mix of garage rock and bluesy tunes, finally deciding to burn out than fade away, to paraphrase Neil Young. And, what a way to burn out - this record was a return to form, reminiscent of their debut album and the reason why many of us became fans of theirs in the first place. But you’ll also find some not so standard White Stripes fare in here, including bagpipes and trumpets. For me, though, the standouts include, “You Don’t Know What Love Is,’ ‘Bone Broke’ and, what I consider one of their best songs, ‘I’m Slowly Turning Into You.’ ### 25. YOUNG THE GIANT (self-titled) URL: https://www.auditorymusings.net/young-the-giant-self-titled/ Last updated: 2022-02-02T18:38:31.000Z Another debut album, this from 2010, is from the Southern California indie/alt-rock outfit, Young the Giant. With the members of the band coming from different ethnic and cultural backgrounds, this record was bound to be eclectic. Lead singer Sameer Gadhia’s evocative vocals (which he delivers using two mics when performing live) blend well with the rest of the band’s musical chops. The songs have layers upon layers of sound, so listening to this album with headphones will enhance that effect. The star tracks include ‘Apartment,’ ‘Cough Syrup’ and crowd pleaser ‘My Body.’ But don’t neglect the other songs, especially ‘God Made Man’ and album closer ‘Guns Out.’ ### 24. COMING HOME by Leon Bridges URL: https://www.auditorymusings.net/coming-home-by-leon-bridges/ Last updated: 2022-02-02T18:38:12.000Z The 2015 debut album by Texas’ own Leon Bridges will bring you straight back to the 1950’s and 60’s - the era of Sam Cooke and sweet, soulful rhythm and blues. From Bridges’ voice, to the arrangement and instrumentation and even his stage presence, this is throw-back music for those of us yearning for classic soul. But, Bridges is no karaoke lounge act - he is the real deal. So much so, in fact, that he decided to go in a slightly different direction for his sophomore effort, perhaps to prove his detractors wrong. Regardless, though, if you too long for that more innocent time, give this record a spin. You can start with ‘Shine,’ ‘Twistin’ & Groovin’ and the bluesy ‘River.’ ### 23. HEARTTHROB by Tegan and Sara URL: https://www.auditorymusings.net/heartthrob-by-tegan-and-sara/ Last updated: 2022-02-02T18:37:56.000Z Up until this 2013 record was released, identical twin sister duo Tegan and Sara were mainly known as a guitar-oriented indie pop and folk band. However, all that changed with ‘Heartthrob.’ Stating that Taylor Swift heavily influenced the style of this album, this is their synthpop masterpiece. Not only does pretty much every track have a catchy, hummable melody, but there’s also depth to each song. This is the thinking person’s pop album. Every song is so good that it’s hard to recommend just a few to start with, but here goes: ‘I Was A Fool,’ ‘I’m Not Your Hero’ and ‘Drove Me Wild.’ ### 22. HATE FOR SALE by The Pretenders URL: https://www.auditorymusings.net/hate-for-sale-by-the-pretenders/ Last updated: 2022-02-02T18:37:39.000Z Couple of things about Chrissie Hynde - her voice sounds essentially as good today as it did when she first started the Pretenders; second - she basically *is* the Pretenders (and it’s really been that way for many years). But, there’s nothing wrong with that. She’s always been the life force behind the band even when they had permanent members for their first couple of albums. This 2020 record is their eleventh in 40 years of existence. Though their first 3 albums are considered their best, I found their 1994 album, ‘Last of the Independents,’ to be one of my favorites. And, now, ‘Hate for Sale’ is my favorite since then. From the punk opening of the title track and the ‘Kid’-like vibes of ‘The Buzz’ to the reggae of ‘Lightning Man’ and the Bo Diddley-ness of ‘Didn’t Want to be this Lonely,’ there’s something for everyone here. Oh, and just try to get the earworm that is ‘Junkie Walk’ out of your head. ### 21. FIGHT THE GOOD FIGHT by The Interrupters URL: https://www.auditorymusings.net/fight-the-good-fight-by-the-interrupters/ Last updated: 2022-02-02T18:37:25.000Z Ska-punk. If you know what that means, then that’s all that really needs to be said about the Interrupters and this record. If you’re not so familiar with this genre, then consider checking out the Specials, the Beat (English Beat) and even some songs by the Clash (‘Wrong ‘Em Boyo’ comes to mind). Rather than refer to them as ska or punk or ska-punk, Elton John (who has featured them on his radio show) likes the term ‘up music.’ Listen to pretty much any song on this album and you’ll know exactly what he means. This is club music that will have your head bobbing in short order. The lead single was ‘She’s Kerosene,’ but I really like the first track, ‘Title Holder.’ ### 20. LOVE / IDLENESS by Wardell URL: https://www.auditorymusings.net/love-idleness-by-wardell/ Last updated: 2022-02-02T18:37:09.000Z This 2015 record by the sibling duo known as Wardell is probably one of my favorite discoveries of the past 5 years - and it all started out when iTunes offered their track, ‘Love / Idleness,’ as the free single of the week (remember those?). I immediately fell for lead singer Sasha Spielberg’s voice and the sparse guitar lines of her brother Theo (by the way, yeah, *that* Spielberg). The rest of the album is more of the same which, in my book, is a good thing. While all of the songs really serve as a showcase for Sasha’s voice, the a cappella intro to ‘Virginia, Wait’ along with the sparse arrangement is well worth a listen with a good pair of headphones. Other favorites of mine include ‘Act My Age’ and ‘Funny Thing.’ ### 19. A SIMPLE TRICK TO HAPPINESS by Lisa Loeb URL: https://www.auditorymusings.net/a-simple-trick-to-happiness-by-lisa-loeb/ Last updated: 2022-02-02T18:36:28.000Z Those of us of a certain age probably only think of one thing when we hear the name ‘Lisa Loeb’ - the song ‘Stay (I Missed You)’ (sorry - two things…those glasses too). That was the lead track off the Reality Bites soundtrack and essentially defined Loeb’s career from that point onwards. Turns out she’s been pretty prolific since that time, releasing multiple albums (for adults and children) leading up to this record. Her voice is in great form and this selection of songs is short and sweet - sweet in terms of their messages of inspiration. Check out ‘Doesn’t it Feel Good’ and ‘Shine’ though the album is so short (34 minutes), it wouldn’t hurt to listen straight through. ### 18. BOUND TO MEET THE DEVIL by Julie Rhodes URL: https://www.auditorymusings.net/bound-to-meet-the-devil-by-julie-rhodes/ Last updated: 2022-02-02T18:36:09.000Z Any fan of the blues will appreciate this record from 2016, not for some grand guitar work or tight rhythm section (though those are there without a doubt), but for the voice that is Julie Rhodes. Turns out that a couple of years before this album came out, Rhodes was scooping ice cream at a parlor in New England. What a difference two years makes. The standout for me (and the way I discovered the record) is ‘Faith.’ One listen to that track and you know what you’re in store for the duration of the 40 minute album. You can feel Muscle Shoals oozing out of the vinyl. ### 17. WHAT UP, DOG? by Was (Not Was) URL: https://www.auditorymusings.net/what-up-dog-by-was-not-was/ Last updated: 2022-02-02T18:35:51.000Z This record is from 1988 and just made the cut for Rolling Stone’s top 100 albums of the 1980’s (coming in at #99). The backbone of Was (Not Was) are two childhood friends who made a habit of employing multiple musicians for their albums. In this particular album, lead vocals are shared between Sweet Pea Atkinson (who recently died) and Sir Harry Bowens, along with a few others who served as guest vocalists. The tracks are an eclectic mix of pop, soul, funk, dance and even spoken word. The best thing about this album is that each successive track comes as a surprise when compared to the song before it and the song after it - you really have to give it a listen to understand what I’m talking about. Several hits and singles were generated from this record, though none of those are my favorites. I have a particular affection for ‘Anytime Lisa,’ ‘Anything Can Happen’ and ‘Shadow and Jimmy’ (which was co-written by Elvis Costello). Bonus: Without looking it up, see if you can figure out who the singer is on ‘Wedding Vows in Vegas.’ ### 16. OUR TWO SKINS by Gordi URL: https://www.auditorymusings.net/our-two-skins-by-gordi/ Last updated: 2022-02-02T18:35:34.000Z My admiration for Australian singer-songwriters (see Courtney Barnett in [Issue 14](https://us4.campaign-archive.com/?id=39accb1234&u=a0faee346fb8d12c27b8f830f&ref=auditorymusings.net) of the newsletter) continues with Dr. Sophie Payten, better known as Gordi. Her most recent album has quickly become one of a handful of my favorites from 2020 so far. The vocal and piano track, ‘Aeroplane Bathroom’ is one of the most beautiful pieces of music I’ve come across in a long time. The stripped back nature of this song hints at what the rest of the record is going to sound like. Though there are songs with more layers here, the overall feel of the album is sparse and tender. With the tour that was going to happen in support of Our Two Skins all but postponed until 2021, Dr. Payten decided to strap her stethoscope back on and help her native Australia deal with the COVID-19 pandemic. Now that, along with this album, is impressive. ### 15. DEAR LIFE by Brendan Benson URL: https://www.auditorymusings.net/dear-life-by-brendan-benson/ Last updated: 2022-02-02T18:34:38.000Z You may know of the White Stripes and Jack White. You may even know of the Raconteurs, but do you know who Brendan Benson is? His name doesn’t exactly roll off one’s tongue, but he’s the other ‘half’ of the Raconteurs - co-frontman with Jack White. His musical career started well before the Raconteurs. Dear Life is actually his 7th solo album. The theme throughout the record is that of fulfillment and affirmation of life. Assuming he wrote these songs during the current world situation is a testament to having a positive attitude and seeing the glass as half full. If you’re a fan of the Raconteurs, then you know that his voice is the smoother, more melodic one. This comes across on Dear Life and goes hand in hand with the power pop nature of the songs. If you want a break from the daily barrage of bad news, listen to ‘Richest Man’ and ‘Baby’s Eyes.’ And, if you want something a little edgier and more reminiscent of the Raconteurs, check out the first track and ‘Freak Out.’ ### 14. CRY by Cigarettes After Sex URL: https://www.auditorymusings.net/cry-by-cigarettes-after-sex/ Last updated: 2022-02-02T18:34:24.000Z Ever heard of ‘ambient pop?’ Neither had I until I came across this band earlier this year. I guess if you’re familiar with groups like Mazzy Star or the Cocteau Twins, then you can extrapolate to what ambient pop should sound like. There are no startling or jarring moments in this album - it’s all slow grooves, twinkling guitars and an almost effortless, androgynous vocal floating above it all. This works to great effect throughout the album, but especially in the first three songs, so give those a try before deciding to continue or move on. ### 13. MORDECHAI by Khruangbin URL: https://www.auditorymusings.net/mordechai-by-khruangbin/ Last updated: 2022-02-02T18:34:08.000Z First things first - the band’s name is pronounced ‘krung-bin.’ With that out of the way, I also have to disclose that I may be a bit biased about choosing this record - Khruangbin hails from Houston, Texas, my hometown. However, putting all biases aside, Mordechai is worth a listen for multiple reasons. First, the fact that the band eschews the moniker of ‘world music’ as that implies that anything that is not English/western music should be called ‘world’ is something I had not really thought about, but makes a lot of sense to me. They prefer to call their style ‘Earth music’ encompassing West African, South Asian and Mexican melodies and rhythms (so far…who knows what is in store for the future). Next, this is the type of album you can put on and forget about - and I mean that in the best way possible. On my several listens so far, I found that, at least for me, the lyrics don’t matter that much. It’s the overall groove and thick, heavy bass lines that slowly suck you in without you ever realizing it - you know you’re listening to something, you know you like it, you feel the rhythms but it doesn’t interfere with what you’re doing. It’s background music for people who hate background music. ### 12. ELVIS’ GOLDEN RECORDS, VOL. 3 by Elvis Presley URL: https://www.auditorymusings.net/elvis-golden-records-vol-3-by-elvis-presley/ Last updated: 2022-02-02T18:33:46.000Z Granted this is not a regular studio album, I still think it's worth discovering (or rediscovering) this compilation. Elvis compilations are a dime a dozen these days, but this series (which eventually encompassed 5 volumes) was the first. Growing up, I remember either having or being exposed to volumes 1 through 3\. While all three of those records have the hits we all know and love, volume 3 is the one that either stuck out to me or stuck with me. Tracks 8, 9 and 10 epitomize what Elvis means to me, especially 'Little Sister' - I mean that riff could be from 2020 as much as it could be (and was) from 1961. ### 11. NIGHT TIME, MY TIME by Sky Ferreira URL: https://www.auditorymusings.net/night-time-my-time-by-sky-ferreira/ Last updated: 2022-02-02T18:33:27.000Z I only discovered this album a few years ago, though it was released back in 2013\. I can't remember exactly how I happened to stumble on it, but I think the mixture of styles is what originally attracted me to the music. Variously described as synth-pop, indie rock, grunge and even new wave, the collection of songs is definitely an eclectic mix of all those genres and more. The lead single was 'You're Not the One' so that's definitely one of the first songs you should check out. 'I Blame Myself' and 'Omanko' are great (though very different) songs. My favorite off the record, though, is 'Love in Stereo.' It's hard to imagine that it's the same person singing both 'Omanko' and 'Love in Stereo.' ### 10. STARS ARE THE LIGHT by Moon Duo URL: https://www.auditorymusings.net/stars-are-the-light-by-moon-duo/ Last updated: 2022-02-02T18:33:13.000Z This record is hard to describe. I think you just have to put it on, sit back and soak it in. If I had to put words to the sounds, it would have to be psychedelic and undulating but with melody and shimmer. I know, that doesn't help much. The vocals glide over a disco rhythm in 'Stars are the Light' whereas 'The Word and the Sun' make you feel like you're inside a Space Invaders game. It's no surprise that this duo hails from San Francisco - one listen to this album will put you right in the middle of Haight-Ashbury. ### 9. WOMEN IN MUSIC PT. III by Haim URL: https://www.auditorymusings.net/women-in-music-pt-iii-by-haim/ Last updated: 2022-02-02T18:32:56.000Z This record by the sisters was a long time coming. After a slow trickle of singles, the original release date towards the end of April was pushed back about two months due to COVID-19\. With the songs that were released early being so good, I was worried that the remainder of the album was just going to be filler. Well, those worries were unfounded. This, their third album, is being considered by many as their best so far. Haim have a knack for catchy guitar licks as well as all three sisters trading off lead vocals during their songs. This makes for an enjoyable record that keeps the listener always anticipating what next trick is up their sleeves. ### 8. RAGE AGAINST THE MACHINE (self-titled) URL: https://www.auditorymusings.net/rage-against-the-machine-self-titled/ Last updated: 2022-02-02T18:31:09.000Z The argument could be made that this record is more relevant today than when it was released in 1992, what with all the unrest the United States is experiencing. With Zack de la Rocha's rat-a-tat vocals and Tom Morello's mind-bending guitar, it's difficult to stop this album midway through, let alone stopping in the middle of any song. The tension that is built up in 'Killing in the Name' starting at around the 1:30 mark and climaxing right at 2 minutes is enough to set your heart racing. Forget trying to find the perfect playlist for your next workout - just put this on and you're set for 53 minutes. Don't even think about stopping in the middle! ### 7. AUTOMATIC by The Jesus and Mary Chain URL: https://www.auditorymusings.net/automatic-by-the-jesus-and-mary-chain/ Last updated: 2022-02-02T18:30:28.000Z Automatic by The Jesus and Mary Chain is the third album by this Scottish alt/shoegaze band. It came out in 1989 and played a large role in my formative college years. The unique thing about this album is that brothers William and Jim Reid eschewed the traditional guitars/bass/drum format and basically served as the sole musicians on the album, replacing their drummer with a drum machine and the bass guitar with a synthesizer. I've always been a sucker for melody and that is what captured my attention the first time I heard the album. Although their earlier records had a lot of fuzz and distortion, the melody was still there. With Automatic, they toned down the distortion and focused more on the melody and vocals. The album was panned by the critics when it first came out but, in hindsight, some of those same critics think it may have been the peak of their career. Regardless, it's a fun album to listen to, especially knowing that guitars and vocals are the only "real" instruments being played. ### 6. TRANSGENDER DYSPHORIA BLUES by Against Me! URL: https://www.auditorymusings.net/transgender-dysphoria-blues-by-against-me/ Last updated: 2022-02-02T18:30:13.000Z One of the great things about getting to a concert in time to see the opening act is that you just may discover an artist or band that you end up liking. That's what happened to me when I saw the band Against Me! open up for the Cult at the House of Blues in 2012\. They're considered a punk rock band, similar in some ways to Green Day, in that their songs are punky but melodic and they always have a great guitar riff. It's funny that the last time I saw them (they were opening for Green Day), lead singer Laura Jane Grace told the story of how the first concert she ever went to was Green Day and now they were on tour with the band she idolized as a teenager. Transgender Dysphoria Blues is their 6th studio album and is considered the highlight of their career (so far). As the title implies, the focus of the album is gender dysphoria as this was the first album that Against Me! released following Grace's transition from a male (originally Tom Gabel) to a female. The album was met with critical acclaim by multiple publications, consistently ranking 20 or below in various top albums of 2014 lists. ### 5. SAINT CLOUD by Waxahatchee URL: https://www.auditorymusings.net/saint-cloud-by-waxahatchee/ Last updated: 2022-02-02T18:29:00.000Z This album has generated buzz as one of the best albums of the year so far. The band is called Waxahatchee and is, effectively, the brainchild of Katie Crutchfield. Her latest album, Saint Cloud, is written from the perspective of Crutchfield as someone who has kicked her alcohol addiction and become sober. I've already listened to it multiple times in just the past few days and agree that it's one of the best things I've heard this year. Additionally, it's in stark contrast to her previous record, Out in the Storm, which feels and sounds like a true rock album with heavy guitars, etc. The singles off Saint Cloud that were released in the weeks and months prior to the full album coming out include Can't Do Much, Fire and Lilacs, so those would serve as a good starting point. Other songs that I'd recommend (if you don't feel like listening to the whole album beginning to end from the get go) are Oxbow and St. Cloud (just a beautiful song and the perfect way to end the album). If you do get around to listening to this album, I'd suggest then listening to her previous effort (Out in the Storm mentioned above) just to get a sense of how different the two albums are. ### 4. LOVE JUNK by The Pursuit of Happiness URL: https://www.auditorymusings.net/love-junk-by-the-pursuit-of-happiness/ Last updated: 2022-02-02T18:28:46.000Z This CD got heavy rotations during college. Released in 1988, it was the debut album of TPOH, a college rock/power pop band out of Canada. The mixture of catchy and melodic hooks, male and female vocals and edgy lyrics influenced me greatly and left a lasting impression. The album sold really well, but the band kind of fizzled after releasing a good, but not as good, follow-up. Both the debut and the follow-up were produced by Todd Rundgren. A few albums followed after that but they were never able to recapture the magic of Love Junk. I feel Love Junk was in the same category as the best of college rock of that era. ### 3. KIND OF BLUE by Miles Davis URL: https://www.auditorymusings.net/kind-of-blue-by-miles-davis/ Last updated: 2022-02-02T18:27:40.000Z There's not much I can add to the thousands of words that have been written about this landmark album. It seems almost cliche to mention that this is probably the greatest jazz album of all time, the best selling jazz album of all time and one of the many great jazz albums that were released in 1959, which was a magical year for jazz music. Additionally, my favorite jazz musician, John Coltrane, plays on it. Lastly, it's one of only two framed vinyls I have hanging on my wall. Like I said, I don't have anything more intelligent to say about the album other than to go listen to it! Recently, PBS' American Masters series aired the documentary Miles Davis: Birth of the Cool. If you didn't catch it during the original airing, you can find it online or within the PBS app. ### 2. DORI FREEMAN (self-titled) URL: https://www.auditorymusings.net/dori-freeman-self-titled/ Last updated: 2022-02-02T18:27:14.000Z Reminiscent of old timey Americana music, one would be hard pressed to believe that this album came out of nowhere in 2016\. Variably described as folk, country, traditional and bluegrass, Freeman's style is all of the above and none of the above. Hailing from Virginia, she came from a musical family and had begun singing and playing guitar at a young age. This debut album had already started generating buzz before it even came out, with mentions by Rolling Stone, NPR, the New York Times among others. ### 1. STRANGER IN THE ALPS by Phoebe Bridgers URL: https://www.auditorymusings.net/stranger-in-the-alps-by-phoebe-bridgers/ Last updated: 2022-02-02T18:26:30.000Z To say that Phoebe Bridger's album, Stranger in the Alps, is melancholy is, simply put, quite the understatement. On your first few listens, you want to be alone, preferably with headphones (so you can make out every word) and in a "mood." What kind of mood is up to you, but I've found that if I'm having one of "those" days, listening to this album helps me put everything in perspective. How can it not when one of the lines in, for example "Funeral," goes, "...wishing I was someone else, feeling sorry for myself, when I remembered someone's kid is dead"? Yeah, I know, heavy stuff. Even what I consider the most upbeat song on the album, "Motion Sickness," starts out with, "I hate you for what you did." Regardless, this is an amazing album, made stronger by, I think, its raw vulnerability in the lyrics and arrangements.